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- Sales Rank: #1707350 in Books
- Published on: 1984-09
- Ingredients: Example Ingredients
- Number of items: 1
- Binding: Paperback
Review
Series of four novels by Paul Scott. The tetralogy, composed of The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), and A Division of the Spoils (1975), is set in India during the years leading up to that country's independence from the British raj (sovereignty). The story examines the role of the British in India and the effect of their presence in the country during its struggle for independence. The four novels taken as a whole present a complex portrait of both ruling British and Indian society and the relationship between the two. One of the central incidents of the story is the rape of an Englishwoman, and one of the main characters is the Indian Hari Kumar, who is accused of having participated in the rape. Reared in England where he received an upper-class education, Kumar finds that he is too British to be an Indian but at the same time is excluded from British society because of his race. -- The Merriam-Webster Encyclopedia of Literature
Most helpful customer reviews
19 of 20 people found the following review helpful.
Brilliant books.
By Alice
Some of my favorite books of all time. I can't recommend them highly enough. This series follows a number of indian and english characters living in India in the years leading up to India's independence. Scott uses a mix of third-person narrative, journalistic descriptions and first-person accounts to create a story that is both broadly historical and intensely personal. His writing style is direct, precise and graceful. His characters are extraordinarily memorable and lifelike. He captures the evils of colonialism without moralizing or generalizing about people. Engaging on every level.
6 of 6 people found the following review helpful.
An important part of Britain's and world history in a palatable, novel treatment
By Christopher Armstrong-Stevenson
The subject is a difficult one, dealing as it does with the conflicting needs of colonial Britain and the entire country of India, before it gained Independence and the Partition of that country into the "new" India and Pakistan. I'm not an historian nor am I professionally qualified to judge the historical accuracy of Scott's writing so I'll leave questions of authenticity to others. The canvas is enormous and the book is huge...comprised of four novels in one volume, for a total of some 1,926 pages!
Many historical figures are referenced and quoted and are interspersed among the day-to-day recorded lives of the people actually in the thick of things...the latter characters are all figments of Scott's story-telling imagination although it's not hard to imagine them being really based on actual people. Scott manages to present the sights, smells and experiences of India to readers, who may also be helped by having seen "The Jewel in the Crown" - the PBS TV adaptation of the book. The TV title refers to the description of India by British Colonial government officials when they presented the "gift" of India to Queen Victoria - thus creating Her Majesty the Empress of India; a title retained by subsequent Monarchs (as Emperors) though King George VI.
It is hard to read many of the ways in which Britain controlled India and its people. There was a strong "parental" model of rule, in which white administrators dominated their Indian "subjects" by force and even physical punishment, such as public canings and other humiliating actions, emphasizing the superiority of the "white sahib" (and even the "memsahib"...or ruling-class women) over the native population. The British were generally ignorant of the customs and religious requirements of the many tribes and religions present in that vast country and generally, could only ever see it through their own eyes and prejudices. There were, of course, ruling-class individuals whose foresight put them at odds with their superiors, but they proved to be a very small minority of the "Raj" (the name given to the ruling class) and who were unable to have much edifying effect on the overall administration of that country. To be fair, perhaps the one advantage or "jewel" left behind by the Raj was a strong Governmental and Legal process and tradition which the Indian Government eventually emulated.
The story begins with the recounting of the rape of a white woman by some indigenous Indian men. There are several versions of that rape and it can fairly be questioned how much the victim participated in the act itself and hampered the subsequent investigation and punishment of the alleged rapists. Nevertheless, the rape action itself can be seen as an attempt to vent frustrations of the indigenous population over the often cruel and vindictive actions or reactions by the Raj...and especially by the District Police Superintendent...a man with many "chips" on his shoulder and performing his duties with all the arrogance of a sadist occupying the position of a ruler.
Many historical events are described in the book...many are horrible; no doubt all are true and there are many lessons to be learned (which Britain may well have learned!) in the battles between rulers and ruled; between upper and lower "classes" and between the powerful and the powerless.
Scott gives us a significant portrayal of human nature under stress, of race relations and racism on the part of the Raj and a very engrossing and impressive telling of that contentious period and place and time in history.
I would recommend that it be required reading for all diplomats and Foreign Service personnel as a way in which to NOT conduct Foreign Relations and diplomacy.
41 of 43 people found the following review helpful.
The end of British India
By JLind555
In the four books that make up "The Raj Quartet", Paul Scott recounts the final years of British India, the "jewel" in the crown of the Empire. As he simply states in the first book, "This is the story of a rape, of the events that led up to it and followed it and the place in which it happened." Through the gang-rape of a young English girl by Indian thugs, Scott takes us on a brilliantly exhaustive journey which brings together the time, the place and the people, and shows through the eyes of one family how the sun finally set on the British Empire.
The story starts out with a love affair between Daphne Manners, an English girl and a young English-educated Hindu man, Hari Kumar; a relationship forbidden by the mores of the times and the ingrained British sense of their own superiority. Complicating the situation is a young British officer named Ronald Merrick, whose attentions towards Daphne are rejected out of hand. Merrick is at once contemptuous and resentful of Hari; despising his dark skin, he hates Hari for attracting the girl he wants for himself, for being better educated, and for being the product of a prosperous Indian family better than his own. Merrick is the product and the victim of the British class system; coming from the lower classes, the only way he can better himself is through military service, where he will have the opportunity to treat dark-skinned British subjects like dirt. When Daphne is raped at the Bibighar Gardens, Merrick has no problem believing Hari is to blame and has him arrested for the crime.
Merrick is a swine, but through brown-nosing the proper people, he manages to rise through the army ranks and ingratiates himself into the Layton family, who belong to the class he has secretly aspired to join. He takes advantage of the tenuous emotional health of the younger sister to get her to marry him. He is thus secure in his new caste -- or so he thinks. But his fundamental, underlying sense of insecurity causes him to bully everybody under him -- his men, the natives he hates, and occasionally his wife. Meanwhile, Hari has been released from jail and simply bides his time.
The end of the second world war finds Merrick a wounded war hero, but his prospects are far from certain. His life is bound up with British India, and British India is on its last legs. The Laytons can return to England, where they will live a comfortable upper-middle-class existence; Merrick's wife is dead, her death has disconnected him from her family who want nothing to do with him, and in England he will once again be the nobody he was before he joined the military. As despicable as he is, he's a tragic figure with nowhere to go; he'll almost certainly be persona non grata in an independent India whose citizens have long memories concerning British soldiers who mistreated the natives. But before Merrick can decide whether or not to offer himself as a soldier of fortune to Pakistan, the question is decided for him; his lifeless body is found in the middle of a ransacked room with "Bibighar", the site of Daphne Manner's rape, scrawled in blood all over the walls. Did Hari Kumar engineer this ultimate revenge for being falsely arrested and brutally questioned years before? Nobody in the book knows for sure, and neither do we. All we know for certain is that fortune is a wheel and what goes around comes around.
In four exquisitely written and totally compelling novels, Paul Scott has written the intimate history of two young lovers, a British family, and a malevolent army officer in 1940's India, and through them, the larger story of the turbulent decade that saw the beginning of the end of the British Empire. It's history up close and personal. The excellent plot development and writing is sustained through all four books. "The Raj Quartet" is a towering achievement and make up a collection of some of the best contemporary historical novels ever written.
Judy Lind
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