Minggu, 24 Mei 2015

^ Ebook True Blue, by David Milch, Bill Clark

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True Blue, by David Milch, Bill Clark

The creator of NYPD Blue and the detective who inspired the series team up in a behind-the-scenes look at the popular weekly television police drama and describes the true events upon which scripts are based. Reprint.

  • Sales Rank: #1402602 in Books
  • Published on: 1997-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.25" h x 4.25" w x 1.00" l,
  • Binding: Paperback
  • 256 pages

From Publishers Weekly
Only diehard fans of NYPD Blue will find the faintest interest in this fanzine-style pseudo-expose. Told by Milch, the series' executive producer and co-creator, and Clark, a 25-year veteran of New York's Finest, the book relates the steps according to which the ex-detective's true-life cases were converted into scripts for the show and provides glimpses of the personalities of the actors, principally David Caruso, who left the series and whom the authors depict as a hugely obnoxious individual. It's all quite superficial. Photos not seen by PW. 100,000 first printing; author tour.
Copyright 1995 Reed Business Information, Inc.

From Booklist
The real stories are twofold: the sicko/crackhead crimes on which the popular cop drama is based and backstage politics. The latter featured the departure of prima donna actor David Caruso, to the regret of no one, apparently, but to the profit of the tabs that blared the snit-fit at the checkout line. That publicity is the rough analog for the interest that libraries can expect for this testimonial from the show's chief scriptwriter, David Milch, and "creative consultant," real NYPD detective Bill Clark, who raw-jaws the cases behind the televised episodes. Viewers and readers will quickly connect Clark's war stories with particular programs and Clark himself with the character of Andy Sipowicz, whose profanity, creative I'll-bust-your-face interrogation methods, and crypto-racism often tighten and spring the drama's tensions. Fans also hear Milch's reaction to attacks on his show by family-values groups, and his defense of an ill-received lecture he gave on why there are so few black screenwriters in Hollywood. Discursively organized, yet fans will still zoom through this inside dope. Gilbert Taylor

Most helpful customer reviews

0 of 0 people found the following review helpful.
Poorly Edited: My World --of horse races and, er my health and what my doctor says and what? oh--And Welcome To It.
By Wade Dizdar
Three stars only because I care about the show. The book, though is lazy and haphazard, badly needing David Caruso to browbeat and throw fits until Milch can write something more presentable.

The few, the brave read past the first, longwinded Chapter on a particular horse race, and wonder how Det. Bill Clark's stories will "blend in" (jump cuts) with the narration.

0 of 1 people found the following review helpful.
Five Stars
By Randy Lish
Excellent Book !!!!

11 of 12 people found the following review helpful.
Essential for any true NYPD Blue fan
By Alan Sepinwall
While many names pop up in the writing and production credits of every episode of "NYPD Blue," the show is essentially the work of two men: screenwriter Milch and ex-cop Clark. To truly understand the way they think and how that translates into Emmy-winning drama, this book is a must. It alternates between behind-the-scenes information from Milch -- with a heavy emphasis on Milch's feud with former star David Caruso during the first season -- and anecdotes from Clark's 25-year career as an NYPD cop and homicide detective. If you've never watched Blue and are only interested in the true-crime aspects, this probably isn't the book for you. And devout fans of Caruso should probably stay far away, as the book paints a very unflattering (and some would say unfair) portrait of the red-haired actor.

See all 14 customer reviews...

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Sabtu, 23 Mei 2015

# Ebook Hope Against Hope: A Memoir, by Nadezhda Mandelstam, Max Hayward

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Hope Against Hope: A Memoir, by Nadezhda Mandelstam, Max Hayward

The story of the poet Osip Mandelstam, who suffered continuous persecution under Stalin, but whose wife constantly supported both him and his writings until he died in 1938. Since 1917 The Modern Library prides itself as The Modern Library of the World's Best Books. Featuring introductions by leading writers, stunning translations, scholarly endnotes and reading group guides. Production values emphasize superior quality and readability. Competitive prices, coupled with exciting cover design make these an ideal gift to be cherished by the avid reader. Of the eighty-one years of her life, Nadezhda Mandelstam spent nineteen as the wife of Russia's greatest poet in this century, Osip Mandelstam, and forty-two as his widow. The rest was childhood and youth." So writes Joseph Brodsky in his appreciation of Nadezhda Mandelstam that is reprinted here as an Introduction. Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.

  • Sales Rank: #544302 in Books
  • Published on: 1999-03-30
  • Released on: 1999-03-30
  • Original language: Russian
  • Number of items: 1
  • Dimensions: 8.46" h x 1.00" w x 5.54" l, 1.36 pounds
  • Binding: Paperback
  • 480 pages

Amazon.com Review
Nadezhda means "hope" in Russian. And Nadezhda Mandelstam, wife of Osip Mandelstam, one of the greatest Russian poets of the 20th century, is aptly named, for it is hope alone that seems to have buoyed her strength during very trying times. In this, the first of two volumes of her memoirs, she offers a harrowing account of the last four years she spent with her late husband. She re-creates in terse, stripped-to-the-bone sentences the atmosphere of intense paranoia that enveloped Russia's literary intelligentsia. In 1933, Osip had written a lighthearted satire ridiculing Stalin. It proved to be a 16-line death sentence. Nadezhda recalls the night the secret police came for him: "There was a sharp, unbearably explicit knock on the door. 'They've come for Osip,' I said." He was arrested, interrogated, exiled, and eventually rearrested. Nadezhda chronicles each turn of event, describing her feelings of heartbreak and joy with self-effacing discipline. Not only does Mandelstam write with the vitality and insight of the classic Russian novelists, she is far too selfless to write an account of her own travails. Instead, she acts as witness to a society's. Similarly, although Osip's mind became unbalanced by his ordeal in prison, his spirit remained unbroken; it is this liberating, imaginative force that Nadezhda celebrates in Hope Against Hope. --Lilian Pizzichini, Amazon.co.uk

Review
"        Nothing one can say will either communicate or affect the genius of this book. To pass judgment on it is almost insolence--even judgment that is merely celebration and homage."
--George Steiner, The New Yorker

"        Surely the most luminous account we have--or are likely to get--of life in the Soviet Union during the purges of the 1930's."
--Olga Carlisle, The New York Times Book Review

"        No work on Russia which I have recently read has given me so sensitive and searing an insight into the hellhouse which Russia became under Stalin as this dedicated and brilliant work on the poet Mandelstam by his devoted wife."
--Harrison E. Salisbury

Of the eighty-one years of her life, Nadezhda Mandelstam spent nineteen as the wife of Russia's greatest poet in this century, Osip Mandelstam, and forty-two as his widow. The rest was childhood and youth."
                So writes Joseph Brodsky in his appreciation of Nadezhda Mandelstam that is reprinted here as an Introduction. Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.

Nadezhda Mandelstam was born in Saratov in 1899. She met Osip Mandelstam in 1919. She is also the author of Hope Abandoned (1974). She died in 1980. Nadezhda means "hope" in Russian.

Language Notes
Text: English (translation)
Original Language: Russian

Most helpful customer reviews

17 of 20 people found the following review helpful.
One of my top 10 books
By A Customer
Presents an image of Russia as profound and gripping as Dostoevsky (only it's a memoir, not fiction). Fascinating portrait of one of the greatest poets of the 20th century. One of the 10 books which have meant the most to me since I began reading 40 years ago.

18 of 18 people found the following review helpful.
A fascinating look at Russia shortly after the revolution.
By A Customer
Highly recommended reading. This is a detailed but very readable account of the years following the revolution as recalled by the wife of one of Russia's leading poets. It is a witty, frank, and intelligent analysis of conditions that contrast so starkly with the premise of the revolution - freedom and equality for all people.

17 of 19 people found the following review helpful.
The world was not worthy of the Mandelstams
By Christopher W. Coffman
Only a process that is very beautiful and very terrible could produce this book: the anguish of two human souls being tormented by a cruel, fiendishly clever, and virtually all-powerful State determined to murder both the body and soul of its victims. Whether we deserve to benefit as readers from the terrible tempering endured by the poet Osip Mandelstam and his widow Nadezhda Mandelstam is a matter that can be easily determined: we do not deserve it. We are not worthy of the Mandelstams. They belong to a very select group of all the human beings who have ever lived, most of whom we will never know. Thanks to her memoir, we do know Nadezhda and Osip.

If Osip's great characteristic was his commitment to truth, Nadezhda's was her endurance (if this sounds dismissive recall that the New Testament repeatedly includes endurance as one of a short list of authentic signs of the divine Spirit). Her personal survival made possible the survival of (most) of Osip's poetry, and of the story of their lives, preserved in this unique memoir.

Wordsworth defined poetry as "emotion recollected in tranquility", and this memoir has something deeper than tranquility to it, a profound serenity, a luminous sadness, a fusion of love and truth which is the pivot on which human history revolves.

It is clear from reading this book that Osip was one those described in the 11th chapter of Hebrews as those "of whom the world was not worthy".

What better way to understand the industrial scale barbarisms of the twentieth century than to read about how they were observed and interpreted through the sensibilities of great poets and writers? Perhaps because of the relative brevity of the "Thousand Year Reich", we have had far more accounts from Hitler's victims than from Lenin and Stalin's victims. But the ones that did survive from the Soviet Union, not just HOPE AGAINST HOPE but works by Ginzburg, Brodsky, and Solzhenitsyn, are testaments of the human spirit of the same order as those written by witnesses to the Holocaust.

But the significance of HOPE AGAINST HOPE is not primarily its historical account of the Stalinist system, but its depiction of cosmic injustice and the possibility--even in the worst circumstances--for some kind of ultimate triumph of truth and integrity and decency and love.

I doubt that a person picking up this book on a whim will read it through, unless, without knowing it, they have been preparing themselves for years to understand what Osip and Nadezhda have to tell us about ourselves and about the human potential for choosing truth and for acting with moral courage. That was true for me. I bought this book twenty years ago, and although I started it a couple of times, I have only just read it after all that time it has been on my shelves. Paradoxically, although it's a life-changing book, perhaps one's life has to have already changed, or begun to change, before one can engage with it.

There is so much to reflect on in HOPE AGAINST HOPE. It is clear, for example, that although he died at the age of 46 in one of Stalin's camps, Osip was spiritually far advanced of the level achieved by Nadezhda herself in old age as she writes this memoir. She faithfully reports her long-dead husband's remarks and opinions without, in many cases, quite understanding them. This is to be expected: what is anybody to make of an observation such as the following: "Although [Osip] did not seek happiness, he described everything he valued in terms of pleasure and play: 'Thanks to the wonderful bounty of Christianity, the whole of our two-thousand-year-old culture is the setting of the world free for play, for spiritual pleasure, for the free imitation of Christ.'"? [page 267]

One last comment about HOPE AGAINST HOPE is the perspective it provides for reading and evaluating other books on the period. HOPE AGAINST HOPE is an almost Biblically rigorous metric for ethical and moral decision. Stimulated by this memoir, I've been reading or re-reading LIFE AND FATE, Bulgakov's diaries and letters collected as MANUSCRIPTS DON'T BURN, Bulgakov's novel THE MASTER AND MARGARITA, Schklovsky's THEORY OF PROSE, Montefiore's YOUNG STALIN, and a fascinating biography by Tom Reiss of the early Stalin biographer Essad Bay, who was actually a Jewish resident of Baku named Lev Nussenbaim. All of these books read differently in the pure light of HOPE AGAINST HOPE; behaviour and poses which seem plausible and even praiseworthy simply look inadequate against the standard set by the Mandelstams.

Everything, everybody, looks inadequate.

See all 19 customer reviews...

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Jumat, 22 Mei 2015

~ Free Ebook Shake A Leg! (Junior Jellybean Books(TM)), by Sesame Street

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Reading is one of the most important skills a child will ever learn. When you read to children, you are sharing an experience that prepares them to learn to read. Jellybean Books have been written especially to be read aloud to toddlers and preschoolers aged 3-5 years old. Every book is lively, colorful, filled with fabulous characters, and priced to please.

  • Sales Rank: #2119981 in Books
  • Published on: 1999-07-20
  • Released on: 1999-07-20
  • Original language: English
  • Number of items: 1
  • Dimensions: .25" h x 6.77" w x 6.84" l,
  • Binding: Hardcover
  • 24 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
excellent introduction to the names of body parts
By Jim Carson
This is one of my daughter's favorite books because it's very involving in a physical and non-threatening way. You read the text, you show her the movement, she sees the movement depicted, and does it. She had lots of fun and was very interested in learning the names of various body parts.
This is a wonderful book, but not before a nap or bedtime. For that, I'd recommend the related Elmo book "Quiet Time."

3 of 3 people found the following review helpful.
This is our second copy of this book!
By Amazon Customer
I ordered a second copy of this book after the first one was destroyed by rain! We used to read it to my oldest daughter and decided to buy it again after our third child was born... not only does it teach different parts of the body, it is a great way to get your kids moving!

4 of 4 people found the following review helpful.
Great interactive book for toddlers
By Vicki Britt
Elmo and his friends perform various easy to imitate actions in their muppet exercise class. My two year old loves to follow along and do each step like 'honk her nose' and 'rub her tummy'. It's a great book for 1-3 year olds.

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The Time of Our Time (Modern Library Paperbacks), by Norman Mailer

Norman Mailer's The Time of Our Time is a giant retrospective, a rich, boisterous portrait of our times seen through the fiction and reportage of one of America's greatest writers.

Mailer selected and edited the contents of this work to create an ongoing narrative of events large and small that have shaped America over the last fifty years.  Included are passages from The Naked and the Dead, The Deer Park, An American Dream, The Armies of the Night, The Executioner's Song, Ancient Evenings, and Harlot's Ghost as well as portraits of Ernest Hemingway, Dorothy Parker, Truman Capote, JFK, Marilyn Monroe, Lee Harvey Oswald, Madonna, Bill Clinton, Jimmy Carter, and Richard Nixon as they appeared in some of his best magazine pieces.  How readable is the result!  It is as if one is being drawn into a fabulous novel with extraordinary characters, real and fictional, who appear and reappear through the years until a vast mural of America as a nation comes into focus, full of follies and blunders, surprisingly elegant and often crazy--tragic in its losses and large in its triumphs.

On display here are Mailer's enormous energies, his vast curiosity, and his powers of delineation.  Here too are his errors of judgment and deed, both personal and literary.  As a writer, Mailer eschews all limits.  He goes at the world like a tiger.  What will surprise many readers of The Time of Our Time is what a shrewd and stylish tiger he has been.


From the Hardcover edition.

  • Sales Rank: #2112869 in Books
  • Published on: 1999-10-26
  • Released on: 1999-10-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.78" w x 6.07" l,
  • Binding: Paperback
  • 1328 pages

Amazon.com Review
Compiling an anthology of one's own work can be a tricky business. Norman Mailer, of course, first committed this act of literary cannibalism back in 1959, when he assembled a brilliant collage of stories, journalism, essays, and poetry, Advertisements for Myself . Now, 50 years after the publication of his first novel, Gore Vidal's favorite sparring partner has put together another, more massive anthology, advertising not only himself but what we might call (paraphrasing Frost) his lover's quarrel with American life. "Over the course of years," Mailer writes in his foreword, "most of us compose in the privacy of our minds a social and cultural history of the years through which we have passed." True enough. But Mailer's history of the American Imperium has always been public--extremely public--and in The Time of Our Time he attempts to get it all into a single book.

Surely this sense of himself as the republic's recording angel accounts for the structure of Mailer's anthology: rather than arranging the excerpts by date of composition, he groups them by the historical era they describe. His 1963 polemic about the Bay of Pigs, for example, appears alongside his cloak-and-dagger reconstruction of the same event from Harlot's Ghost (1991). Fiction and fact lie cheek-by-jowl and eventually become impossible to tell apart. Here is the fulfillment of a project that Mailer began decades ago with such cunning hybrids as Armies of the Night. Yet this enormous volume shouldn't be read merely as a hand-tooled work of history. It is also the record of a phenomenal literary career, documenting Mailer's initial triumphs, his adrenaline-infused masterpieces of the late 1960s, hyperbolic stinkers like Marilyn and Ancient Evenings, and the astringent sorrow and awe of The Executioner's Song, which marked his return to form in 1979 after a long fallow period. Who but this loudmouthed, elegant, shrewd, and invariably excessive author would claim that his time--i.e., his accounting of it--is essentially our time? And who else could even begin to make such a claim stick? The list is a short one indeed.

From Library Journal
How to sum up 50 years of writing? Mailer's 31 books since 1948?some great, some infuriating or silly, but none of them safe?have held him a consistently high place among postwar American writers; in between his novels, his charismatic accounts of political conventions, prize fights, demonstrations, and moon landings effected a sea-change in magazine journalism, launching a thousand self-referential copycats. No subject ever seemed outside Mailer's swaggering intelligence as he evolved from young war-novelist to Existential essayist riffing above the cultural storms. Mailer doesn't need to stake his claim as a novelist or social critic: This sprawling reader does both, following Mailer's two careers by presenting novel excerpts set chronologically and thematically among his most memorable nonfiction, right up to his account of the 1996 campaign. In another half-century, will he be remembered as a great novelist or a gifted man of letters who divided his talent? Readers who don't balk at this collection's heft (1279 pages) may decide for themselves. This compilation is an ego indulgence, but even Mailer's indulgences are lucid and surprising. Recommended, but not essential.?Nathan Ward, "Library Journal"
Copyright 1998 Reed Business Information, Inc.

From Booklist
Issued as a commemoration of the fiftieth anniversary of the publication of Mailer's first novel, The Naked and the Dead, and weighing in at about the size of the Manhattan phone book, this retrospective anthology contains excerpts of exemplary works, personally selected by the great writer himself. The compilation is creatively organized; in looking back over his oeuvre, Mailer, as he posits in his, not surprisingly, brilliant introduction, realized its thematic thread is his abiding interest in writing about America. Consequently, he has positioned the pieces in this collection so that each one "appears in accordance with the year it refers to rather than the year in which it was written." Thus, as we read excerpts from Mailer's fiction and nonfiction, things are purposefully out of chronological order of composition but ultimately in perfect order in terms of overall effect; the reader witnesses Mailer's reactions to almost every step of America's evolving political and social conditions over the past 50 years. Excerpts range from a portrait of Dorothy Parker that every reader will enjoy to a segment of his novel Ancient Evenings, which many did not enjoy. A brain, a talent, a rascal, and an observer: Mailer is all these, and the mix of these elements results here in a monument, not to his ego, but to his high place in American letters. Brad Hooper

Most helpful customer reviews

4 of 4 people found the following review helpful.
Mailer's Greatest Hits--But Not For Readers Unfamiliar with Mailer's Work
By Kevin M. Derby
"The Time of Our Time" gathers together some of Norman Mailer's best writings but, unlike some "greatest hits" collections from writers, it is not an introduction. It is 1,300 pages-way too long to be an introduction. What Mailer offered in this work, a celebration of both his 75th birthday and his 50 years in publication, is an chronology of American life from World War Two to Clinton winning a second term in 1996--with a look at ancient Egypt and Jesus hanging on as an afterthought. Mailer offers slices of his novels, interviews with famous figures and his own, reports of political conventions, thoughts on boxing matches, a look at Watergate, arguments with feminists, reports on the JFK assassination, a glimpse at Arthur Miller and Marilyn Monroe and other writings. It's a haunting snapshot of the chaos, passion and turmoil of the last half of the 20th century in America. A parade of the great and near great march through: Eugene McCarthy, Mailyn Quayle, Gary Gilmore, Salman Rushdie, Abbie Hoffman, Nelson Rockefeller, Madonna, Gore Vidal, Neil Armstrong, a bullfighter named "El Loco", Floyd Patterson. There are strange moments and one wonders where Mailer was in the 80s. It's telling that Ronald Reagan pops up in the political drama of 1968 but not as president while George H. W. Bush pops up as the main figure in two essays. Mailer fans will wonder why some parts of his books are included but not others-did we need to revisit the detour in "Harlot's Ghost" to Uruguay again? Why didn't Mailer include the start of "Harlot's Ghost" as Harry Hubbard has a harrowing night in Maine? Why are none of the screenplays here? Why so little of "Naked and the Dead"? Any fan will have problems with a given "greatest hits" collection be it U2's best songs or Tennyson's best poems or a collection of the greatest Yankees games ever. This work is no introduction to Mailer but it is a comprehensive look into the minds and craft of one of the greatest American writers of the 20th century.

17 of 19 people found the following review helpful.
Imperfect Brilliance
By A Customer
Norman Mailer has had a radical trajectory through the course of his career, and now, at age 75 with fifty years as a professional writer behind him, a summary collection is the fashion, and "The Time of Our Time" is the door stopper through which posterity should judge either his ascension, or decline in our literary Olympus. It's amazing, actually , how Mailer has controlled the course of criticisim of his work, as he did with "Advertisements for Myself" and later with the "Prisoner of Sex", both books through which his aesthetics were linked with a peculiarly Maileresque cosmology. One might despise Mailer and his philosophy, but a critic was still trapped discussing the work through the author's obsessions. And that is the mark of brilliance, Mailer could get is readers to talk about things he wanted to speak to, because his language is strangely persuasive, at his high point, even as it addresses the dark and obscene corners of the imagination, and the baser instincts of American power. "The Time of Our Time'again makes us consider his entire career through Mailer's filter, and understandably, it can be aggravating for someone expecting an easy in to the body of work.But it gives us the rewards, with generous selections form his best work, "Naked and the Dead", Armies of the Night", "Executioner's Song","An American Dream"--and like wise long excerpts from slighter efforts, like "Gospel According to the Son" and his recent Picasso biography. What there is is an an impressive reach over the five decades that he's been in the public eye, an early brashness turning into a combative and provocative brilliance that at times trips over it's own eloquence that later turned into thoughtful , epic scale story telling through which the previous ego centric prose vanished behind the tragedy writ in the Gary Gilmore saga. It's difficult not to be impressed with the range of Mailer's topics, in fiction, journalism, and essa! ys--World War 2 in the Pacific, Moon Landings, Black power, Women's Rights, Hunting, Reichian sexuality, the failure of Marxism, The Kennedy Assasination, Ancient Egypt, masculinity and American Literature, the dread of Modern architecture, the real meaning of the right wing, Boxing--and while Mailer at times seems breathless and throat clearing in his writing, that he's spreading a style too thin to cover the feeling that he's , for the moment, is bereft of anything interesting to say, you note the way he changes tact, changes styles, and ushers in another period of solid books that stand as his strongest."The Time of Our Time" provides an over long reflection of a career that has been victim of the author's proclaimed desire to be the champ of his generation, but it also gives us a chance to appreciate a brilliant talent that found expression in spite of Mailer's the self-annihilating quirks. Controversial, problematic, self-absorbed, but quintessientially American, and one of the best witnesses we could have had for the second half of the century.

7 of 8 people found the following review helpful.
Imperfect Genius
By Ted Burke
Norman Mailer has had a radical trajectory through the course of his career, and now, at age 75 with fifty years as a professional writer behind him, a summary collection is the fashion, and "The Time of Our Time" is the door stopper through which posterity should judge either his ascension, or decline in our literary Olympus.
It's amazing, actually, how Mailer has controlled the course of criticism of his work, as he did with "Advertisements for Myself" and later with the "Prisoner of Sex", both books through which his aesthetics were linked with a peculiarly Maileresque cosmology. One might despise Mailer and his philosophy, but a critic was still trapped discussing the work through the author's obsessions. And that is the mark of brilliance, Mailer could get is readers to talk about things he wanted to speak to, because his language is strangely persuasive, at his high point, even as it addresses the dark and obscene corners of the imagination, and the baser instincts of American power.
"The Time of Our Time" again makes us consider his entire career through Mailer's filter, and understandably, it can be aggravating for someone expecting an easy in to the body of work. But it gives us the rewards, with generous selections form his best work, "Naked and the Dead", Armies of the Night", "Executioner's Song"," An American Dream"--and like wise long excerpts from slighter efforts, like "Gospel According to the Son" and his recent Picasso biography. What there is an impressive reach over the five decades that he's been in the public eye, an early brashness turning into a combative and provocative brilliance that at times trips over it's own eloquence that later turned into thoughtful, epic scale story telling through which the previous ego centric prose vanished behind the tragedy writ in the Gary Gilmore saga.
It's difficult not to be impressed with the range of Mailer's topics, in fiction, journalism, and essays! --World War 2 in the Pacific, Moon Landings, Black power, Women's Rights, Hunting, Reichian sexuality, the failure of Marxism, The Kennedy Assassination, Ancient Egypt, masculinity and American Literature, the dread of Modern architecture, the real meaning of the right wing, Boxing--and while Mailer at times seems breathless and throat clearing in his writing, that he's spreading a style too thin to cover the feeling that he's , for the moment, is bereft of anything interesting to say, you note the way he changes tact, changes styles, and ushers in another period of solid books that stand as his strongest." The Time of Our Time" provides an over long reflection of a career that has been victim of the author's proclaimed desire to be the champ of his generation, but it also gives us a chance to appreciate a brilliant talent that found expression in spite of Mailer's the self-annihilating quirks.
Controversial, problematic, self-absorbed, but quintessentially American, and one of the best witnesses we could have had for the second half of the century

See all 5 customer reviews...

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Kamis, 21 Mei 2015

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The Legend of Sleepy Hollow and Other Stories: Or, The Sketch Book of Geoffrey Crayon, Gent. (Modern Library Classics), by Washington Irvi

With his beloved Gothic tales, Washington Irving is said to have created the genre of the short story in America. Though Irving crafted many of the most memorable characters in fiction, from Rip Van Winkle to Ichabod Crane, his gifts were not confined to the short story alone. He was also a master of satire, essay, travelogue, and folktale, as evidenced in this classic collection.

Henry Wadsworth Longfellow said, "Every reader has a first book.... which, in early youth, first fascinates his imagination, and at once excites and satisfies the desires of his mind. To me, this first book was The Sketch Book of Washington Irving... The charm of The Sketch Book remains unbroken; the old fascination still lingers about it."

  • Sales Rank: #493914 in Books
  • Published on: 2001-08-14
  • Released on: 2001-08-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .79" w x 5.20" l,
  • Binding: Paperback
  • 384 pages

Review
"Washington Irving... makes Nathaniel Hawthorne read like Dr. Seuss!"

From the Inside Flap
With his beloved Gothic tales, Washington Irving is said to have created the genre of the short story in America. Though Irving crafted many of the most memorable characters in fiction, from Rip Van Winkle to Ichabod Crane, his gifts were not confined to the short story alone. He was also a master of satire, essay, travelogue, and folktale, as evidenced in this classic collection.
Henry Wadsworth Longfellow said, "Every reader has a first book.... which, in early youth, first fascinates his imagination, and at once excites and satisfies the desires of his mind. To me, this first book was The Sketch Book of Washington Irving... The charm of The Sketch Book remains unbroken; the old fascination still lingers about it."

From the Back Cover
"Washington Irving... makes Nathaniel Hawthorne read like Dr. Seuss!"

Most helpful customer reviews

0 of 2 people found the following review helpful.
reason for purchase of Legend of Sleepy Hollow
By Richard Darling
It was necessary to review the Legend of Sleepy Hollow to repair a sculpture of an original John Rogers Group and consequently
make it accurate historically. I had forgotten most of this fiction and Amazon made it a convenient purchase and timely gift for a grandchild.

2 of 5 people found the following review helpful.
before we knew what it meant to be an American
By NotATameLion
The Stories of Washington Irving are from a time before America had its national identity figured out. Just as recent times have shown what it means to be American--the terrible cost and awesome responsibilities of freedom, Irving's tales showcase the characters who were exploring the uncharted waters of their new found freedom.
I never liked Irving when I read him in school. This can probably be explained by the fact that I have always had a homework allergy. However, I have recently reacquainted myself to the man's writings. I am surprised how much I now enjoy them. It has been a joy to step back in time with Irving. His characters affirm my belief that no matter what age people live in, they are still able to speak to the present.
The aspect of Irving's writing that appeals to me most is his humor. It is exemplified by his two most famous tales: "Rip Van Winkle" and "The Legend of Sleepy Hollow," but it is present throughout the work. We humans, much like Dame Van Winkle, tend to be too serious. Irving was an astute chronicler of the people he saw around him--all the while looking at life through smiling eyes--and it is most refreshing to share his view for a while.
I recommend this book.

3 of 3 people found the following review helpful.
Reflections of the Old World Through Washington Irving's Tales
By R. DelParto
Indeed, "The Legend of Sleepy Hollow" and "Rip Van Winkle" are the capstone stories to THE LEGEND OF SLEEPY HOLLOW AND OTHER STORIES, OR THE SKETCH BOOK OF GEOFFREY CRAYON, GENT. However, it is the other 32 essays and short stories that are the jewel to the Modern Library Classics'edition of Washington Irving's most widely read literary tales. Through the psyeudonyms of Diedrich Knickenbacker and Geoffrey Crayon, Gent, Irving produced his most revered works, HISTORY OF NEW YORK AND SKETCH BOOK, which both reflect on the state of early nineteenth century America -- 40 or more years after the American Revolution and soon after the War of 1812, and later the dawn of the Industrial Age. Irving's stories have the same flair of Charles Dickens's, but with a nostalgic quality.

The best part of the book is the humor and observations that Irving wrote from both sides of the Atlantic. His flowing and quite descriptive prose livens his stories, especially the haunting Halloween classic "The Legend of Sleepy Hollow." "Rip Van Winkle" has a bit of Jeffersonian thought about idleness. But addition to these tales, Irvings invites all to share a little holiday fair as he takes readers into the fun and folly of an Old English Christmas with five delightful stories: "Christmas," "The Stage Coach," "Christmas Eve," "Christmas Day," and "Christmas Dinner," which all echoes Dickens in mind. However, these were written years before "A Christmas Carol."

Beyond the folklore tales that resonate the Old World, Irving also writes about Native Americans. He tells the story of the Indian in "Traits of Indian Character" and "Philip of Pokanoket"; the latter is the tale of the legendary figure King Philip. The last passage of "Philip" definitely strikes an ironic chord, "...he lived a wanderer and a fugitive in his native land, and went down, like a lonely bark foundering amid darkness and tempest - without pity eye to weep his fall, or a friendly hand to record his struggle" (266).

Washington Irving's THE LEGEND OF SLEEPY HOLLOW AND OTHER STORIES are filled with a treasure trove of American literature. All the stories are suitable reading for any season, or merely for the pleasure of reading a collection of stories that reflect on a historical past.

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Rabu, 20 Mei 2015

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Learning to Say Good-By: When a Child's Parent Dies, by Eda J. LeShan

Learning to Say Good-By: When a Child's Parent Dies

  • Sales Rank: #1124810 in Books
  • Published on: 1988-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.50" w x .50" l,
  • Binding: Paperback
  • 123 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
This is an excellent book for grievers who have lost a parent
By Mama Doc
Although it was written to help children when a parent dies, I cried all the way through it, even though it had been a number of years since my grandmother (who was a surrogate mother when I was little) had died. I think when a parent dies, we feel like children. It has specific suggestions on how to help actual children of differnt ages when their parents die. It explains how children think at different ages and why it's hepful to use different explanations at different ages.

0 of 0 people found the following review helpful.
Excellent. I felt the way my family delt with ...
By Vicki
I used this when she first published it. Excellent. I felt the way my family delt with me when I lost parent at 12 yo with never mentioning them ever again till I was 17 yo was not the way to help. This book agreed. I used it as hospital employee and personally and advocated it many times.

See all 2 customer reviews...

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!! Download Ebook Arrow of God, by Chinua Achebe

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Arrow of God, by Chinua Achebe

The second novel in Chinua Achebe’s masterful African trilogy, following Things Fall Apart and preceding No Longer at Ease
 
Regarded by Chinua Achebe as his greatest achievement, Arrow of God is a tale of the generation that came after Okonkwo as they took up their own struggle between continuity and change.

Ezeulu, the headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But his authority is increasingly under threat—from rivals within his tribe, from functionaries of the colonial government, and even from his own family members. Yet he believes himself to be untouchable: surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it is towards their own destruction. But his people will not be dominated so easily.
 
Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.

  • Sales Rank: #122619 in Books
  • Published on: 2016-08-16
  • Released on: 2016-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l, .55 pounds
  • Binding: Paperback
  • 230 pages

Review
Praise for Arrow of God

"My favorite novel." —Chimamanda Ngozi Adichie


Praise for Chinua Achebe
 
“A magical writer—one of the greatest of the twentieth century.” —Margaret Atwood
 
“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison                                                                                                                                                                                                                        
 
“Chinua Achebe is gloriously gifted with the magic of an ebullient, generous, great talent.” —Nadine Gordimer
 
“Achebe’s influence should go on and on . . . teaching and reminding that all humankind is one.” —The Nation
 
“The father of African literature in the English language and undoubtedly one of the most important writers of the second half of the twentieth century.” —Caryl Phillips, The Observer
 
“We are indebted to Achebe for reminding us that art has social and moral dimension—a truth often obscured.” —Chicago Tribune
 
“He is one of the few writers of our time who has touched us with a code of values that will never be ironic.” —Michael Ondaatje
 
“For so many readers around the world, it is Chinua Achebe who opened up the magic casements of African fiction.” —Kwame Anthony Appiah
 
“[Achebe] is one of world literature’s great humane voices.” —Times Literary Supplement
 
“Achebe is one of the most distinguished artists to emerge from the West African cultural renaissance of the post-war world.” —The Sunday Times (London)
 
“[Achebe is] a powerful voice for cultural decolonization.” —The Village Voice
 
“Chinua Achebe has shown that a mind that observes clearly but feels deeply enough to afford laughter may be more wise than all the politicians and journalists.” —Time
 
“The power and majesty of Chinua Achebe’s work has, literally, opened the world to generations of readers. He is an ambassador of art, and a profound recorder of the human condition.” —Michael Dorris

From the Publisher
Set in the Ibo heartland of eastern Nigeria, one of Africa's best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.

From the Inside Flap
Set in the Ibo heartland of eastern Nigeria, one of Africa's best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.

Most helpful customer reviews

0 of 0 people found the following review helpful.
it is a classic, a must read for every ...
By max
it is a classic, a must read for every one living on the African Continent.knowledge about the culture, the people, the language richly interwoven into literature.

24 of 27 people found the following review helpful.
Achebe's Arrow
By A Customer
Like Chinua Achebe's first novel (Things Fall Apart), Arrow of God takes us back to the traditional village culture of the Igbo nation in Western Nigeria, tracing its destruction under British colonial rule. Once again, too, the story centers on a tribal elder who embodies the old ways so profoundly that he will be destroyed along with them. Achebe uses fiction to do what ethnology can never accomplish: to take us "inside" an indigenous culture, letting us see and feel how its customs and beliefs support the rhythms of daily living. With an extraordinary blend of sympathy and detachment, he captures the human tragedy in the destruction of a way of life.

22 of 23 people found the following review helpful.
Another Chinua Masterpiece
By Elijah Chingosho
"Arrow of God" is another excellent novel by the world renowned Chinua Achebe. I have read this novel perhaps five times, having first read it decades ago. I still get thrilled and marvel at the ability of Chinua Achebe to tell a good story that keeps the reader wanting to read more. I have also read "Things Fall Apart" and "Man of the People", which are all excellent reading for those interested in African literature.

The story is set in a traditional Igbo village in Western Nigeria where the author traces how the age old traditions that had stood the test of time were systematically eroded by colonial rule. An important lesson we learn is that we need to change with the times and be adaptive to the constant changes, otherwise we perish.

This is a well written book by a remarkable author that is very interesting to read as well as enlightening.

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