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More Work for the Undertaker, by Margery Allingham
Download More Work for the Undertaker, by Margery Allingham
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Apron Lane is a little bit of Dickensian London that still appears to be flourishing in the brave new post-War world. Urchins abound, and a quasi-feudal order is maintained by the eccentric Palinode family, once the squires of Apron Street and still expecting a certain forelock-tugging deference, even as their fortunes have evaporated. The Apron might be nothing more than an amusing anachronism if its Dickensian aspect did not include a distinctly Bill Sykes-style of omnipresent threat. With the police prototypically baffled, Campion takes up local lodgings in an effort to identify the source of the violence.
- Sales Rank: #2594163 in Books
- Published on: 1989-10
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 4.25" w x .75" l,
- Binding: Paperback
- 264 pages
Review
“A top-notch mystery, full of keen characterization, humor, old English atmosphere, a charmingly decadent family and a few sudden deaths” — New York Times
About the Author
Margaret Allingham was a prolific writer who sold her first story at age eight and published her first novel before turning 20. Allingham went on to become one of the pre-eminent writers who helped bring the detective story to maturity in the 1920s and 1930s.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Again, a well-plotted, well written mystery from Margery ...
By D&D
Again, a well-plotted, well written mystery from Margery Allingham. How she conceived of her characters, I'll never know, but they make the book. And of course the ending is a surprise.
22 of 22 people found the following review helpful.
A bit of background
By Thomas Holt
There is little one could add to the excellent, highly detailed reviews above. However, I will try to give the potential reader a review of the style of Margery Allingham, a writer with whom most in the States will be unfamiliar. First, Allingham is a very good technical writer, her stylistic English is excellent; economical, accurate, and timeless. Then, her characterisation is as good as Dickens, the master. One weakness may be that none of her characters seem ordinary, it's as if the world is composed of eccentrics. I just find that adds to the interest of the books. Her greatest strength is in creating an evocation of place. You feel you are there; you see London before, during, and after the Blitz in many of her greatest novels. You experience life in decaying Edwardian splendour, the London art scene, rural Suffolk before we all had cars .... The genre is mystery, not detective story, although there are puzzles to solve. I've been reading these over again since I was about 10, 50+ years, and enjoy them just as much now as then, even though I know "who dunnit". That's a measure of Allingham's skill as a writer. A unique feature of the Campion novels is the humour, which is very English - faintly ridiculous, almost cruel yet self-mocking - and used with wonderful skill to illuminate the subtlety of the characterisation. So, in More Work for the Undertaker, Csmpion's hired hand, cum butler, cum friend, cum bodyguard, cum mentor, the magnificent cockney former cat burglar, before losing "my figger", Magersfontein Lugg (named after a battle in the second Boer War!), sums up his undertaker brother-in-law, one Jas Bowels, as "Bowels by name and bowels by nature"!
0 of 0 people found the following review helpful.
Another Delightful Episode with Zany but Believable & Enjoyable New (& Old) Characters
By The Original Dr. FUN
After my review of "Coroner's Pidgin" (aka "Pearls Before Swine") in which I was sad to report that it was the first of the first dozen in the usually thoroughly engaging and entertaining Albert Campion series that I found to be inferior to the stellar standards of the previous 11 (causing me to wonder if a lesser talent than the marvelous Margery Allingham had written it!), I am relieved and delighted to report that #13 ("More Work for the Undertaker") was an absolute joy to read.
I won't repeat other reviewers' excellent overviews of the plot, but I must add my appreciation for MA's brilliant creation and depiction of the zany yet believable and enjoyable new cast of characters in this volume. As with the first 11 installments, I laughed out loud repeatedly and marveled at her skills to combine the serious with the fanciful. Lugg, whose presence is always most welcome and whose absence is always sadly noted, shines in a major role--as does Campion's new Scotland Yard "partner" (Divisional Detective Chief Inspector Charles Luke--"Father Superior of the second most tough police division in metropolitan London and proud of it").
And Mr Campion is up to his unique repartee--a key ingredient and special treat. For example, I submit this gem--Campion's response to "How's your mother? Nicely?": "'As well as can be expected.' Mr Campion, who had been orphaned some ten years, fielded the catch as neatly as he was able.")
MA's reputation as one of the "Four Golden Age Queens of Crime" (along with Agatha Christie, Ngaio Marsh, and Dorothy Sayers) is well earned.
TIP: Although the books can stand alone, I highly recommend reading them in their publication order, which provides (to me) essential character development and occasional "Easter eggs."
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