Ebook The Spoils of Poynton, and Other Stories, by Henry James
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The Spoils of Poynton, and Other Stories, by Henry James
Ebook The Spoils of Poynton, and Other Stories, by Henry James
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Literary Studies, Fictional Novel, Literary Fiction
- Sales Rank: #4152101 in Books
- Published on: 1971-06
- Number of items: 1
- Binding: Hardcover
- 1699 pages
Most helpful customer reviews
10 of 10 people found the following review helpful.
SPOILS ... is quite a prize!
By tatkhj
Henry James' Spoils of Poynton is a jewel--quite a prize indeed. His shorter fiction and essays are among his most balanced efforts. He's a writer who is constantly obsessed with polishing his work. And the larger the piece the more cumbersome and tedious that polishing often becomes for him. This small work with few of the devisive distractions that seem to haunt his major projects, contains some his crispest and most telling dialogue. And you may feel in certain succinct instances that you have somehow entered profoundly into the pysche of that character for a moment Here, at least on those rare occasions, James' subtlety and charm counterbalance his observation of human cruelty with all the poise the author may have wished..
8 of 8 people found the following review helpful.
Nice piece of 1890s James
By A Reader
Negative reviews of this small gem baffle me. The writing is so refined that in the best passages slide forth in a leisurely, ambling brilliance. Fleda Vetch, who dreams away the chance of marriage and ruins both her own and her loved one's prospects, in her indecision and her vanity, has a great Jamesian fineness and clearness. The dialogue is crisp and witty. The possessive, acute Mrs Gereth a wonderfully large creation; and the ending a satisfying moment of justice after a bitter climax. Recommended.
4 of 4 people found the following review helpful.
A pretty good novel, but not one of James' best efforts
By Dirk van Nouhuys
There are no spoilers for The Spoils of Poynton in these comments, but there are spoilers for The Ambassadors and Portrait of A Lady.
I have great respect and admiration for Henry James, but this is not one of his best efforts. A pretty good novel, but not one of his best efforts.
The plot is set in motion by the following events: a mother and father have spent their lives collecting beautiful objects, which are housed in their dwelling at Poynton. They have a son who is a kind of jolly, well-meaning English upper class bloke, insensitive to the beauty of the objects. The father dies and, under English law, the son inherits everything. The son falls in love with a girl very much like himself. His mother fervently wants control of the objects and befriends another girl, our heroine, with the sensitivities the mother would like to see in a daughter-in-law who would cherish the objects.
The events and emotional entanglements that follow are quite tense. This book has a more active plot, more twisting, and turning, than you usually associate with Henry James. There is something closer to a physical love scene than I can recall in any other of his novels.
The ending is a bit of a deus ex machina.
Only the mother and our heroine, whose name is Fleda Vetch, are fully characterized. Henry James lavishes all his powers of witty, incisive, allusive, and complicated character description on these two. The other characters are cursory. The mother is energetic, aggressive, self-centered, and rather likable for her down-to-earth focus. Fleda is one of those self-defeating morally punctilious James protagonists, who snatches self-justification from the jaws of satisfaction time and again.
The prose is James' elaborate middle style, fun to follow but not easy, building up characters and situations with a million smart observations, but he is too fond of calling characters "magnificent" or 'luminous'.
I say I'm fond of Henry James, but I find myself angry with him when his protagonists damn themselves to mediocrity at the moment a rich life is within their grasp over what seems to me ridiculous moral compunctions. Lambert Strether in The Ambassadors could perfectly well settle down with Maria Gostrey in Paris to a rich and meaningful life if he didn't have a painful horror of having profited from others' mistakes. Isabel Archer in Portrait of a Lady could divorce her husband and have a passionate marriage with Casper Goodwood, if she would drop the obligation to suffer for her own mistakes. It is a measure of James greatness that I care enough about these people to be really angry with him.
Most of the characters of this sort in James are scrupulously honest; Fleda is a variation. She lies all the time. She is chronically dishonest with the other characters and with herself, but for the highest of motives, or at any rate the most self-defeating.
James aficionados will know that he is fond of dimly significant names. His notebooks are replete with several lists of such names and musings on what a person with such and such a name would be like. I understand about "Fleda" - she flees, literally running away from an admirer at one point, as does Isabel Archer. But "vetch" is an agricultural product like alfalfa that is fed to cattle and sheep. Fleda is a pert little thing, not in the least bovine or ovine.
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