Sabtu, 26 Maret 2016

~~ Download PDF Crossing to Safety (Modern Library Classics), by Wallace Earle Stegner

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Crossing to Safety (Modern Library Classics), by Wallace Earle Stegner

Introduction by Terry Tempest Williams
Afterword by T. H. Watkins
 
Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

  • Sales Rank: #12678 in Books
  • Published on: 2002-04-09
  • Released on: 2002-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.18" l, .60 pounds
  • Binding: Paperback
  • 335 pages

Amazon.com Review
It's deceptively simple: two bright young couples meet during the Depression and form an instant and lifelong friendship. "How do you make a book that anyone will read out of lives as quiet as these?" Larry Morgan, a successful novelist and the narrator of the story, poses that question many years after he and his wife, Sally, have befriended the vibrant, wealthy, and often troubled Sid and Charity Lang. "Where is the high life, the conspicuous waste, the violence, the kinky sex, the death wish?" It's not here. What is here is just as fascinating, just as compelling, as touching, and as tragic.

Crossing to Safety is about loyalty and survival in its most everyday form--the need to create bonds and the urge to tear them apart. Thirty-four years after their first meeting, when Larry and Sally are called back to the Langs' summer home in Vermont, it's as if for a final showdown. How has this friendship defined them? What is its legacy? Stegner offer answers in those small, perfectly rendered moments that make up lives "as quiet as these"--and as familiar as our own. --Sara Nickerson

From Publishers Weekly
Adding to a distinguished body of work that already has earned him a Pulitzer Prize and the National Book Awardand on the 50th anniversary of the publication of his first novelStegner's new book is an eloquent, wise and immensely moving narrative. It is a meditation on the idealism and spirit of youth, when the world is full of promise, and on the blows and compromises life inevitably inflicts. Two couples meet during the Depression years in Madison, Wis., and become devoted friends despite vast differences in upbringing and social status. Hard work, hope and the will to succeed as a writer motivate the penurious narrator Larry Morgan and his wife Sally as he begins a term teaching at the university. Equally excited by their opportunities are Sid Lang, another junior man in the English department, and his wife Charity. They are fortune's children, favored with intelligence, breeding and money. Taken into the Langs' nourishing and generous embrace, the Morgans have many reasons for gratitude over the years, especially when Sally is afflicted with polio and the Langs provide financial as well as moral support. During visits at the Langs' summer home on Battell Pond in Vermont and later sharing a year in Florence, the couples feel that they are "four in Eden." Yet the Morgans observe the stresses in their friends' marriage as headstrong, insufferably well-organized Charity tries to bully the passive Sid into a more aggressive mold. Charity is one of the most vivid characters in fiction; if she is arrogant, she is also kindhearted, enthusiastic, stalwart and bravean ardent liver of life. Her incandescent personality is both the dominant force and the source of strain in the enduring friendship Stegner conveys with brilliant artistry. He is also superb at expressing a sense of place, and his intelligent voice makes cogent observations on American society in the decades of his setting. But most importantly, he speaks to us of universal questions, reflecting on "the miserable failure of the law of nature to conform to the dream of man." In doing so, he has created a believable human drama the dimensions of which reach out beyond the story's end and resonate in the reader's heart. BOMC and QPBC alternates; Franklin Library Signed First Edition Society selection.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Stegner published his first novel 50 years ago. Since then he has won both a Pulitzer Prize (for Angle of Repose, 1971) and the National Book Award (for The Spectator Bird, 1976). His latest effort, an exploration into the mysteries of friendship, deserves similar accolades. With a quiet but strong hand, he traces the bond that develops between Charity and Sid Lang and Sally and Larry Morgan from their first meeting in 1937 through their eventual separation to their final get-together in 1972 when Charity is dying of cancer and is determined "to do it right," no matter what anyone else thinks. It seems only appropriate that Charity bring them together since she has been the driving force behind the relationship. As we discover now, her bull-headedness has had its price. This is a wonderfully rich, warm, and affecting book. Highly recommended. David W. Henderson, Eckerd Coll. Lib., St. Petersburg, Fla.
Copyright 1987 Reed Business Information, Inc.

Most helpful customer reviews

284 of 293 people found the following review helpful.
Brimming With Wisdom And Love
By prisrob
I was about to be captive on a 7 1/2 hour plane trip- I went into Powell's bookstore in the airport, and somehow I was drawn to this book. I had heard about this book from a friend, and as soon as I saw the title I knew this was it! What a wonderful plane trip- I was on the next to last page as we landed and read the last two pages while waiting for my luggage. Whoopee, what a book, what a read, I hated for it to end. It is one of those kinds of books.

"Crossing to Safety" by Wallace Stenger is the kind of book that you read once in a life time. The characters become so real and so alive. You like these people; you do not want any of life's mysteries and sadness to befall on any them. Well, maybe that couple that was so nasty, no, no, not even them.

Larry and Sally Morgan move to Madison, Wisconsin in the 1930's to start their life. Sally is pregnant, and Larry is about to start a teaching job at the university. They have little money and his job is a lifesaver. Larry's dream is to be a writer and he has published one article. At a faculty party they meet Charity and Sid Lang. Sid comes from big money and they have all they need besides two children and one on the way. Charity and Sally get along famously, and Sid and Larry develop a bond.

This novel follows these two marriages, the ins and outs and the personal issues they each face. We are rarely allowed into a marriage to see all the warts. Over the next many years we follow both families from Wisconsin to Vermont and Cambridge and Italy. We see the friendships between the couples develop. We learn that Charity must manipulate and control- and that Sid needs the push she gives him. Larry becomes a well read author with several books and articles. Sally is happy to be a wife and mother until tragedy befalls. Sid is a wonderful teacher but really wants to write poetry. How do these couples help each other discover the truth within them? What does each of these people bring to the group? Why are they destined to love each other for their life? What is so special about these 4 people? How do they react when the greatest tragedy of all hits one of them?

Wallace Stenger allows us to see the real people below the exterior trappings. I came to love these people, to really care about what happened to them. I think what if that had not happened, or what if this had happened? This is the way we think in real life with our memories. Wallace Stenger is a literary genius. Highly recommended. prisrob

115 of 119 people found the following review helpful.
instead, the world has left marks on us
By Timothy H. Mansfield
'Crossing to Safety' is a novel about the intertwined lives of two couples. More generally, it is about the various ways we express the search for meaning, about gradually lost causes, about vulnerability and kindness, about the complicated dependencies of marriage, about coming of age, slowly, over the course of a lifetime. The plot is simple -- two couples meet because the husbands teach for a time at the same campus, and the four become lifelong friends. Although the story spans decades, there are very few dramatic incidents. This lack of external drama may disappoint those who like plots which move steadily forward, driven by significant events and bold action. However that very lack of action and heroism is part of the novel's essence. Our lives are generally prosaic, not epic. Our stories do not end tidily in fifty minute prime-time segments. The narrator speaks to this: "How do you make a book that anyone will read out of lives as quiet as these? Where is the high life, the conspicuous waste, the violence, the kinky sex, the death wish? [...] Where are speed, noise, ugliness, everything that makes us ... recognize ourselves in fiction?" From these quiet lives, Stegner vividly sketches the emotional landscape in which the characters move, making for all its lack of fireworks a surprisingly compelling story. The book has been praised as a wonderful and uplifting portrayal of friendship developed over many years. That might sound a little maudlin or simplistic on the face of it, but it does not come across that way at all. It is difficult to summarize the philosophical tone of the novel. It is at the same time wry, realistic, and sympathetic, generally optimistic about our native toughness and the possibility of grace, and ambivalent about questions of grand purpose. In fact, the story is marked from the beginning with undertones of retrospective melancholy. "[We meant to] leave a mark on the world. Instead the world has left marks on us." In addition to evoking a finely shaded spectrum of emotions, the book is beautifully written. In grade school writing classes we were told to "show, don't tell", but the author both shows and tells with consummate skill. This book strikes me as being the distillation of a lifetime of experience by an acutely sensitive and intelligent writer and a profoundly decent human being. It feels like Wallace Stegner's carefully considered gift to us, and is well worth giving, in turn.

99 of 110 people found the following review helpful.
I Wanted To Love It...
By A Customer
The premise was wonderful - a subtle, sometimes moving, sometimes disturbing examination of the lifelong friendship of two couples. I didn't have to think twice about buying this one after I read the synopsis. The first several chapters seemed to be living up to its' promise. I was touched by the early scenes where the Morgans and the Langs first met and seemed to know instantly that they had found something special. Charity Lang showed signs of being a wonderfully unforgettable character - sometimes sweet, sometimes manipulative, always fascinating. A little further on, however, something changed. The author seemed to abandon character development and instead concentrate on lavishly detailed descriptions of places and events. He hinted at the passive/dominant relationship between Sid and Charity, but gave us very few first hand glimpses. Instead, we had to take the word of our narrator, Larry, based on his passing mentions of past events and comments to his wife Sally. There was so little actual interaction between the two couples - the one sequence during which they spent a good deal of time together, the hiking trip, was as much about Larry fretting over his career than it was about showing us anything about the relationships - that one wonders how accurate Larry's point of view could be. The hike ends in tragedy, and we jump ahead to more than a decade later in Italy, where the foursome are spending a year together. Much of this sequence, too, involves Larry recalling past events; mentioning in passing, rather than describing, how deeply entwined the two couples lives became as they dealt with Sally's illness and the financial burden it brought upon the Morgans. We see one more example of Charity's controlling personality, before jumping ahead years later to when Charity is on her deathbed. Here, we find the Langs' children and grandchildren, who have apparently grown up with Larry and Sally and consider them family. Again, we must take the author's word for this, as we never see any of these characters develop, and never "meet" them until they've grown up. The Langs' children acknowledge not just the tensions between Sid and Charity, but those between the Morgans and the Langs. They give enticing examples, but never elaborate. On the other hand, the final chapters begin to pick up where the earliest ones left off, showing rather than simply telling what is happening. Sid's anguish is realistically portrayed, as is Larry's helplessness as he witnesses his friend's grief. The conversation between the two men in which Sid admits he was always secretly glad that Larry had been burdened by Sally's disability, because it made them more like equals, was very touching. It was here that Sid really began to come alive for me and made me feel something for him other than contempt for how he let his wife control him. I found myself unable to tear away from the novel during the final scenes. They, along with the earliest chapters, provide an intriguing overview of what could have been an excellent character study. Unfortunately, it was never realized.

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^ Download PDF The Genesee diary: Report from a Trappist monastery, by Henri J. M Nouwen

Download PDF The Genesee diary: Report from a Trappist monastery, by Henri J. M Nouwen

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The Genesee diary: Report from a Trappist monastery, by Henri J. M Nouwen

The Genesee diary: Report from a Trappist monastery, by Henri J. M Nouwen



The Genesee diary: Report from a Trappist monastery, by Henri J. M Nouwen

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The Genesee diary: Report from a Trappist monastery, by Henri J. M Nouwen

The voices of the Beguines, women who sought to make sense of their experience of God in a world where suffering was commonplace, can be difficult to hear. By placing them in their historical, literary and theological context this book introduces the reader to some of the most challenging religious texts of the middle ages. The four women discussed in this book between them span the thirteenth century, a period which was the time of greatest flowering of Beguine mystic literature.

  • Sales Rank: #1187278 in Books
  • Published on: 1976
  • Number of items: 1
  • Binding: Hardcover
  • 195 pages
Features
  • Nouwen
  • Trappist
  • New York
  • Monastery
  • Spiritual journey

Amazon.com Review
The Genesee Diary: Report from a Trappist Monastery is Henri Nouwen's journal of his seven-month stay in the Abbey of the Genesee in upstate New York. His reflections on daily life with the Trappists are funny, wise, and often profound--resembling Kathleen Norris's The Cloister Walk, but a bit less thematically structured and more down to earth. Nouwen's goal is simply to record what it's like to pass the time in a cloistered community. He spends part of his stay there reading Robert Pirsig's Zen and the Art of Motorcycle Maintenance, which helps awaken a hunger for a richer experience of life that he subsequently satisfies by learning to slow down. In his first week at the monastery, Nouwen writes, "I have so many ideas I want to write about, so many books I want to read, so many skills I want to learn--motorcycle maintenance is now one of them--and so many things I want to say to others now or later, that I do not SEE that God is all around me and that I am always trying to see what is ahead, overlooking him who is so close." Then, looking forward to being planted in one place among the Trappists, he writes, "Maybe I need to get stuck," to learn to see God. He does, and he does. --Michael Joseph Gross

Review
'Far and away one of the most rewarding books I have read in years, because it so beautifully lifts the heart and mind to God and the Saviour.' -- Christianity Today

From the Publisher
Recorded during a seven-month stay in a Trappist monastery in Genesee, New York, Henri Nouwen's record of his spiritual journey is an insightful and compassionate inspiration to all who seek to know themselves better.

Most helpful customer reviews

31 of 33 people found the following review helpful.
Nouwen at his best...
By A. Hogan
The Late Henri Nouwen ,of blessed memory, was a Dutch Catholic priest who was able to put his spiritual longings[and lackings] into print and a level that I do not think has been matched in the past century.Certainly, Thomas Merton was a better writer and more influential, though Nouwen gave us his doubt at an unprecendented depth. In this duiary, first published in the mid-70's , he went to Piffard , NY to live with the Trappists of the Genesse for 8 months[he later went back, and produced another book of meditations]It was fortuitous that he met the abbot, Fr John Eudes Bamberger, and found a man to whom he could pour himself out. The abbot [he is still abbot,by the way,and has his own website}is an MD, psychaitrist and a man of deep prayer. Much of the book is the the conferences of Nouwen and the Abbot, though a greter portion is Nouwens musings on life, his frustrations, his enthusiamims[wich were many and childlike in thier intensity] and his prayer.His descriptions of back breaking manuel labor,of sorting raisins{the monks produce a regionally famous bread, called,of course, monks bread]and of normal, everyday fears and phobias are wonderful, insightful and inspiring. The Late Fr. Nouwen wrote scores of books, though thisis in my estimation his finest.

20 of 20 people found the following review helpful.
Left-brain companion to Norris' "Cloister Walk"
By E. Broadwell
A highly stimulating account of Nouwen's experiences as a "temporary Trappist" (itself a contradiction in terms which he explores with sensitivity). Nouwen is brutally honest in his self-analysis without becoming maudlin or pompous, and his struggle to learn to pray in the midst of distractions from within and without should resonate with people (like me!) who find themselves too often consumed with busyness and the monologues of an undisciplined consciousness. Best of all, Nouwen acknowledges that his time with the Trappists does not solve his problems; rather, it teaches him the rudiments of praise in the midst of problems.

16 of 16 people found the following review helpful.
Behind the walls
By Lyrical-Linocut
Nouwen takes us behind the walls of a Trappist Monastery, a place one rarely gets to travel. We not only get a glimpse into monastic living, but we are invited to travel deeper into the heart of Henri Nouwen. Nouwen shows us his humanity and struggles. He brings forth the wisdom of community and the comfort of ritual. This book, for me, became my own retreat. The monastery is not a place of escapism, but rather a place that confronts you at the depths of your soul.

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Jumat, 25 Maret 2016

* Ebook Free Chasing the Sea: Lost Among the Ghosts of Empire in Central Asia, by Tom Bissell

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Chasing the Sea: Lost Among the Ghosts of Empire in Central Asia, by Tom Bissell

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Chasing the Sea: Lost Among the Ghosts of Empire in Central Asia, by Tom Bissell

In 1996, Tom Bissell went to Uzbekistan as a na•ve Peace Corps volunteer. Though he lasted only a few months before illness and personal crisis forced him home, Bissell found himself entranced by this remote land. Five years later he returned to explore the shrinking Aral Sea, destroyed by Soviet irrigation policies. Joining up with an exuberant translator named Rustam, Bissell slips more than once through the clutches of the Uzbek police as he makes his often wild way to the devastated sea.

In Chasing the Sea, Bissell combines the story of his travels with a beguiling chronicle of Uzbekistan’s striking culture and long history of violent subjugation by despots from Jenghiz Khan to Joseph Stalin. Alternately amusing and sobering, this is a gripping portrait of a fascinating place, and the debut of a singularly gifted young writer.

  • Sales Rank: #1334609 in Books
  • Brand: Bissell, Tom
  • Published on: 2004-10-12
  • Released on: 2004-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.30" l, .69 pounds
  • Binding: Paperback
  • 416 pages

From Publishers Weekly
Bissell's first journey to the former Soviet republic of Uzbekistan as a Peace Corps volunteer in 1996 was cut short by heartache and illness. Memories of that failure dog his return in 2001 to write about the rapidly deteriorating ecosystem of the Aral Sea. Once the size of Lake Michigan, the sea has already lost most of its water and will likely disappear by the middle of the next decade, leaving thousands of square kilometers of salty desert. Journalist Bissell examines that story, but also ponders broader questions about Uzbekistan and its people. Hooking up with Rustam, a young interpreter, he sets off on a road trip across the country. The format of the ensuing travelogue-cum-history lesson resembles that of itinerant political commentators like Robert Kaplan, right down to the repulsively exotic cuisine (e.g., boiled lamb's head) and digressionary mini-essays on the history of European imperialism in Central Asia. But Bissell rails against the way other authors "pinion entire cultures based upon how [their] morning has gone," aiming for a more accurate and balanced portrayal. An ongoing dialogue with Rustam over the region's history and culture, and the extent to which both were shaped by the Soviets, adds a personal dimension. The account doesn't flinch from portraying the region's corruption-crooked cops appear regularly on the scene-but despite the frequent bouts of despair, for both the region and himself, Bissell refuses to give up on the Uzbeks entirely. The humor and poignancy in this blend of memoir, reportage and history mark the author as a front-runner in the next generation of travel writers.
Copyright 2003 Reed Business Information, Inc.

From The New Yorker
The title of this erratic but enthralling travelogue refers to the attempts of fishermen in Central Asia to pursue the receding waters of the Aral Sea, which has shrunk, since 1960, to less than a third of its original size. In 2001, the author, a self-described "adventure journalist" and failed Peace Corps volunteer, arrives in Uzbekistan to investigate this ecological disaster. Bissell doesn't so much chase the sea as meander toward it, and nine-tenths of the book concerns his detours—to Samarkand, Bukhara, and the guerrilla-infested mountains of Kyrgyzstan—and his run-ins with suspicious local police forces. Bissell shines as a raconteur, if not as an analyst, and his ebullient narrative harks back to the travel classics of the nineteenth century, when the journey was an end in itself.
Copyright © 2005 The New Yorker

From Booklist
The Central Asian country focused on here is Uzbekistan. In the mid-1990s, Bissell was a Peace Corps volunteer there, and in 2001 he returned, his aim to examine the destruction of the Aral Sea, whose rivers were diverted and drained to fertilize the desert to grow cotton. This ecological catastrophe left the former seabed's soil ruined and vegetation obliterated. Two dozen species of fish native to the Aral Sea were wiped out and the migration of millions of birds ceased. Traveling with Bissell was Rustam, who was half Uzbek and half Tajik and who served as the author's guide and translator. Bissell describes this alien land and its people while offering a history of the country and its culture; he also writes of his confrontations with the Uzbek police. This is more than just a travel book; the author's ingenious and sometimes humorous writing makes it a special read. George Cohen
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

25 of 25 people found the following review helpful.
Top-Rank Modern Travel Writing
By A. Ross
I came to this book as someone who enjoys a good travelogue and has a long-standing general interest in Central Asia (I've read all the Hopkirk books). I have to say that despite Bissell's cautionary notice at the beginning that he is not attempting history or reportage or travel writing, but that the book is "a personal, idiosyncratic account of a place and a people and the problems and conflicts they share," this is one of the best modern travelogues I've encountered. Like all the best in the genre, it is outstanding precisely because it is such a personal work. Those interested in just the logistics of getting around and seeing the sights of Uzbekistan can always just pick up a good guidebook or three, and those interested in pure history have plenty of works to pick from. What Bissell brings is sparkling prose and a refreshingly open-hearted approach that admits his own limitations.

Bissell's relationship with Uzbekistan began with an ignominious Peace Corps stint in the 1996, which saw him leaving after less than a year due to a mental breakdown. He returned in 2001, ostensibly to research and write an article about the decline of the Aral Sea, but in a large part, to confront his demons from that earlier experience. As the title foreshadows, he spends most of his trip bouncing around the country in an attempt to come to grips with it (indeed, it isn't until the final 50 pages that he gets to the Aral and discusses its plight). Bissell isn't on any particular itinerary so much as he wants to see the high points and take care of a few tasks (like smuggling money to someone). Because his Uzbek is shaky and his Russian is almost non-existent, he hires a 20-something Uzbek translator named Rustam. This college student peppers his speech with "dude" and "bro", and is a Depeche Mode devotee, not to mention a bit of a ladies man. More importantly, he provides a forum for Bissell to bounce his impressions of the country, its Soviet legacy, and Islam, off of -- and their disagreements are often highly illuminating.

Bissell travels around, from Tashkent to Gulistan, to Samarkand, the Ferghana valley, the T'ien Shan Mountains, and finally to Nukus and the Aral Sea. Modes of travel vary from local bus to hired car to Uzbek Air, and he experiences all the grime and discomfort such travel involves, including a harrowing encounter with some militia who stop their hired car, rather casually club the driver to the ground, take Rustam away for a full body search, and menace Bissell. Contrary to several reviews on Amazon, the most laughable of which reads that he "keeps the indigenous people of Central Asia at arms-length" Bissell interacts heavily with the people and places he visits. Upon arrival in a new place, the first thing he usually does is head out for an aimless hour-long walk to try and get a sense of the place.

Interspersed with his travels, Bissell recounts the political, cultural, and religious history of the country and the region. This ranges all over the place, from linguistics, to British and Russian Imperial history, ethnography, political economy, folk tales, internal Soviet politics, modern corruption, and all manner of things besides. These are generally largely cribbed summaries from other sources (listed in the bibliography), but Bissell does a nice job of putting it altogether in highly readable prose lightly sprinkled with jokes, asides, and personal commentary. Some might find this approach too freeform or meandering, but Bissell makes it work. It all wraps up with the sad tale of Karakalpak people, who used to fish and live off the Aral Sea and now live over 100 miles from its shore, and Bissell is left contemplating the rusting hulks of fishing vessels adrift in an ocean of sand. A brilliant piece of non-fiction from a very talented writer.

15 of 16 people found the following review helpful.
The best book of its kind that I've ever read
By William J. Feuer
Part travelogue, part history, part reportage, part editorial, this is the best book of its kind that I've ever read. It is an un-patronizing portrait of people making the best of difficult circumstances that most of us can't imagine well. One thing that distinguishes "Chasing the Sea" from, say, Colin Thubron's "The lost heart of Asia" is its persistent up-beat tone. Just because the facts are sad doesn't mean that reading about them has to be depressing. Besides, you have to love an author who takes the trouble to place a sub-title at the top of every other page and who, in non-fiction, is so candid about his own weaknesses (e.g. his abortive Peace Corps service, his inability to deliver money to one promised recipient).

Miscellany:

This book could not have succeeded in its current form if Bissell had not hooked up with Rustam, his young, proud, intelligent, opinionated, endearing translator and advisor. The tension between Bissell's typically Politically Correct American views and Rustam's practical Uzbek views on the country's history, politics, and future (not to mention women) makes a lot of the book work.

Yes, early in his book, Bissell gives a description of the Aral Sea situation uncannily similar to that in "Ecoside in the USSR" by Feshbach, et al. (I own that book also). He credits "Ecoside" in his bibliography. I suppose that if this were an academic work, he'd have to have appropriate footnotes, but the important thing is that more people will find out about the eco-problems of Central Asia by reading "Chasing the Sea" than will work their way through Feshbach.

Bissell has stones. His taking of Robert D Kaplan, the highly regarded travel writer/Atlantic correspondent, to task is reminiscent of Mark Twain taking Fennimore Cooper to task, except that Fennimore Cooper was not alive when Samuel Clemens published "...literary offenses".

I'm not quite sure why, but the middle of the book drags a bit in the sections on Samarkand and Bukhara with some of the discussion of Jenghiz Khan, Tamer-the-lame, and Nasrullah (though I'm glad the material is there), but it picks up again in the chapter on Ferghana and the Tien Shan mountain funeral. The final chapter when Bissell arrives at the former Aral coastline is captivating and heartbreaking (though not depressing to read!).

I wish the glossary was larger.

The book closes with Bissell's answer to the out of context question, "What is there to do?" My own even further out of context answer is: wait for Tom Bissell to publish another book.

26 of 30 people found the following review helpful.
Great overview of Uzbekistan and the Aral Sea's demise
By Tim F. Martin
_Chasing the Sea_ is one of the finer travel books I have read in some time. Author Tom Bissell set out originally to cover the tragic disappearance of the Aral Sea, a once large inland body of water shared by Uzbekistan and Kazakhstan that has been slowly choked to death since the 19th century by diversion of the water to grow cotton. Through the course of the book though he not only covers the Aral Sea but also relates his previous personal experiences with Uzbekistan - he served for a time as a Peace Corps volunteer - as well as his current travels. Though he left the Peace Corps, his love for this Central Asian nation didn't leave him and he felt compelled to return, not only to his host family but to the country in general.
We learn that Uzbekistan is the second largest exporter of cotton in the world; though this achievement has not come without considerable cost (also amazingly enough they grow rice too). That this desert nation relies so heavily economically on such a thirsty plant is unusual, but Bissell details how the American Civil War cut off the supply of cotton, encouraging tsarist Russia to look for a new source. Demand for cotton only escalated during the Cold War. To grow the cotton, the Amu Darya River (known in antiquity as the Oxus) was diverted. This river, which forms part of Uzbekistan's southern border and the primary source of the Aral Sea's water, now no longer feeds into it at all. The formerly vast river, which once formed a huge inland delta, is now a mere creek at best as it reaches the receding shores of the Aral.
The Aral Sea's certain demise sometime in the first few decades of the 21st century will have ugly consequences. As late as 1960 the Aral Sea was still the fourth-largest inland body of water in the world; now it is largely salt-crusted, dust-storm swept desert, much of this salt and silt poisonous thanks to decades of Soviet insecticides and dumped toxic waste. Moynaq, once a prosperous seaside community that had 40,000 inhabitants, was a favored beach retreat, and had a cannery that produced 12 to 20 million tins of fish a year; now over a hundred miles from the sea's present (and still receding) shores, it is a near ghost town with no jobs to speak of. Fishing ships lie where they were abandoned, resting incongruously in sand dunes. Now that the Aral Sea has thus far lost over 70% of its water volume it no longer acts to moderate regional temperatures; summers are hotter and winters are colder (possibly ironically dooming the very crops that are being grown at the expense of the sea). The two dozen fish species that were once endemic to the Aral Sea are now extinct (though other species were later reintroduced to the northern Kazakhstan portion). The formerly unique desert forests that surrounded the lake are long gone as well.
More tragic still are those people who live around the Aral Sea. For over 600 years the Karakalpaks, a formerly nomadic people, have called these shores home. Now they are poor and unhealthy, as their industries - fishing, canning, and shipbuilding - have vanished and they suffer soaring rates of infant mortality, tuberculosis, and other diseases directly and indirectly related to the vanished desert sea.
I don't however want to give the impression that this is a grim book, as there are many funny sections in it and Bissell is a talented writer. Nor is the Aral Sea the only subject covered. It is not even the main subject of this travel essay. Most of the book is devoted to Bissell's travels, most of them with a young Uzbek named Rustam, hired as a translator but becoming a friend as he journeyed throughout Uzbekistan, from the T'ien Shan Mountains and Ferghana Valley in the far east of the nation through Tashkent, Samarkand, and Bukhara. Along the way the author relates many interest aspects of Uzbek history and culture, including the days of the Mongols, Timur (known in the West as Tamerlane), the Samanid dynasty of 819-1005 (during which time Uzbekistan became a center of Islamic learning, producing the great doctor ibn Sina, known to Westerners as Avicenna, revered in the West as late as 1700s, and al-Khorezmi, from whose name the word algorithm is derived), the Great Game (the 19th century Cold War of sorts between Russia and the British for supremacy in Central Asia), and the rule of Islam Karimov.
I found his portraits of the various cities the most interesting aspect of the book. Tashkent for example we learn is not only the most populous city in Uzbekistan but the most populous in Central Asia. It is also one of the most modern seeming Central Asian cities, as there is very little architecture older than about 50 years (owing partly to the fact that the city has been Russified since the late 19th century and partly due to a massive 1966 earthquake). Despite is appearances though this oasis city (its name means "Stone City") is over 2000 years old, making it one of the oldest extant cities in the world. For much of its history it was a "sporadically independent city-state" surrounded by a famous high stone wall sixteen miles long (now completely gone) and controlled at times by such various groups as the Arabs, Chinese, Mongols, and the Kazakhs.
Bissell also has many asides in the book about Uzbek culture. He wrote of the very nature of Uzbek, an agreed-upon identity that is less than a century old; that in 1902 a Russian ethnographer noted that there were more 80 clan names in Uzbekistan, more important to them than any "Uzbek" identity. Indeed, Uzbek history in any form only stretches back to the 14th century, when a fierce group of nomadic invaders came down from the plains of southern Siberia.
A good book, just wish it had pictures.

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Rabu, 23 Maret 2016

> Free PDF Leviticus 1-16: A New Translation with Introduction and Commentary (Anchor Bible, Vol. 3), by Jacob Milgrom

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Leviticus 1-16: A New Translation with Introduction and Commentary (Anchor Bible, Vol. 3), by Jacob Milgrom

Leviticus served as the liturgical handbook of the Levitical Priesthood of the Israelites. From a professor of Religion and the Bible at the University of California at Berkeley comes a comprehensive commentary on Leviticus, now available with a new translation that is sure to set the standard for years to come.

  • Sales Rank: #785940 in Books
  • Published on: 1991-12-01
  • Released on: 1998-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.46" h x 2.69" w x 6.49" l,
  • Binding: Hardcover
  • 1184 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By m. casey
He is the godfather of commentary on Leviticus

14 of 14 people found the following review helpful.
Best Single Commentary I Have Ever Studied
By Henry E. Neufeld
I regard this commentary as the best one I have ever used in studying through a Bible book. I chose to read it along with both the Hebrew and Septuagint text of Leviticus. I frequently complain of commentaries that while they are good in one area they are often not so good in others. Of course, if they were good in all areas, then they would be too large.

In this case, Milgrom covers everything from source and redaction criticism, through both Jewish and Christian commentary through the centuries, to detailed original analysis. He doesn't neglect relating the text to theology either. Of course, that leaves the one complaint--that at three volumes, this commentary is too large.

Because of the combined depth and breadth, I found studying Leviticus with this commentary to be an exciting spiritual journey as well as an intellectually stimulating one. Dr. Milgrom covers numerous vexing problems in the text in great detail. He generally explains opposing positions so well that you can start arguing for them. In fact, while you read his summary of the evidence in favor of opposing positions you might even forget that they are not actually HIS positions.

Extensive indexing and references makes the three volume set (this one, Leviticus 17-22 (The Anchor Yale Bible Commentaries), and Leviticus 23-27 (The Anchor Yale Bible Commentaries)) extremely valuable for reference as well as extended study.

One of the key topics in the book is the dating of Pentateuchal sources. While Dr. Milgrom takes a fairly traditional approach to the number and geographical distribution of sources, he tends to date some of them in a non-traditional manner. The arguments for this, such as his work on vocabulary in dating the Priestly (P) and Holiness (H) sources is invaluable if nothing else as a model for how such an issue should be debated.

Obviously, five stars, and an unequivocally positive recommendation.

35 of 36 people found the following review helpful.
A brilliant, profound and absorbing commentary
By A Customer
Jacob Milgrom, a Conservative rabbi and modern Bible scholar, is a, if not the, leading authority on Leviticus. Milgrom's painstakingly thorough commentary on the first sixteen chapters of Leviticus has revolutionized the modern understanding of the rituals and practices described in the book.
Drawing upon classical (and some obscure) Jewish interpreters, modern scholarship, and his own brilliant insights, Milgrom argues that Leviticus' seemingly dry recounting of rituals and practices expresses a profound theology of Israel, a theology based upon life and death, good and evil, with the G*d of Israel supreme. Milgrom argues that Leviticus banishes demons from its theology and posits man's choices as the cause of evil. Analogizing the sacrificial system to "The Portrait of Dorian Grey", Milgrom argues that sin creates impurity on the Tabernacle and the more serious the sin, the more severe the pollution. Pollution unchecked can drive the divine presence from the people's midst. Sacrifice (chiefly the hattat/purification offering) served to remove the impurity but only if the sinner was motivated by asham/guilt.
In addition to explaining the differing types of sacrifices, Milgrom also explains the dietary laws (kashrut) as a reflection of the priestly theology. To twist a phrase, taxonomy recapitulates theology. Milgrom argues that the dietary laws reflected and fostered a profound respect for life, both animal and human.
Milgrom also investigates in detail the purity laws regulating childbirth, menstruation, sex, certain diseases and similar physical causes of impurities. He argues that the laws governing physical impurities reflected the priestly life/death theology but that physical causes of impurity were understood differently than moral causes of impurity. The person affected by physical causes of impurity was in need of ritual purification and sometimes was required to bring sacrifices to purify the Tabernacle of impurities occasioned by severe physical impurities. In contrast, the sinner needed forgiveness and was always required to bring a sacrifice, accompanied by asham/guilt, to purify the Tabernacle of the impurity caused by sin.
Milgrom proceeds verse by verse and each chapter is followed by fascinating essays in which he sets out in a more orderly fashion his interpretation. His work is regularly cited by leading scholars but the work is accessible to non-experts, though it is not an "easy read" by any means. Be prepared to read and reread this work in order to grasp all that Milgrom is saying. Milgrom's interpretation opens up not only Leviticus but virtually every other page of the Bible to new interpretations.
Milgrom includes a huge bibliography and detailed indices. One complaint - the Anchor Bible series does not set out the Hebrew text so be prepared to try to decode the transliteration system employed by Milgrom.
I highly recommend this book to anyone seeking to grapple with the meaning of Leviticus. Christian and Jews, modern scholars and lay persons all can benefit from reading and rereading Milgrom's penetrating analysis.

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Teach Me to ReadFrom Doubleday

  • Sales Rank: #3797616 in Books
  • Published on: 1978-06
  • Original language: English
  • Number of items: 1
  • Binding: Paperback

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Meetings with Remarkable Trees, by Thomas Pakenham

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Meetings with Remarkable Trees, by Thomas Pakenham

Thomas Pakenham's bestselling book of tree portraits. With this astonishing collection of tree portraits, Thomas Pakenham produced a new kind of tree book. The arrangement owed little to conventional botany. The sixty trees were grouped according to their own strong personalities: Natives, Travellers, Shrines, Fantasies and Survivors. From the ancient native trees, many of which are huge and immeasurably old, to the exotic newcomers from Europe, the East and North America, MEETINGS WITH REMARKABLE TREES captures the history and beauty of these entrancing living structures. Common to all these trees is their power to inspire awe and wonder. This is a lovingly researched book, beautifully illustrated with colour photographs, engravings and maps - a moving testimonial to the Earth's largest and oldest living structures.

  • Sales Rank: #605499 in Books
  • Published on: 1998-11-10
  • Released on: 1998-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.41" h x .60" w x 9.50" l, 2.36 pounds
  • Binding: Paperback
  • 192 pages

Amazon.com Review
Thomas Pakenham, a distinguished historian of Africa, takes a new tack by writing an old-fashioned kind of book: a catalog of trees of the British Isles. The last such book was published in 1826. In Meetings with Remarkable Trees Pakenham assembles a beautifully photographed gallery of 60-odd trees of Scotland, England, and Ireland, and magnificent trees they are. One is a 600-year-old king oak that looms large over Charleville, Ireland; another is the yew tree that Wordsworth called the "pride of Lorton's vale"; still another is a sequoia brought from the United States and planted in a Herefordshire grove in 1851, where it has since flourished. Pakenham helpfully includes a map showing the locations of his scattered dramatis personae; you could make a fine tour retracing his steps and having a look for yourself.

Review
Thomas Pakenham will attend the Edinburgh Festival on 25/8/03

About the Author
Thomas Pakenham is the author of "The Scramble for Africa," which won the W. H. Smith and Alan Paton Awards.

Most helpful customer reviews

44 of 45 people found the following review helpful.
Photographs, stories and more!
By Bill Gould
Thomas Pakenham has presented us with a wonderfully photographed essay into the lives of living legends. This book is a superb blend of poetry, philosophy and photography of living giants of the Earth. From native trees of Britain to New World immigrants, he has captured the essence of trees as giants. Part dendrology and part philosophy, no home library should be without this magnificent work. Ancient trees are inspirational in nature and this book presents a photographic essay that will inspire all who read it. A must have for the library of any tree enthusiast!

39 of 40 people found the following review helpful.
Green People You'll Be Pleased To Meet
By Terrie
This quality book contains large photographs and interesting historical text concerning sixty eccentric, distinctive and unforgettably beautiful huge old trees. You might think that a book about trees would be dull. Some of us do take trees for granted but this book will not fail to impress you and cause you to re-examine the individual beauty that each tree exhibits. Imagine the ancient yew tree beneath whose branches legend says conspirators plotted the murder of Mary, Queen of Scots' 2nd husband,the Earl of Darnley. You have to crawl under its drooping gnarled branches like you are entering an igloo. The dome they create is 60 feet high and 400 feet in circumference. The photograph is taken from inside this arboreal dome and we are treated to the light peeking through the ancient branches. We feel we are in a magical place indeed. As one who is growing a baby Yew so small that I can easily step over her while watering the garden, this enormous old Yew inspires and amazes me. It is only one of SIXTY similar treasures of Nature this book shares. Take the tour!

37 of 38 people found the following review helpful.
beautiful images of Great Britain's beautiful trees
By audrey frances
This book was everything I'd hoped for -- and less and more! I'd hoped for a book full of beautiful photographs of large old trees, and it is that, indeed. It is also a bit less than I'd hoped, being trees only of the United Kingdom, and I would dearly love to have this author give a similar treatment to the gentle giants inhabiting other parts of the world.
It is also much more than I'd expected, being filled with enchanting stories of the 60 (groups of) trees Pakenham has chosen to introduce. Each tree (group) is beautifully photographed, often with people nearby so you can get a sense of their immensity, and the images are accompanied by a few pages of text filled with delightful anecdotes and histories.
Making the book even more valuable for travellers is a gazetteer with a map of the UK showing each tree's location as well as information regarding its common name, scientific name, full measurements and accessibilty to the public. Unfortunately none of the sixty are located in Wales, but there are 8 in Ireland, 10 in Scotland and 42 in England, including 10 in the London area. The book is interspersed with olde line drawings, and the book concludes with a bibliography, credits for the illustrations and a good index.
If you love trees or travel to Great Britain, you will want to meet this remarkable book. Highest recommendation.

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^^ Download Austerlitz (Modern Library Paperbacks), by Winfried Georg Sebald, Anthea Bell

Download Austerlitz (Modern Library Paperbacks), by Winfried Georg Sebald, Anthea Bell

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Austerlitz (Modern Library Paperbacks), by Winfried Georg Sebald, Anthea Bell

Austerlitz (Modern Library Paperbacks), by Winfried Georg Sebald, Anthea Bell



Austerlitz (Modern Library Paperbacks), by Winfried Georg Sebald, Anthea Bell

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Austerlitz (Modern Library Paperbacks), by Winfried Georg Sebald, Anthea Bell

Austerlitz, the internationally acclaimed masterpiece by “one of the most gripping writers imaginable” (The New York Review of Books), is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Aus-terlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

  • Sales Rank: #356031 in Books
  • Published on: 2002-09-03
  • Released on: 2002-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.90" h x .60" w x 5.12" l,
  • Binding: Paperback
  • 304 pages

Amazon.com Review
If the mark of a great novel is that it creates its own world, drawing in the reader with its distinctive rhythms and reverberations, then W.G. Sebald's Austerlitz may be the first great novel of the new century. An unnamed narrator, resting in a waiting room of the Antwerp rail station in the late 1960s, strikes up a conversation with a student of architecture named Austerlitz, about whom he knows almost nothing. Over the next several years, the narrator often runs into his odd, engaging acquaintance by chance on his travels, until finally, after a gap of two decades, Austerlitz decides to tell the narrator the story of his life and of his search for his origins in wartime Europe. Slow and meditative, relying on the cumulative effect of its sedate, musical prose and its dark subject matter (illuminated here and there with hope), Sebald's novel doesn't overturn the conventions of fiction, but transcends them. It is a love story to history and vanished beauty. Don't let the slow beginning turn you away. Austerlitz takes its time getting off the ground, but is well worth seeing in flight. --Regina Marler

From Publishers Weekly
The ghost of what historian Peter Gay calls "the bourgeois experience," molded in the liberalism and neurasthenia of the 19th century and destroyed in the wars and concentration camps of the 20th century, haunts W.G. Sebald's unique novels. His latest concerns the melancholic life of Jacques Austerlitz who, justifiably, exclaims, "At some point in the past, I thought, I must have made a mistake, and now I am living the wrong life." The unnamed narrator met Austerlitz, an architectural historian, in Belgium in the '60s, then lost track of his friend in the '70s. When they accidentally run into each other in 1996, Austerlitz tells the story that occupies the rest of the book the story of Austerlitz's life. For a long time, Austerlitz did not know his real mother and father were Prague Jews his first memories were of his foster parents, a joyless Welsh couple. While exploring the Liverpool Street railroad station in London, Austerlitz experiences a flashback of himself as a four-year-old. Gradually, he tracks his history, from his birth in Prague to a cultivated couple through his flight to England, on the eve of WWII, on a train filled with refugee children. His mother, Agata, was deported first to Theresienstadt and then, presumably, to Auschwitz. His father disappeared in Paris. Austerlitz's isolation and depression deepen after learning these facts. As Sebald's readers will expect, the novel is filled with scholarly digressions, ranging from the natural history of moths to the typically overbearing architecture of the Central European spas. In this novel as in previous ones, Sebald writes as if Walter Benjamin's terrible "angel of history" were perched on his shoulder. B&w photos. (Oct.)Forecast: Gambling (safely) on Sebald's progress from cult favorite to major figure, Random House has picked up the author from former publisher New Directions and is sending him on an author tour. Though his latest isn't as startling and exciting as The Emigrants or The Rings of Saturn, it is a significant achievement, and Sebald should continue to attract ever more attention.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Winner of the Berlin Literature and Literatur Nord prizes and the Los Angeles Times Book Award, Sebald has previously been published here by New Directions but now jumps to a bigger house. The narrator recounts the story of his friend, Jacques Austerlitz, who came to Britain on a kindertransport and as an adult must painfully reconstruct his past.
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A study of life's substance lost
By D. Cipster
It's dark and obscure, despite its careful attention to detail. Perhaps that is what Sebald wants to communicate; how, ultimately, the history and meaning of our own lives recede into darkness and obscurity of civilization and time. Just as Austerlitz lost the trail of his own parents' fortunes or misfortunes, his own life will eventually meet a similar fate. Those details, those clues of who we were... They are like the moth in the jar - a dead form, without the substance. This is a heavy read, but it is one that appeals to the mind, not the emotions. I liked it.

0 of 0 people found the following review helpful.
memory's train
By M. Benet
One does not -- indeed, one cannot -- sum up a work by W.G. Sebald, without losing an essential part of its meaning and effect. Like "The Emigrants" and "The Rings of Saturn," "Austerlitz" is also a work in which memory is the breath that animates and connects the seemingly disparate stories, gallery of random photos, scientific facts, and historical accounts into a literary pattern that reinvents writing.
At the beginning of the book, the nameless narrator, who is in transit, (as are all the nameless narrators in Sebald's books) starts a conversation in the railway station in Antwerp with a man named Austerlitz. This mostly one-sided exchange lasts some 30 years.
In the first part of the book, the discussion centers on architecture, specifically on the structural remnants of projects that recall ambitious attempts at social engineering, but which, in Sebald's prose, now stand out as relics of the folly that inspired them. Austerlitz, who is without a first name in the early years of this extended conversation -- as if he were not fully a person yet -- relates to the world around him through the study of architecture, books, and the photos he keeps, and this is what he shares with us through the narrator.
As the narrator and Austerlitz keep on meeting, Austerlitz's character takes on ever more personality in the recollections, first of a Welsh childhood spent with emotionally distant foster parents, then, later, in accounts of his years of coming into a life of his own in boarding school.
After finishing his studies, Austerlitz lives a life in which books and architecture feature prominently, but just as he settles down to gather his collection of writings, photos, and research into a book, he experiences a breakdown. In this state, language, which Austerlitz compares to "an old city full of streets, and squares, nooks and crannies," fails him completely and he finds himself wandering the streets of London at odd hours. During his wanderings, in an abandoned part of an Underground station he has a flashback of arriving there as a four year old. From here on, the book takes on a lyrical, almost luminous turn, as Austerlitz recovers his past in Prague and so acquires a first name.
The last part of the book takes us to Paris and gives us a complex take on the relationship between the "gare d'Austerlitz" and the towers of the new Bibliotheque Nationale. On the surface, Austerlitz seems to be telling the story of his search for his father throughout the streets of Paris and in the archives of the new colossal library, which, to him "is inimical to human beings, and runs counter, on principle, ... , to the requirements of any true reader." But, in fact, Austerlitz's account of the Babylonian library and his descriptions of the ornate iron work of the Austerlitz railway station frames what lies between and beneath these two structures -- one a repository of knowledge and culture, the other a metaphor for motion and change. For it was here, under the library's soaring towers, that, during World War II, the Germans, with the help of the French, "brought all the loot they had taken from the homes of the Jews of Paris," and sorted it according to elaborate schemes of categories and procedures.
Here, under what is now the library, people were once divested not only of their things, but also of an identity -- the kind of self-knowledge that is born from the intricate and long dance between people and the objects with which they fill their environment. Here also, and on a different scale, these same things lost something essential in this process of systematic classification and sorting.
For Austerlitz, under this soaring library lie the marshes of memory and history. Here the poignant particulars of the everyday life of a group of people were lost. Here they also remain invisible from that bird's eye perspective from the library, as they do in the mist of the sooty clouds of smoke that rise from locomotives -- those quintessential metaphors for the engine that drove the industrial revolution and the rise of capitalism.
As a writer, Sebald moves us -- even as we are moving along with his narrator, whether on foot, on train, or in the air -- by helping us see, whether from the lofty heights of libraries or in the close-up of a photo, that which lies buried or sunken in the burnt-out fields of memory. Sebald's genius is in the way in which he uses his writing to excavate the foundations of the soul -- as we have come to understand that notion in the twentieth century.

0 of 0 people found the following review helpful.
Very good book. Highly recommend.
By James Crue
This was a really good book. Austerlitz is an amazing character. I really liked how Sebald structured this narrative! Highly recommend.

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