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The Life and Opinions of Tristram Shandy, Gentleman (Modern Library Classics), by Laurence Sterne

The Life and Opinions of Tristram Shandy, Gentleman (Modern Library Classics), by Laurence Sterne



The Life and Opinions of Tristram Shandy, Gentleman (Modern Library Classics), by Laurence Sterne

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The Life and Opinions of Tristram Shandy, Gentleman (Modern Library Classics), by Laurence Sterne

Introduction and Notes by Robert Folkenflik


Rich in playful double entendres, digressions, formal oddities, and typographical experiments, The Life and Opinions of Tristram Shandy, Gentleman provoked a literary sensation when it first appeared in England in a series of volumes from 1759 to 1767. An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, Tristram Shandy is the most protean and playful English novel of the eighteenth century and a celebration of the art of fiction; its inventiveness anticipates the work of Joyce, Rushdie, and Fuentes in our own century. This Modern Library Paperback is set from the nine-volume first edition from 1759.

  • Sales Rank: #585122 in Books
  • Published on: 2004-09-21
  • Released on: 2004-09-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.20" w x 5.40" l, 1.15 pounds
  • Binding: Paperback
  • 704 pages

From the Inside Flap
Introduction and Notes by Robert Folkenflik

Rich in playful double entendres, digressions, formal oddities, and typographical experiments, "The Life and Opinions of Tristram Shandy, Gentleman provoked a literary sensation when it first appeared in England in a series of volumes from 1759 to 1767. An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, "Tristram Shandy is the most protean and playful English novel of the eighteenth century and a celebration of the art of fiction; its inventiveness anticipates the work of Joyce, Rushdie, and Fuentes in our own century. This Modern Library Paperback is set from the nine-volume first edition from 1759.

About the Author
Robert Folkenflik is a professor of English at the University of California at Irvine. His books include Samuel Johnson, Biographer; The Culture of Autobiography: Constructions of Self-Representation; and The English Hero: 1660—1800. He lives in California.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER I

I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly consider'd how much depended upon what they were then doing;-that not only the production of a rational Being was concern'd in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;-and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost:--Had they duly weighed and considered all this, and proceeded accordingly,--I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me.-Believe me, good folks, this is not so inconsiderable a thing as many of you may think it;-you have all, I dare say, heard of the animal spirits, as how they are transfused from father to son, &c, &c.-and a great deal to that purpose:-Well, you may take my word, that nine parts in ten of a man's sense or his nonsense, his successes and miscarriages in this world depend upon their motions and activity, and the different tracks and trains you put them into; so that when they are once set a-going, whether right or wrong, 'tis not a halfpenny matter,--away they go cluttering like hey-go-mad; and by treading the same steps over and over again, they presently make a road of it, as plain and as smooth as a garden-walk, which, when they are once used to, the Devil himself sometimes shall not be able to drive them off it.

Pray, my dear, quoth my mother, have you not forgot to wind up the clock?--Good G-! cried my father, making an exclamation, but taking care to moderate his voice at the same time,--Did ever woman, since the creation of the world, interrupt a man with such a silly question? Pray, what was your father saying?--Nothing.

CHAPTER II

--Then, positively, there is nothing in the question, that I can see, either good or bad.--Then let me tell you, Sir, it was a very unseasonable question at least,-because it scattered and dispersed the animal spirits, whose business it was to have escorted and gone hand-in-hand with the HOMUNCULUS, and conducted him safe to the place destined for his reception.

The Homunculus, Sir, in how-ever low and ludicrous a light he may appear, in this age of levity, to the eye of folly or prejudice;-to the eye of reason in scientifick research, he stands confess'd-a Being guarded and circumscribed with rights:--The minutest philosophers, who, by the bye, have the most enlarged understandings, (their souls being inversely as their enquiries) shew us incontestably, That the Homunculus is created by the same hand,-engender'd in the same course of nature,-endowed with the same loco-motive powers and faculties with us:--That he consists, as we do, of skin, hair, fat, flesh, veins, arteries, ligaments, nerves, cartileges, bones, marrow, brains, glands, genitals, humours, and articulations;--is a Being of as much activity,--and, in all senses of the word, as much and as truly our fellow-creature as my Lord Chancellor of England.-He may be benefited, he may be injured,-he may obtain redress;-in a word, he has all the claims and rights of humanity, which Tully, Puffendorff, or the best ethick writers allow to arise out of that state and relation.

Now, dear Sir, what if any accident had befallen him in his way alone?--or that, thro' terror of it, natural to so young a traveller, my little gentleman had got to his journey's end miserably spent;--his muscular strength and virility worn down to a thread;-his own animal spirits ruffled beyond description,-and that in this sad disorder'd state of nerves, he had laid down a prey to sudden starts, or a series of melancholy dreams and fancies for nine long, long months together.--I tremble to think what a foundation had been laid for a thousand weaknesses both of body and mind, which no skill of the physician or the philosopher could ever afterwards have set thoroughly to rights.

CHAPTER III

To my uncle Mr. Toby Shandy do I stand indebted for the preceding anecdote, to whom my father, who was an excellent natural philosopher, and much given to close reasoning upon the smallest matters, had oft, and heavily, complain'd of the injury; but once more particularly, as my uncle Toby well remember'd, upon his observing a most unaccountable obliquity, (as he call'd it) in my manner of setting up my top, and justifying the principles upon which I had done it,-the old gentleman shook his head, and in a tone more expressive by half of sorrow than reproach,-he said his heart all along foreboded, and he saw it verified in this, and from a thousand other observations he had made upon me, That I should neither think nor act like any other man's child:--But alas! continued he, shaking his head a second time, and wiping away a tear which was trickling down his cheeks, My Tristram's misfortunes began nine months before ever he came into the world.

--My mother, who was sitting by, look'd up,-but she knew no more than her backside what my father meant,--but my uncle, Mr. Toby Shandy, who had been often informed of the affair,-understood him very well.

CHAPTER IV

I know there are readers in the world, as well as many other good people in it, who are no readers at all,-who find themselves ill at ease, unless they are let into the whole secret from first to last, of every thing which concerns you.

It is in pure compliance with this humour of theirs, and from a backwardness in my nature to disappoint any one soul living, that I have been so very particular already. As my life and opinions are likely to make some noise in the world, and, if I conjecture right, will take in all ranks, professions, and denominations of men whatever,-be no less read than the Pilgrim's Progress itself---and, in the end, prove the very thing which Montaigne dreaded his essays should turn out, that is, a book for a parlour-window;-I find it necessary to consult every one a little in his turn; and therefore must beg pardon for going on a little further in the same way: For which cause, right glad I am, that I have begun the history of myself in the way I have done; and that I am able to go on tracing every thing in it, as Horace says, ab Ovo.

Horace, I know, does not recommend this fashion altogether: But that gentleman is speaking only of an epic poem or a tragedy;-(I forget which)-besides, if it was not so, I should beg Mr. Horace's pardon;-for in writing what I have set about, I shall confine myself neither to his rules, nor to any man's rules that ever lived.

To such, however, as do not choose to go so far back into these things, I can give no better advice, than that they skip over the remaining part of this Chapter; for I declare before hand, 'tis wrote only for the curious and inquisitive.

Shut the door.

I was begot in the night, betwixt the first Sunday and the first Monday in the month of March, in the year of our Lord one thousand seven hundred and eighteen. I am positive I was.-But how I came to be so very particular in my account of a thing which happened before I was born, is owing to another small anecdote known only in our own family, but now made public for the better clearing up this point.

My father, you must know, who was originally a Turky merchant, but had left off business for some years, in order to retire to, and die upon, his paternal estate in the county of ---, was, I believe, one of the most regular men in every thing he did, whether 'twas matter of business, or matter of amusement, that ever lived. As a small specimen of this extreme exactness of his, to which he was in truth a slave,-he had made it a rule for many years of his life,-on the first Sunday night of every month throughout the whole year,-as certain as ever the Sunday night came,--to wind up a large house-clock which we had standing upon the back-stairs head, with his own hands:-And being somewhere between fifty and sixty years of age, at the time I have been speaking of,-he had likewise gradually brought some other little family concernments to the same period, in order, as he would often say to my uncle Toby, to get them all out of the way at one time, and be no more plagued and pester'd with them the rest of the month.

It was attended but with one misfortune, which, in a great measure, fell upon myself, and the effects of which I fear I shall carry with me to my grave; namely, that, from an unhappy association of ideas which have no connection in nature, it so fell out at length, that my poor mother could never hear the said clock wound up,-but the thoughts of some other things unavoidably popp'd into her head,-& vice versâ:-which strange combination of ideas, the sagacious Locke, who certainly understood the nature of these things better than most men, affirms to have produced more wry actions than all other sources of prejudice whatsoever.

But this by the bye.

Now it appears, by a memorandum in my father's pocket-book, which now lies upon the table, "That on Lady-Day, which was on the 25th of the same month in which I date my geniture,-my father set out upon his journey to London with my eldest brother Bobby, to fix him at Westminster school;" and, as it appears from the same authority, "That he did not get down to his wife and family till the second week in May following,"-it brings the thing almost to a certainty. However, what follows in the beginning of the next chapter puts it beyond all possibility of doubt.

---But pray, Sir, What was your father doing all December,-January, and February?--Why, Madam,-he was all that time afflicted with a Sciatica.

CHAPTER V

On the fifth day of November,1 1718, which to the æra fixed on, was as near nine kalendar months as any husband could in reason have expected,-was I Tristram Shandy, Gentleman, brought forth into this scurvy and disasterous world of ours.-I wish I had been born in the Moon, or in any of the planets, (except Jupiter or Saturn, because I never could bear cold weather) for it could not well have fared worse with me in any of them (tho' I will not answer for Venus) than it has in this vile, dirty planet of ours,-which o' my conscience, with reverence be it spoken, I take to be made up of the shreds and clippings of the rest;--not but the planet is well enough, provided a man could be born in it to a great title or to a great estate; or could any how contrive to be called up to publick charges, and employments of dignity or power;-but that is not my case;----and therefore every man will speak of the fair as his own market has gone in it;-for which cause I af-firm it over again to be one of the vilest worlds that ever was made;---for I can truly say, that from the first hour I drew my breath in it, to this, that I can now scarce draw it at all, for an asthma I got in scating against the wind in Flanders;--I have been the continual sport of what the world calls Fortune; and though I will not wrong her by saying, She has ever made me feel the weight of any great or signal evil;---yet with all the good temper in the world, I affirm it of her, That in every stage of my life, and at every turn and corner where she could get fairly at me, the ungracious Duchess has pelted me with a set of as pitiful misadventures and cross accidents as ever small Hero sustained.

CHAPTER VI

In the beginning of the last chapter, I inform'd you exactly when I was born;-but I did not inform you, how. No; that particular was reserved entirely for a chapter by itself;-besides, Sir, as you and I are in a manner perfect strangers to each other, it would not have been proper to have let you into too many circumstances relating to myself all at once.-You must have a little patience. I have undertaken, you see, to write not only my life, but my opinions also; hoping and expecting that your knowledge of my character, and of what kind of a mortal I am, by the one, would give you a better relish for the other: As you proceed further with me, the slight acquaintance which is now beginning betwixt us, will grow into familiarity; and that, unless one of us is in fault, will terminate in friendship.--O diem præclarum!--then nothing which has touched me will be thought trifling in its nature, or tedious in its telling. Therefore, my dear friend and companion, if you should think me somewhat sparing of my narrative on my first setting out,-bear with me,-and let me go on, and tell my story my own way:--or if I should seem now and then to trifle upon the road,--or should sometimes put on a fool's cap with a bell to it, for a moment or two as we pass along,--don't fly off,-but rather courteously give me credit for a little more wisdom than appears upon my outside;-and as we jogg on, either laugh with me, or at me, or in short, do any thing,--only keep your temper.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Hilarious, yet deeply philosophical
By Bee349
One of the most hilarious, yet deeply philosophical, novels of all time.

11 of 11 people found the following review helpful.
Postmodern before the modern
By EA Solinas
A line from the movie "adaptation" put it best: this was a postmodern novel before there was any modernism to be post to.

Simply put, Laurence Sterne threw out all the literary conventions of what a novel should be and how it should be arranged, a few hundred years before more recent writers like Calvino, Joyce and Danielewski did. The result is "The Life and Opinions of Tristram Shandy, Gentleman," a gloriously rambling, richly entertaining sort-of-novel.

"I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me." So begins Tristram, who starts his life story with his "begetting," and attempts to tell the story of his birth and life, as well as the descriptions of relatives -- his lovable uncle Toby, his eccentric dad, his patient mother (who's in labor for most of the book).

But as he tries to tell us about his life, Tristram keeps getting sidetracked by all the stories that surround him -- his uncle's romance with the Widow Wadman and the war in which he received a nasty wound in a sensitive spot, the French, the doctor who delivered him, letters in multiple languages, the parson, the personal history of the midwife, and what curses are appropriate for what occasions.

Most novels are pretty straightforward -- they have a beginning, a middle and an end. But "The Life and Opinions of Tristram Shandy, Gentleman" totally ignores that, by having a beginning that lasts for the whole book, dozens of "middles," and no real end (it just stops at a suitable spot). All of this is without a real structure.

And he took this postmodern, break-all-the-rules mentality all the way, by including odd little illustrations -- when speaking of the death of Parson Yorick, Sterne includes a black page. Random empty pages. Asterisks instead of important paragraphs. And a bunch of squiggly lines to demonstrate precisely how the narratives in previous chapters looked.

At first glance, Sterne's writing style was pretty typical of his period -- detailed, somewhat formal in tone, and very talky. It takes a little while for Tristram to start dipping out of of his narrative -- at one point, he starts interrupting himself in midsentence. By the middle of the book, he's completely lost control of his own story.

And he twisted it around with lots of bawdy humor (such as poor Uncle Toby's groin injury, which causes quite a few problems), and the continuous comic stumbles of all the characters. On the subject of his own name, Tristram describes his dad's reaction: "Melancholy dissyllable of sound! which to his ears was unison to Nincompoop, and every name vituperative under heaven.")

Life is too rich to be encapsulated in a single story -- that's the problem with "Tristram Shandy," whose story is a classic comic delight of premodernist-postmodern skill.

13 of 14 people found the following review helpful.
Sterne's best since 1766
By Seffi Miller
A book doesnt survive for 240 years if it doesn't have value. I came upon this book because I once had the luck to meet the SF writer John Brunner in a pub, and inter alia he recommended it. The worst (or at any rate most difficult) thing with this book is the punctuation -- sometimes Sterne (the writer) is talking to you, sometimes to somebody off-stage -- sometimes he uses commas to indicate a pause which may take him off in a new direction, sometimes a hyphen. If you can get over all this, you are sitting down to have a chat with the most interesting person you are ever likely to meet, namely Tristram Shandy, who has the driest sense of humour ever wished on a body -- and the most logical (and therefore intensely amusing) father Walter, and the sweetest natured of all uncles (Toby,as narrow in his own way as Walter) whose servant Trim can turn the dropping of a hat into a drama -- and one must not forget his mother, who always wins arguments by never arguing...And yet others. Sterne can stretch the description of single moments to cover pages, and make you burst out laughing at the end of it (or often in the middle). Did Sterne think of his book as a stage play? The characters are brought wonderfully to life,but the narrative unfolds with so many long (usually interesting) asides -- and sometimes asides of asides -- and with such a complicated ebb-and-flow that you probably cannot make sense of it on a proscenium. What's that you ask? -- But what is the plot? -- well, Tristram takes half the book to get born, and a goodly time to be nearly dealt a life-changing blow by a window, and then there is the business of him running faster than Death through France, and the affair of his Uncle Toby with the Widow Wadman...really, you ask too much wanting a plot as well! If you needs must have a plot, I have a fine garden round the back, and you may choose your own, and I will pay my gardener extra to tend it for you.

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> Download Ebook The Art of Syrian Cookery, by Helen Corey

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The Art of Syrian Cookery, by Helen Corey

The Art of Syrian Cookery, by Helen Corey



The Art of Syrian Cookery, by Helen Corey

Download Ebook The Art of Syrian Cookery, by Helen Corey

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The Art of Syrian Cookery, by Helen Corey

From the Middle East, land of Bible history, comes an array of 240 recipes from Kibby to Baklawa. THE ART OF SYRIAN COOKERY is an authentic collection of Syrian and Lebanese dishes which have been handed down from mother to daughter for generations. Helen Corey learned these recipes from her mother, a native of a Damascus suburb. Beginning with a description of Middle Eastern customs, celebrations, and holidays, the author gives the historical background for this delicious cuisine. A chapter of Arabic menus for every occasion precedes the recipes which cover a wide variety of exotic dishes - flaming apples, squash with yogurt sauce, grape leaf rolls, and sesame pastry delights. In compiling these recipes Helen Corey has carefully adapted them for the American kitchen with the result that THE ART OF SYRIAN COOKERY is a collection of savory, unusual recipes which are easy to prepare. In addition, a complete section of Lenten foods and an explanation of fasts prescribed by the Eastern Orthodox and Roman Catholic Churches is included. Miss Corey explains the significance of foods prepared for feasts of the Orthodox Church, including the Feast of Epiphany and the Easter service. THE ART OF SYRIAN COOKERY received the warm approval of the Most Reverend Metropolitan Antony Bashir, Archbishop of the Syrian Antiochian Orthodox Archdiocese of New York and North America, who recommends it to all Orthodox Catholics as the first book that faithfully portrays the dietary regulations of this Church. Many photographs, a glossary of Arabic terms, a discussion of herbs and spices, a Shopper's Guide and complete Arabic and English recipe indexes add greatly to the value and usefulness of this latest volume in the successful Art Of...specialty cookbook series. An outstanding cookbook of authentic Arabic dishes, THE ART OF SYRIAN COOKERY is, in addition, an introduction to the land of Bible history, its mores and people.

  • Sales Rank: #696112 in Books
  • Published on: 1962-09-19
  • Released on: 1962-09-19
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 186 pages

From the Author
The entire contents of the national award-winning book The Art of Syrian Cookery can now be found in Helen Corey's Food from Biblical Lands : A Culinary Trip to the Land of Bible History.

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12 of 12 people found the following review helpful.
The greatest book ever, now I want Helen's video
By A Customer
I not only have a first edition of this book, but also Food from Biblical Lands, which is an update of The Art of Syrian Cookery and so much more. The recipes are easy to prepare - with many step by step food photos. I don't know of any other book that is true to the foods of Syria and Lebanon in taste and ingredients. I can't wait until I get a copy of Helen Corey's newest video cooking tape on The Art of Syrian and Lebanese cooking. I had the pleasure of previewing it at a friend's house recently and I love her method of preparation and detailed explanation of ingredients to use (i.e.) burghul, which kind to buy - how to make yogurt in the micro-wave, etc. It will go hand in hand with my cookbook Food from Biblical Lands where she gives a complete background of the origination of Yogurt and its health benefits. And one of my favorite desserts, Ricotta cheese pastries, which I can also fix for diabetics. Her video also shows this step by step preparation and a colorful array of foods as seen in her book. And how easy it is to make flat bread on the grill (her newest method - so easy!)This is the most authentic book ever written on Middle Eastern cookery, now called "Food from Biblical Lands" I'm proud to have this in my collection.

0 of 3 people found the following review helpful.
Nothing
By Bashar Almudhafar
Nothing new

31 of 35 people found the following review helpful.
the art of syrian cookery is available with a new title
By Helen Corey
The Art of Syrian Cookery is available and can be ordered immediately. The book has a new title called "Food from Biblical Lands". The author went into the concordance of the Old and New Testament and mentions ingredients in her recipes that existed since biblical times, thus the new title. All the recipes in Helen Corey's original Art of Syrian Cookery can be found in Food from Biblical Lands. Her original book was on DoubleDay's best seller list for 24 years. Her new title, now in its third print won first place in the nation by the National Fed. of Press Women's contest out of 1700 books submitted. Judges comments: "Corey successfully makes dishes enticing, appetizing and easily understood. Directions clear enough for inexperienced cooks to want to try them. Excellence in abundance of recipes and photos." "She makes preparing dinner for 6 or 100 seem effortless."

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Selasa, 26 Agustus 2014

^ Fee Download Julie, by Catherine Marshall

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Julie, by Catherine Marshall

Julie Wallace is just eighteen in 1934 when her father risks their life savings on a struggling newspaper and moves the family to a flood-prone Pennsylvania town.

It is here a young woman's convictions take firm root, as Julie finds herself taking sides when battle lines are drawn between desperate steelworkers and the mill owners who control their lives. And it is here where her heart and her loyalties are torn, divided between two special men. But when a devastating natural catastrophe becomes the ultimate test of courage and commitment, Julie's remarkable inner strength will come to the fore -- a strength born of faith and love.

And don't miss Catherine Marshall's beloved bestseller: Christy

  • Sales Rank: #647979 in Books
  • Brand: Avon
  • Published on: 2006-06-27
  • Released on: 2006-06-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.23" h x 4.21" w x 6.85" l, .46 pounds
  • Binding: Mass Market Paperback
  • 448 pages
Features
  • Great product!

From Library Journal
Marshall, author of the classic Christy, drew on her life experiences for this coming-of-age story in which a young girl discovers herself and the strength of her faith. Teens especially will be drawn to this tale, and the new edition of this 1984 publication offers the perfect excuse to replace worn-out copies.
Copyright 2002 Reed Business Information, Inc.

Review
“A novel with a fresh innocence...a great vividness, and power.” (Milwaukee Journal Sentinel)

“Irresistable” (Kirkus Reviews)

“Fans of Catherine Marshall’s best-selling novel Christy won’t be disappointed by Julie!” (New York Times Book Review)

“A fine story!” (Miami Herald)

“Magnificent.” (The Listener)

From the Back Cover
Inspired, like Christy, by Catherine Marshall's own life, Julie explores the miracle of faith against a background of small-town America coming of age, with a story--and a heroine--unforgettably powerful and alive.

Julie Wallace was only seventeen when her family moved to a flood-prone Pennsylvania town in 1934. Here her father, risking their life savings, took over a struggling newspaper, and Julie began fighting to fulfill her dreams. She found herself taking sides as battle lines were drawn between desperate steelworkers and the owners of the mills--and being torn as two young men divided her loyalty and her heart.

Then a devastating catastrophe became the ultimate test of courage and commitment--and Julie's special strength would come from love.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Two Stars
By Amazon Customer
I understood book would be in good condition-- but I considered poor to fair. Disappointed.

0 of 0 people found the following review helpful.
... gave this book to my daughter Julie out if love.
By Amazon Customer
I gave this book to my daughter Julie out if love.

0 of 0 people found the following review helpful.
A good read.
By Jeffry L. Smith
Step-child to Christy, and yet worth reading.

See all 47 customer reviews...

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Archy and Mehitabel, by Don Marquis

The now classic tale of Archy the cockroach and Mehitabel the cat in her ninth life. First published in 1927, this free verse poem has become an essential part of American literature.

  • Sales Rank: #91096 in Books
  • Published on: 1970-04-17
  • Released on: 1987-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 5.20" l, .33 pounds
  • Binding: Paperback
  • 192 pages

Amazon.com Review
Of all the literary genres, humor has the shortest shelf life--except for Archy and Mehitabel, that is. First published in 1916, it is a classic of American literature. Archy is a cockroach, inside whom resides the soul of a free-verse poet; he communicates with Don Marquis by leaping upon the keys of the columnist's typewriter. In poems of varying length, Archy pithily describes his wee world, the main fixture of which is Mehitabel, a devil-may-care alley cat.

Archy music will linger in your head long after you finish the book. Here's a tiny taste from his interview with a mummy:

"what ho
my regal leatherface says i

greetings
little scatter footed
scarab
says he"

Writers (particularly journalists) can go lifetimes without attaining such loose-limbed grace. And the illustrations by George Herriman ("Krazy Kat") provide the perfect counterpoint. On top of all that, Marquis did the impossible: he made a cockroach loveable.

Review
Collection of humorous stories by Don Marquis, originally published from 1916 in Marquis's newspaper columns "The Sun Dial" in the New York Evening Sun and "The Lantern" in the New York Herald Tribune and published in book form in 1927. The stories center on Archy, a philosophical cockroach who types messages to the author in lowercase letters (being unable to activate the shift mechanism), and Mehitabel, a free-spirited alley cat whose motto is "toujours gai." After initial publication, the work and its sequels were usually published without capital letters. Archy and Mehitabel consists mostly of free-verse poems on such concerns of Archy's as transmigration of souls, social injustice, life in New York City, and death. Sequels included Archys Life of Mehitabel (1933) and Archy Does His Part (1935), both of which were included in the lives and times of archy and mehitabel (1940; illustrated by George Herriman), a posthumously published compendium of the previous books. -- The Merriam-Webster Encyclopedia of Literature

From the Publisher
The now classic tale of Archy the cockroach and Mehitabel the cat in her ninth life. First published in 1927, this free verse poem has become an esseantial part of American literature.

Most helpful customer reviews

45 of 45 people found the following review helpful.
A Funny Little Book
By A.Trendl HungarianBookstore.com
"Archy and Mehitabel" is a strange, funny little book. Drawing from the conversational poetry found in books like Edgar Lee Masters "Spoon River Anthology," Marquis uses a colloquial style which not only suits his characters, but works in a poem. Lots of laughs, some decent writing, and a tasty way to spend a Saturday afternoon.

Talking animals are easy to find in literature. Good ones, like a cat and a cockroach of this caliber, are not. Marquis brings humanity by allowing his animals to stay animals. Spiders still are poisonous, rats are still threatening, and cockroaches have never been able to type the capital letters on a typewriter. Marquis pushes reality, keeping his characters grounded in truth (OK, he fudges with truth a lot, but don't let that stop you).

While filled with humorous tales, moments are sad, like in the ninth poem, "freddy the rat perishes." Dear Freddy has a run in with a spider who is up to no good. In a valiant struggle, a tough South American spider ("raised on red pepper and blood" and "nursed on tabasco sauce") Freddy is killed while saving his friends. Freddy ate some poisoned cheese the night before and let the spider bite him, knowing he had nothing to lose. After it was over, Archy and Mehitabel dropped Freddy "off the fire escape into the alley with/military honors". Despite the whole premise being ridiculous, a tear might well up.

Children will love being read the stories, and younger teens may find poetry readable (before you send them on to Keats and Byron!). Great, funny pictures, completely in the context of each poem-tale.

I fully recommend this book.

Anthony Trendl
editor, HungarianBookstore.com

36 of 37 people found the following review helpful.
".....transmigration is the game..."
By yygsgsdrassil
metthinks
the vers libre of
archy literate cockroach
and mehitabel krazy kat s kouzin
are amazing and amuzing
good thing amazon.com has most
of the cocroaches volume via marquis
herriman s drawings captures
marquises tone and surrreality
and hyperreality perfectly
like a cross between a glorious
post apocalypse a goofy sat
morning cartoon and an unkept roadside
chuck wagon i believe we
all should keep
cockroach farms
just in
case just in
case
ygsgs

28 of 28 people found the following review helpful.
Found in a college mailbox
By Charlotte Hartzell
Archy and Mehitabel came into my college mailbox over and over again back in the early 40s. I was being courted by a fellow journalism classmate, who began typing sections from Marquis' book and sending them to me anonymously through the college post office. Occasionally, he alternated Archy with red roses. We worked together on the college publication, twice a week, for three years. And eventually married. Just last night our son, now 51, and I were recalling the book, which I had not seen (or even thought about for many years). The copy of the hardback which he gave me has long since vanished from my shelves, much to my dismay. That seems to happen to all my most favorite books! My son opened his laptop and found this familiar old "odd couple" at amazon.com, alive and doing well after all these years. I'm ordering a new copy tonight! Thanx amazon.com!

See all 95 customer reviews...

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Senin, 25 Agustus 2014

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Strider, by Beverly Cleary

Strider has a new habit. Whenever we stop, he places his paw on my foot. It isn't an accident because he always does it. I like to think he doesn't want to leave me.

Can a stray dog change the life of a teenage boy? It looks as if Strider can. He's a dog that loves to run; because of Strider, Leigh Botts finds himself running -- well enough to join the school track team. Strider changes Leigh on the inside, too, as he finally begins to accept his parents' divorce and gets to know a redheaded girl he's been admiring. With Strider's help, Leigh finds that the future he once hated to be asked about now holds something he never expected: hope.

  • Sales Rank: #128988 in Books
  • Brand: Harper Collins
  • Published on: 2000-08-08
  • Released on: 2000-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .35" w x 5.13" l, .27 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Great product!

From Publishers Weekly
Two boys share custody of a dog in this sequel to the Newbery Award winner Dear Mr. Henshaw . Ages 8-12.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
Grade 4-7-- Leigh Botts, the protagonist of the Newbery winner Dear Mr. Henshaw (Morrow, 1983), is once again recording his thoughts on paper. While cleaning his room, he discovers his old diary and is inspired to start writing again. Now 14, he is still dealing with some of the same issues from earlier days--his parents' divorce, concerns about his father's sincerity and financial stability, and insecurities about his own identity and popularity. He also has a few new worries--namely Geneva, a girl, and Strider, a dog. Leigh and his friend Barry find the abandoned pooch on the beach and decide to try "joint custody." It is not the perfect arrangement. Because Leigh's attachment to Strider fills the emotional voids in his life, he becomes reluctant to share him. Eventually, the two boys work through the tensions that threaten their friendship. At the same time, Leigh and his father develop a new understanding. Although the story is centered aroung Leigh's relationship with Strider, this is more than just "a boy and his dog" book. Cleary's talent for portraying the details of everyday life--both small and significant--is evident here. Her characters are unique individuals and "every children" at the same time. Strider lacks the subtle poignancy found in Dear Mr. Henshaw , and some readers may find Leigh's interest and responses more appropriate for an 11 or 12 year old than a 14 year old, but Cleary's fans will relate to his challenges and triumphs--whether or not they've read the first title.
- Heide Piehler, Shorewood Public Library, WI
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
Leigh Botts, of Newbery-winning Dear Mr. Henshaw, is still learning to cope with his parents' divorce--a task to which he brings his earlier sensitivity and a new self-confidence. Now 14 and entering high school, Leigh and best-friend Barry find an appealing abandoned dog on the beach and name him Strider. Both boys would like to keep him; Barry's large, amiable family could easily accommodate Strider, but Barry--realizing how much Leigh wants the dog despite the probability that his landlady will object--suggests a unique joint custody. The arrangement works beautifully until Barry goes away for his annual month with his mom; when he comes back, Leigh's reluctance to share Strider cools their friendship--until the boys finally level with each other and work out a new deal that recognizes Leigh's greater need and affection for the dog. The action, as described in Leigh's diary, pivots around Strider; meanwhile, however, family relationships (especially Leigh's with his dad) are subtly growing and maturing in trademark Cleary style, the accessible, lightly humorous surface just one of the levels of an insightful story about idiosyncratic but nice characters dealing with universal issues. A sequel that could stand on its own (but won't have to); a comforting picture of a dear old friend thriving while continuing to work out his problems. Zelinsky's perceptive drawings are an excellent bonus. (Fiction. 9-14) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Jason's Strider Review
By A Customer
I think that "Strider" is an excellent book, because the author, Beverly Cleary, uses very vivd examples, and it is so easy to picture i in your head. All of the events that take place in this book are very descriptive; you can't stop from imagining them in your head. The personalities of the characters were very easy to picture. I even could think of some people I know that could represent dome of the characters in the book. Another reason why I liked this book is because it has a good story to go along with it. It just leaves you hanging at the end of each chapter, and makes you never want to put it down. You'll be amzed of how much you read this book; because you don't realize how long you've been reading. You get so invovled in the book, that you lose track of time. What else I like about the book, is that it is exactly written the same way as its first edition, "Dear Mr. Hensaw." I suggest you read this book, and guarantee that you will never put it down.
I think one of the best parts of the book, is when the main character, Leigh Botts, joins the track team. He joins mainly for fun, but runs with his dog, Strider, everyday after track practice. He begins getting faster, and concentrates more and more on a victory at the first meet. After many hours of training, he finally meets his goal. Then, he decides to try an even more amazing feet. Braking the school record. Will he do it, or will he get injured and sit out for the rest of the year. To find out, read the book.
I think one of the most vivd story elements in the book, are definantly the characters. Like I said, they are just so easy to picture. The main character, Leigh, is a young boy who really loves life. He is often arguing with his mom, but who can blame a boy that never gets to see his dad. I can picture Leigh in my mind as this character, and I bet you could too. Another story element that stands out alot is the setting. You will notice that you can easily tell where the story takes place, just by noticing how his community acts. He lives in a small, quiet town where almost everyone knows everyone. This town reminds me of my own, so I can picture it easily. I guess that liveing in a town like his helps picture it, but I know that you'd be able to imagine exactly what his town is like.

5 of 7 people found the following review helpful.
This book is O.K.
By A Customer
It is the sequel to Dear Mr. Hanshaw. You can tell it's by the same author, though. The author is Beverly Clearly. She is one of my favorite authors. Strider didn't impress me though. This book is not seperated into chapters, it's seperated into journal entries. My favorite part is when Barry and Leigh find the dog on the beach.
The story is about a boy named Leigh, who, is the new kid in school. Leigh finds a stray dog on the beach. The dog was laying down, so Leigh and his friend Barry tried all sorts of ways to get him up. None of them worked. So, Leigh and Barry started running. The dog followed them. Then, he layed down exactly where he was again. The dog looked sad and lonely. So, they decided to have a joint custody with the dog and name him Strider. Barry would keep Strider in his yard during school,Barry and Leigh would play with him after school, and Leigh would keep the dog at night. Leigh's mom and dad are divorced. Leigh has been worrying about his dad because he's losing alot of money. Anyway, Barry has to go on a vacation with his real mom and dad, so Leigh gets to keep Strider for a whole two weeks! But, Strider kept chewing on Leighs bedroom rug, so he decided to build a fence. He called his dad to build one. His dad got a new job. Leigh was relieved. Then, when Barry came back, they had a fight about who keeps the dog. But, they worked it out. Then, Leigh gets this cool new shirt from the thrift shop. The next day, he wore it to school. A rich kid shouted "Hey, that's my shirt!" and it was his shirt. His mom took it to the thrift shop and sold it. So, he ran after him. They did this every morning until they became friends and joined track and became friends. At track, he meets a girl named Geneva who does hurtles at the track. Now, Leigh has three friends. How will the story end? Read Strider and find out!

3 of 4 people found the following review helpful.
CHARIOTS OF FUR?
By Plume45
Man's best friend does it again! Well, it's been two years since Leigh Botts closed the diary which boys' writer, Mr. Henshaw, had inspired him to keep. Now he's taller, still living in a "shack" with his divorced mom, but totally cool about his trucker dad's permanent absence from the family portrait. One day at the beach he finds an abandoned dog--of a breed which runs and herds other animals. Starving but obedient to his last command, the forlorn canine guiltily follows Leigh home.
This is a light read, but it does provide insight into the emotional, financial and social struggles of young teens. Named for his easy, loping stride, the dog gradually transforms Leigh's aimless, joyless existence into an intentional pattern of planned activities with definite goals: the track team, permanent and total custody of the dog, real rapport with a girl, and the respect of teachers. Nor are teens the only humans who have issues to sort out in this book; young readers will realize the problems facing adults and single parents. STRIDER is a satisfactory sequel to DEAR MR. HENSHAW, as Leigh carves a legitimate niche in his world, where he finally "belongs."

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The Mercury 13: The True Story of Thirteen Women and the Dream of Space Flight, by Martha Ackmann

For readers of The Astronaut Wives Club, The Mercury 13 reveals the little-known true story of the remarkable women who trained for NASA space flight.

In 1961, just as NASA launched its first man into space, a group of women underwent secret testing in the hopes of becoming America’s first female astronauts. They passed the same battery of tests at the legendary Lovelace Foundation as did the Mercury 7 astronauts, but they were summarily dismissed by the boys’ club at NASA and on Capitol Hill. The USSR sent its first woman into space in 1963; the United States did not follow suit for another twenty years.

For the first time, Martha Ackmann tells the story of the dramatic events surrounding these thirteen remarkable women, all crackerjack pilots and patriots who sometimes sacrificed jobs and marriages for a chance to participate in America’s space race against the Soviet Union. In addition to talking extensively to these women, Ackmann interviewed Chuck Yeager, John Glenn, Scott Carpenter, and others at NASA and in the White House with firsthand knowledge of the program, and includes here never-before-seen photographs of the Mercury 13 passing their Lovelace tests.

Despite the crushing disappointment of watching their dreams being derailed, the Mercury 13 went on to extraordinary achievement in their lives: Jerrie Cobb, who began flying when she was so small she had to sit on pillows to see out of the cockpit, dedicated her life to flying solo missions to the Amazon rain forest; Wally Funk, who talked her way into the Lovelace trials, went on to become one of the first female FAA investigators; Janey Hart, mother of eight and, at age forty, the oldest astronaut candidate, had the political savvy to steer the women through congressional hearings and later helped found the National Organization for Women.

A provocative tribute to these extraordinary women, The Mercury 13 is an unforgettable story of determination, resilience, and inextinguishable hope.


From the Hardcover edition.

  • Sales Rank: #599081 in Books
  • Brand: Ackmann, Martha
  • Published on: 2004-07-13
  • Released on: 2004-07-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .45 pounds
  • Binding: Paperback
  • 280 pages

From Publishers Weekly
In dynamic prose, Ackmann, senior lecturer in women's studies at Mount Holyoke College, relates the story of 13 female pilots who fought to become part of the nation's space program at its inception. Their tale is uplifting, a narrative of their dedication-perhaps obsession might be a better word-and sacrifice in an attempt to aid the nation in the space race against the Soviets and to experience the thrill of space flight. The story is also a depressing indictment of the rampant sexism that kept them from achieving their goal and kept the country from making productive use of their considerable talents. These 13 women, among the most accomplished pilots in the world at the time, went through many of the same challenging, even excruciating tests undergone by NASA's original seven male astronauts but, unlike the latter, the women did so in relative obscurity and often against the express wishes of all arms of the nascent space program. That each woman passed all the tests, often with scores exceeding those of the males, carried absolutely no weight with an entrenched bureaucracy. Ackmann has done a magnificent job of gathering information, conducting interviews and weaving the strands into an utterly compelling book that deserves to be widely read well beyond the circles of the usual readers about the space program. 16 pages of photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.

From School Library Journal
Adult/High School-In the early days of the space race, women were barred from U.S. astronaut training, but some questioned the wisdom of this policy. At the Lovelace Foundation, in a secret "girl astronaut program," a select group of female pilots underwent the same comprehensive battery of psychological and physical tests required of male candidates. Now known as the Mercury 13, these women had many aviation honors, interesting lives, and (as shown in several well-chosen black-and-white photographs) great charm. Most made crushing sacrifices to prove they had "the will, the ability and the courage" to fly in space but, despite their resounding success, received no recognition. This account finds dramatic structure in the divergent personal and political paths of two of the century's greatest female pilots, Jerrie Cobb and Jackie Cochran. Cobb, the first to be chosen for testing, helped pick subsequent participants and ultimately became a champion of their cause in the political arena. The older and more influential Cochran had opened doors to female pilots in the past, but effectively opposed female participation in the space program. Once the battle was lost in Congress, it was another 40 years before a woman finally commanded a space flight. Mercury 13 is both an outstanding work of research and an exceptionally readable and well-told story. Readers will gain new perspectives on space, medicine, women, and American culture, and will appreciate the magnitude of what was lost when the women were grounded.
Christine C. Menefee, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.

From Booklist
In the annals of this country's space program, the names of the original, legendary "Mercury 7" astronauts--Alan Shepard, John Glenn, and the rest--have achieved iconic status, while another group of pilots, eventually called the "Mercury 13," have languished in obscurity. The difference between the two has everything to do with issues of gender and the discriminatory attitudes that were endemic during the early 1960s, and nothing to do with their qualifications or expertise. In a long overdue group portrait, Ackmann reveals the previously unrecognized contributions of these 13 courageous women pilots, whose ambition and determination to become a part of the burgeoning space program were as fervent as that of their male counterparts, but who were denied access to the prerequisite training, testing, and preparation necessary to achieve their goals, simply because they were women. Ackmann's engrossing examination of the early days of the aerospace industry delivers both a stinging indictment of an intolerant society and a stirring endorsement of women whose valor and dedication remain inspirational. Carol Haggas
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

23 of 25 people found the following review helpful.
Wonderful detail, but not the best book on the subject.
By Science Designer
I am an admirer of this fascinatingly readable, lucid and scholarly book, with some very interesting stories of intriguing people. However I found a much superior assessment of the "Mercury 13" program in Burgess and French's book Into That Silent Sea: Trailblazers of the Space Era, 1961-1965 (Outward Odyssey: A People's History of S). In one extraordinary chapter, they capture the true cultural, historical and social context of this program far better than this entire book-length treatment. They also contrast the Soviet women in space program against American efforts far better.

Nevertheless, I would still recommend this book as a very interesting read into a fascinating time in American history, and congratulate the author on her impressive research, including the fullest personal interviewing with the original candidates ever undertaken.

10 of 11 people found the following review helpful.
All systems go!
By S. A. Cartwright
Here's a book that has potential to fuel a few debates. Written by Martha Ackmann, a professor of Women's Studies at Mount Holyoke College in Massachusetts, the topic hits an unexpected intersection of interests: Early days of manned space flight at NASA, and women's rights.
Most readers won't have heard of The Mercury 13, an unofficial group of stalwart women airplane pilots, all tested for potential to become astronauts by the private Lovelace Foundation at the dawn of the space race. While national focus lasered on Alan Shepherd, John Glenn, and the rest of the famous and flamboyant Mercury 7 astronauts who flew the first orbital missions, Jerrie Cobb and her compatriot lady flyers quietly matched, and sometimes surpassed, the test results of the male heros. Accomplished flyers, and businesswomen, the individuals of this group held many aeronautical records and won many air derbys. Some were graduates of the WAC programs of the Second World War, spearheaded by Jackie Cochran. Ackmann paints vivid portraits of each potential astronaut-candidate, and one can easily like these devoted flyers. (Interestingly, the author focuses heavily on the self-destructive political infighting between Cochran and Cobb for leadership of the women-in-space program.)
It's fascinating to "uncover" this group some forty years later. Who knew? Beyond a few publicity shots that appeared in Life magazine and in hometown papers, the women were hidden, unsanctioned as an official group of any kind, almost a curiosity. Yet, many points raised by Professor Ackmann are provocative: Women weighed less than male counterparts - and would require less rocket fuel; and why was there a requirement of jet-flying experience for astronauts when many animals (female, no less!) were sent aloft in the space capsules.
So where's the argument? Clearly, Ackmann launches this retrospective on the women-in-space efforts with the intention of demonstrating blatant sexism and its negative effects. Viewed through the lens of post-feminism, one clearly sees malfeasance - from President Johnson who nixes any further testing, to a Neanderthal congressman who jokes about the need for women in space for reproductive purposes to colonize planets. Yet, a young and innocent John Glenn just can't see beyond what he and America know as the social norms of the times. In 1963, the nation was a decade away from any kind of equal opportunity awareness, and perhaps two decades away from the emergence of political correctness. Were the male leaders of the space program worried about protecting an existing social order, or just worried about beating the Russians to the moon? Therein, the debate. (Enjoy it - far better for you to argue this with your spouse than waste another hour on Reality TV.)

9 of 10 people found the following review helpful.
A Must Read!
By Ryan
Here is the story of 13 heroic women who were willing to risk it all for the unattainable dream of spaceflight. Their story is one of striking courage and resilience. As a 14 year old girl, I am proud to call the Mercury 13 my heroes!

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This volume contains the translated text of the ancient Hebrew writings found in caves near the Dead Sea, plus separate introductions for each scroll as wee as new translations of the Hymns and paraphrases of the Bible narratives by Professor Gaster, one of the world's leading Hebraists.

  • Sales Rank: #311290 in Books
  • Published on: 1976-11-05
  • Released on: 1976-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.50" w x 5.50" l, 1.68 pounds
  • Binding: Paperback
  • 594 pages
Features
  • ISBN13: 9780385088596
  • Condition: New
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From the Publisher
This volume contains the translated text of the ancient Hebrew writings found in caves near the Dead Sea, plus separate introductions for each scroll as wee as new translations of the Hymns and paraphrases of the Bible narratives by Professor Gaster, one of the world's leading Hebraists.

From the Inside Flap
This volume contains the translated text of the ancient Hebrew writings found in caves near the Dead Sea, plus separate introductions for each scroll as wee as new translations of the Hymns and paraphrases of the Bible narratives by Professor Gaster, one of the world's leading Hebraists.

Most helpful customer reviews

9 of 13 people found the following review helpful.
Great for indepth study!
By R. Taylor
I have a very old paperback of this with a copyright of 1956. This "Doubleday Anchor Original" is a bold and interesting book for the laymen. Though my copy is not and should not be used for a scholary tool. It is a step in that direction.

4 of 7 people found the following review helpful.
Good Book!
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The Dead Sea Scriptures explores the Qumran scoll writings which were found in the Qumran caves in 1940 by a young Bedouin boy. The Dead Sea Scrolls were originally a part of the Scriptures before it was removed by the unbelievers for whatever reason. The Dead Sea Scriptures contains truth pertaining to who the ancient Hebrews were, including songs which they sung to the Most High. I recommend this book to be read by anyone who is not afraid of reading other scriptural books besides the Bible.

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Not what I expected
By dmyers
Bought this book for a gift, but the condition left much to be desired. Looked old and worn, but was advertised as very good.

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