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  • Sales Rank: #4047871 in Books
  • Published on: 1992
  • Format: Illustrated
  • Number of items: 1
  • Binding: Hardcover
  • 125 pages

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  • Sales Rank: #1644115 in Books
  • Published on: 1984-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 360 pages

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  • Sales Rank: #2715599 in Books
  • Published on: 1950
  • Ingredients: Example Ingredients
  • Number of items: 1
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> Ebook Download The Making of 2001: A Space Odyssey (Modern Library Movies)From Modern Library

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"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick

Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.

  • Sales Rank: #250671 in Books
  • Published on: 2000-03-07
  • Released on: 2000-03-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .75" w x 5.50" l, .98 pounds
  • Binding: Paperback
  • 352 pages

From the Inside Flap
"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick
Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.

About the Author
Stanley Kubrick (1928-1999) was born in the Bronx but lived and worked for most of his life in England. He made fifteen films including Lolita, A Clockwork Orange, Barry Lyndon and Full Metal Jacket.

Editor Stephanie Schwam has produced many documentary films and most recently worked with Peter Jennings on The Century Project.

Excerpt. © Reprinted by permission. All rights reserved.
SK

Jay Cocks

MGM is turning to real-estate parcels all around us, and that night I am facing Stanley Kubrick across the hood of a rented car in Culver City, and he is smiling at me, a little anxiously and still very proudly, and he is saying, "Yes, but did you like it?"

He means 2001. We have just seen it for the first time, he and I and perhaps a dozen others, in the cavernous studio screening room. Stanley's wife, Christiane, is with us. His attorney; the president of Cinerama; the film's editor, Ray Lovejoy, and a few others are also at the screening, but I am the only pair of fresh, disinterested eyes there. I am also, by at least two decades, the youngest member of the audience, an unelected representative of a generation that will eventually rescue this great film from critical infamy and claim it for its own. I am twenty-three years old, very lucky to be here, knowing it, sensing I have just seen something seismic whose full measure I can't take, reaching for something to say that will encompass all this, as well as my startled excitement at the wit and majesty of the movie. I am also trying to say something deeper and more memorable than "Wow"

I start to talk to Stanley and Christiane about the early days of silents, when movies were shown on rooftops, and audiences, watching a train on the screen come straight at them, ducked and screamed at the newness of the experience and, without knowing it, at intimations of the future. The experience of 2001 was, for me, just like that.

"Yeah," said Stanley, still smiling at my excitement, "but did you really like it?"

I told him it was one of the greatest things I'd ever seen, and he laughed, and we all drove to dinner.

Most helpful customer reviews

51 of 52 people found the following review helpful.
Not Bad - But Look For Better "Making of '2001' Books
By Edward B. Driscoll, Jr.
This isn't a bad book about the making of "2001: A Space Odyssey", one of the great films of the 20th century. But there are a couple of better books to look for on this subject.
The first is Jerome Agel's original, "The Making of Kubrick's 2001", released in the late 60s, soon after from the film. The other is Piers Bizony's "2001: Filming The Future", released in 1995. Brozney's book is more conventional, Agel's is a very "McLuhan-esque" collage of reviews, interviews, and dozens of photographs.
Stephanie Schwam has edited together articles and excerpts from both books for her "Making of" book. Dedicated Kubrick-ologists may find an interview or two with The Master that they haven't read before, but the Agel and Bizony's books both do a much more thorough job of telling the story of how this great film was made, and unlike Schwam's book include stills and production photos.

11 of 11 people found the following review helpful.
Interesting Read but Inaccurately Titled
By P. B. Fey
If you're looking for a diary detailing the day-to-day, year-to-year production of Stanley Kubrick's magnificent film, this is not quite it. Which is not to say that this book is not a fascinating read. It is a compilation of articles, reviews, and commentaries that touch on the genesis of the project and its groundbreaking special effects, while devoting a few too many pages to the initial reviews. After four or five of these, it's clear that most film reviewers don't have a clue. The sections done by those directly involved with the film (Lightman, Trumbull, et al) are the most compelling; they often provide a better insight into Mr. Kubrick's approach than the lengthy and rambling Playboy interview that concludes the book. Excellent intro by Jay Cocks--would've liked more about his time spent with Kubrick. If this book seems occasionally disappointing, it's only because there are so many interesting anecdotes and observations.

9 of 9 people found the following review helpful.
A Great Glimpse into the Past
By Bruce Aguilar
This small 300 page book offers an intriguing glimpse into the past in which 2001 was made. The title is a bit misleading as the focus here isn't on the actual production of the film and the nature of it's construct, but an examination of the period which developed it. It's quite facinating and offers intriguing new tidbits of information. The book presents the original Arthur C. Clarke short stroy on which the film is based, The Sentinal, in it's entirety giving insight as to how much had to be extrapolated from it to make a feature. Other highlights are; a production calander wich details not only script writings and screenings, but significant scientific developments as well (such as the first space walk, the launching of probes), essays on the building of the various ships, a discussion of the special effects, testimonies from various scientists, consultants, art directors and more on their experiences with the film, the full original press release, multiple reviews from 1968-69, and interviews with Arthur C. Clarke and Stanley Kubrick himself. What more could you ask for? It's breathtaking! I'm confounded by some the the harsher reviews. So much is presented, all in one book, that this is easily the most complete collection of information on 2001 : A Space Odyssey I've ever come across.
The book succeeds in giving the reader a sense of time and placement in history for 2001 as well as revealing some of the production secrets and offering some film analyzation. The film reviews alone were incredible in their revelation of reactions to the film. If you want to more about the actual process of the 2001 production, Filming The Future by Piers Bizony is a better choice. Get this book for a clear understanding of where 2001 came from, how it came to be and what effect it had. If you come to it with this in mind, I'm sure any film fan, and certainly any 2001 fan, will be blown away by the amount of information and insight presented. Don't pass this up!

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The Princeton Review realizes that acing the SAT II: Physics exam is very different from getting straight As in school. They don't try to teach students everything there is to know about physics--only what they'll need to score higher on the exam. There's a big difference. In Cracking the SAT II: Physics, The Princeton Review will teach test takers how to think like the test makers and:

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* Use targeted review techniques to crack mechanics, kinetics, thermodynamics, modern physics, and other complex topics

*** This book includes 2 full-length simulated SAT II: Physics exams. All of the sample test questions are just like the ones test takers will see on the actual exam, and every solution is fully explained.

Contents Include:

I Vectors
II Kinematics
III Newton's Laws
IV Work, Energy, and Power
V Linear Momentum
VI Rotational Motion
VII Newton's Law of Gravitation
VIII Oscillations
IX Thermal Physics
X Electric Forces and Fields
XI Electric Potential and Capacitance
XII Direct Current Circuits
XIII Magnetic Forces and Fields
XIV Electromagnetic Induction
XV Waves
XVI Optics
XVII Modern Physics

  • Sales Rank: #10595399 in Books
  • Published on: 2001-03-20
  • Released on: 2001-03-20
  • Original language: English
  • Number of items: 1
  • Dimensions: .98" h x 8.41" w x 10.83" l,
  • Binding: Paperback
  • 384 pages

From the Inside Flap
The Princeton Review realizes that acing the SAT II: Physics exam is very different from getting straight As in school. They don't try to teach students everything there is to know about physics--only what they'll need to score higher on the exam. There's a big difference. In Cracking the SAT II: Physics, The Princeton Review will teach test takers how to think like the test makers and:

* Dodge the test traps and pitfalls that can cost test takers points
* Learn and practice techniques to break questions down and improve scores
* Use targeted review techniques to crack mechanics, kinetics, thermodynamics, modern physics, and other complex topics

*** This book includes 2 full-length simulated SAT II: Physics exams. All of the sample test questions are just like the ones test takers will see on the actual exam, and every solution is fully explained.

Contents Include:

I Vectors
II Kinematics
III Newton's Laws
IV Work, Energy, and Power
V Linear Momentum
VI Rotational Motion
VII Newton's Law of Gravitation
VIII Oscillations
IX Thermal Physics
X Electric Forces and Fields
XI Electric Potential and Capacitance
XII Direct Current Circuits
XIII Magnetic Forces and Fields
XIV Electromagnetic Induction
XV Waves
XVI Optics
XVII Modern Physics

About the Author
Steve Leduc has been teaching at the university level since the age of 19, earned his Sci. B. in theoretical mathematics from MIT at the age of 20, and his M.A. in mathematics from UCSD at the age of 22. After completing his graduate studies, Steve co-founded Hyperlearning, Inc., an educational services company that provided supplemental courses in undergraduate math and science for students from the University of California, where he lectures on 17 different courses in mathematics and physics. He's published two math books, Differential Equations in 1995, and Linear Algebra in 1996. He also published Cracking the AP Physics B & C in 2000. Hyperlearning merged with The Princeton Review in 1996, and Steve now holds the position of National Director of Research and Development for Hyperlearning, the medical division of The Princeton Review.

Most helpful customer reviews

1 of 4 people found the following review helpful.
a good physics review
By TheFuz
First things first, I don't know physics...ok I had a year of it last year but what we got through didn't even get to chapter 5 of this book. I did, however, get a 730 on the real test by working my tail off. I worked for literally one month straight using just this book and a private tutor twice a week to teach me most of the basic physics concepts. I wasn't even able to get through the entire book and had to cram in the the last two days before the test (12/01). This book is a VERY thorough review of an entire years of physics, but beware this book is very hard. I found many of the questions in this book to be very difficult, and some even my tutor had to take some time on. If you're looking for a book that will get you results this is it, but you have to put in the work to get them. I was only expecting to score in the 600's so getting a 730 is a great achievement. As for grammar and spelling, it seems ok. And the layout is also good. If you have the time and desire, and also don't have to learn physics in one month, then this is the best you can get. But make sure you have someone around that actually knows what there talking about, so you can ask questions. As for only giving this book 4 stars, I would have to say that this book is much too difficult for my tastes and would have preferred a less mind bending approach to learning physics. And including proofs of concepts!! What was he thinking? After using this book that real thing was almost a piece of cake.

12 of 17 people found the following review helpful.
Eat this book = 800
By Lexin Shan
I strongly recommend this prep to highschool students in the US. Since it has a very proper difficility level and pretty complete material. I got 730 in its practice test and scored 800 in the real SAT 2 physics.
However, I found the modern physics and atomic physics part doesn't cover all the conceptual topics in the real test. Fortunately, one can left about 13 problems blank and still score a 800. When I met the modern physics problems that I don't know in the real test, I just left it blank.
This book covers 90% of the real test. If you eat it, you will score 800.
For people who had strong physics background in Asian countries, I suggest Barron's Physics. It is much harder,and if you can manage it, guarantees a high score.
Tips:
Leave the long physics problems blank, don't even read it. Hurry up in the real test. You can hardly have enough time. I left 9 problems blank when I took it. From the "Real SAT IIs" i figure out I can have 800 even though I leave 9 blanks and have 2 wrongs.

16 of 24 people found the following review helpful.
Excellent review, but too much
By Binder_MD
I used the Princeton Review Physics before taking the SAT II in December. The book covered literally everything I had learned in physics, down to the smallest detail. However, it also contained added sections that were not on the test, nor are they ever on the test, according to my physics teacher. The sections on vector multiplication are not needed until you take the AP Physics exam, nor are a number of other sections. However, it is better to have too much than not enough. The one thing that annoyed me most, however, was the practice tests. These were infinitely more difficult than the real thing. There was no score conversion, but I figured my score to be somewhere in the high 600s, and on the actual test, I got an 800. So, if you don't do well on the tests in this book, don't be discouraged, and if you do well, you should easily be able to get 750+.

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^^ PDF Download The New Gilded Age: The New Yorker Looks at the Culture of Affluence (Modern Library Paperbacks)From Modern Library

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The New Gilded Age: The New Yorker Looks at the Culture of Affluence (Modern Library Paperbacks)From Modern Library

In keeping with its tradition of sending writers out into America to take the pulse of our citizens and civilization, The New Yorker over the past decade has reported on the unprecedented economy and how it has changed the ways in which we live. This new anthology collects the best of these profiles, essays, and articles, which depict, in the magazine's inimitable style, the mega-, meta-, monster-wealth created in this, our new Gilded Age.
        Who are the barons of the new economy? Profiles of Martha Stewart by Joan Didion, Bill Gates by Ken Auletta, and Alan Greenspan by John Cassidy reveal the personal histories of our most influential citizens, people who affect our daily lives even more than we know. Who really understands the Web? Malcolm Gladwell analyzes the economics of e-commerce in "Clicks and Mortar." Profiles of two of the Internet's most respected analysts, George Gilder and Mary Meeker, expose the human factor in hot stocks, declining issues, and the instant fortunes created by an IPO. And in "The Kids in the Conference Room," Nicholas Lemann meets McKinsey & Company's business analysts, the twenty-two-year-olds hired to advise America's CEOs on the future of their business, and the economy.
        And what defines this new age, one that was unimaginable even five years ago? Susan Orlean hangs out with one of New York City's busiest real estate brokers ("I Want This Apartment"). A clicking stampede of Manolo Blahniks can be heard in Michael Specter's "High-Heel Heaven." Tony Horwitz visits the little inn in the little town where moguls graze ("The Inn Crowd"). Meghan Daum flees her maxed-out credit cards. Brendan Gill lunches with Brooke Astor at the Metropolitan Club. And Calvin Trillin, in his masterly "Marisa and Jeff," portrays the young and fresh faces of greed.
        Eras often begin gradually and end abruptly, and the people who live through extraordinary periods of history do so unaware of the unique qualities of their time. The flappers and tycoons of the 1920s thought the bootleg, and the speculation, would flow perpetually—until October 1929. The shoulder pads and the junk bonds of the 1980s came to feel normal—until October 1987. Read as a whole, The New Gilded Age portrays America, here, today, now—an epoch so exuberant and flush and in thrall of risk that forecasts of its conclusion are dismissed as Luddite brays. Yet under The New Yorker's examination, our current day is ex-posed as a special time in history: affluent and aggressive, prosperous and peaceful, wired and wild, and, ultimately, finite.

  • Sales Rank: #2338500 in Books
  • Color: Gold
  • Published on: 2001-11-06
  • Released on: 2001-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.54 pounds
  • Binding: Paperback
  • 476 pages
Features
  • ISBN13: 9780375757150
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
The New Yorker caters to America's upper classes; it's the kind of magazine meant to be accompanied by a glass of pricey Merlot. Over the years its elitism has waxed and waned. Ex-editor Tina Brown worked valiantly to inject a dose of pop-cultural crassness into its ivory-tower sensibilities: profiling celebrities and publishing fashion issues where models stared out from every page, looking chilly. When David Remnick took over in the late '90s, the magazine shifted, grew quieter and more circumspect, and the old guard breathed a collective sigh of relief.

The New Gilded Age collects essays and profiles from 1999 and 2000 and reveals Remnick's New Yorker to be obsessed with money and business--arguably less interesting than celebrity, but also deeper ways of looking at America and power. The title refers to the period of technological revolution symbolized by the rise of Microsoft, the booming of Silicon Valley, and the end of the belief that an Ivy League education will get you anywhere.

What's admirable about this New Yorker is its timeliness; the way, without seeming like a panicked "edge" magazine, it managed to document and acknowledge the shifting sands of the millennial moment. Standouts in this regard: William Finnegan on the protesters behind the 1999 WTO riots in Seattle; Ken Auletta following Bill Gates through various meltdowns as he comes to terms with the federal government's antitrust lawsuit against Microsoft. These are painstakingly reported pieces in which style is submerged. The more audacious writers tend to be women. In "Everywoman.com," Joan Didion describes Martha Stewart in a flood of rapt lyricism: This is not a story about a woman who made the best of traditional skills. This is a story about a woman who did her own I.P.O. This is the "woman's pluck" story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about how the sheer nerve of even professionally unskilled women can prevail, show the men; the story that has historically encouraged women in this country, even as it has threatened men. In "Landing from the Sky," Adrian Nicole LeBlanc creates a portrait of a young Puerto Rican woman with too many kids and too much trouble. The writing here is exquisite and passionate: "Jessica created an aura of intimacy wherever she went. You could be talking to her in the middle of Tremont and feel as if a confidence were being exchanged beneath a tent of sheets."

Jessica's story seems far from the world of The New Yorker's target audience. When in "My Misspent Youth" Meghan Daum laments her poverty and credit card debt, then reveals she lives alone in a $1,500-a-month apartment on Manhattan's Upper West Side, you have to wonder: Did the poor thing ever hear of roommates? As both a document and celebration of such rarefied and privileged attitudes, The New Gilded Age is a rich, informative glimpse into America at the turn of the millennium--before the NASDAQ crashed and the dot-com kids went home to count their losses. --Emily White

From Publishers Weekly
These essays, all of which were written during this time of unprecedented American prosperity, and culled by Remnick from the New Yorker, give readers the opportunity to viewAup close and personalAthe current economic boom's effect on the average and not-so-average among us. Notables profiled (in a section entitled "The Barons") include ?ber-developer Donald Trump and Microsoft founder Bill Gates, who give readers the opportunity to ponder the different ways people define what, exactly, constitutes "rich." For Gates, money is very much a by-product of his desire to create hegemony. For Trump, it's a fulfillment of the adage that he who dies with the mostAand most ostentatiousAtoys, wins. Sections entitled "The Web" and "The Life" give the newly rich the skinny on how and where to spend a fortune while not looking as if they've done so. Remnick doesn't exclude those not blessed by the boom economy. He presents the recently paroled Jessica, a Hispanic woman whose looks and vulnerability were her ticket to a brutal stint as the girlfriend of a Bronx drug lord; and we also see James Wilcox, whose widely acclaimed comic novels have failed to bring in enough money to keep him very far from eating in the soup kitchen where he regularly volunteers. Readers don't need to be rich to enjoy this volume, but they need a healthy curiosity about the impact of moneyAand its absence. (Nov. )
Copyright 2000 Reed Business Information, Inc.

From Booklist
From David Brooks' tongue-in-cheek "Code of Financial Correctness" for those seeking advice about how to spend a great deal of money without appearing vulgar to the superbly energetic profiles of the "barons" Greenspan, Trump, Gates (under siege), and Stewart, yes Martha, portrayed with vivifying respect by the brilliant and skeptical Joan Didion, this potent collection captures the mercantile madness of the last decade. It also offers one ray of hope in a hurried and greedy world: the New Yorker is still home to its prized, impeccable style that balances wit with depth in essays that are at once delectable and galvanizing. Editor Remnick covers the financial spectrum with Calvin Trilling's look at an insider-trading scheme, David Denby's hectic immersion in the stock market, and a wealth of excellent and surprising essays about the Internet, real estate, Seattle's antiglobalization protests, and the mania for Manolo Blahnik's high heels by such adept and articulate observers as William Finnegan, Malcolm Gladwell, Susan Orlean, and Michael Specter. Donna Seaman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Shamil Tyncherov
Some essays are great

4 of 4 people found the following review helpful.
Entertaining and Historically Useful late-90's Work
By Elaine R. Meyer
As indicated in the review's title, the composite of this book is a useful and quite accurate historical view of the late-nineties. In light of this, the fact that these essays were written at the time is mostly negligible because the writers seem to have a sense of how the attitudes, fads, and people of the late-90s fit in to the broader themes that will come to define the period when it is transcribed by historians. This book is at its best when editor Remnick is mindful of this historical purpose. For example, the inclusion of two David Brooks essays offers perspectives on the social networks and the yuppie consumerism of the nineties that is both humorous and culturally relevant. The insclusion of Malcom Gladwell's "Six Degrees of Lois Weissberg," on the other hand, is somewhat self-indulgent: there is no justifiable reason that it should be included in a book about the late nineties, nothwithstanding the quality of the essay. Overall, the essays are of interest, though one would have liked to see less space devoted to essays about the internet and more space devoted to other areas of interest. On the other hand, I would much sooner have David Remnick's edited version of the late nineties than Tina Brown's!

0 of 2 people found the following review helpful.
Facinating stories
By A Customer
I loved this book. The writing is great. What an amzing journey through the depths, heights and depths of affluence. I recommend it.

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## Get Free Ebook The Peter Pan Syndrome: Men Who Have Never Grown Up, by Dan Kiley

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The Peter Pan Syndrome: Men Who Have Never Grown Up, by Dan Kiley

The Peter Pan Syndrome: Men Who Have Never Grown Up

  • Sales Rank: #452034 in Books
  • Brand: Avon Books (Mm)
  • Published on: 1995-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 4.25" w x 1.00" l,
  • Binding: Mass Market Paperback
  • 298 pages
Features
  • Great product!

Most helpful customer reviews

44 of 52 people found the following review helpful.
A must-read book for every woman
By A Customer
I am able to say that because I myself experienced married to a man that fits 90 % of what Dr. Dan Kiley described in his book. When I got divorced from my husband, I was very shocked and could not believe of what had happened to me. I visited andrologist, priest, psychologist, psychiatrist just trying to understand `why' and `how' till I found a book called `Peter Pan Syndrome'. I bought the book because the title attracted my attention. When I read it, I was surprised that every detail Dr. Kiley described helped me understand how could that unbelievable experience happened without me being aware to any of it. It is probably difficult for anybody who has never experienced it to understand but for me it does help me quite a lot. Thank to Dr. Kiley for his marvellous work.

24 of 27 people found the following review helpful.
Written for Patients
By A Customer
Of all I've read on Narcicism and relationships, this book is the best I've found. Most of the literature that I've seen is tailored for professionals, but this is written specifically for patients, their families and their partners. Kiley uses developmental specifics and case studies to create a usable image for those trying to understand narcicism and how it manifests itself in adolescents and adults. I highly reccomend it to anyone with an interest in this area.

53 of 64 people found the following review helpful.
In a culture with Son worship, the males never grow up
By A Customer
"In a culture with Son worship, the males never grow up and the Feminine is denigrated." (Margaret Starbird, The Woman with the Alabaster Jar) It doesn't matter that the book may be "unscientific." Just test the hypothesis against any of the immature 40-year old males that you know and you'll see that most of what the author says fits! Life provides the necessary scientific evidence! This book is a must-read for any woman who has had to deal with an immature male at the head of an institution. It will help you understand that you, as woman, are not the problem--the immature male is. However, the book can help you to discern where you are enabling the male's immaturity and dismissing it as "boys will be boys!" It's through women's awareness of this issue, and our willingness to no longer support the behavior, that these males will eventually grow. As long as they have admiring females around them worshipping their immaturity, they will always be Peter Pans.

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