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The uneasy chair;: A biography of Bernard DeVoto, by Wallace Earle Stegner
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"He was precocious, alert, intelligent, brash, challenging, irreverent, literary, self-conscious, insecure, often ostentatiously crude, sometimes insufferable," Wallace Stegner says of Bernard DeVoto, who, in the words of a childhood acquaintance, was also "the ugliest, most disagreeable boy you ever saw." Between the disagreeable boy and the literary lion, a life unfolds, full of comedy and drama, as told in this definitive biography, which brings together two exemplary American men of letters. Born within a dozen years of one another in small towns in Utah, both men were, as Stegner writes, "novelists by intention, teachers by necessity, and historians by the sheer compulsion of the region that shaped us." From this unique vantage point, Stegner follows DeVoto's path from his beloved but not particularly congenial Utah to the even less congenial Harvard where, galvanized by the disregard of the aesthetes around him, he commenced a career that, over three and a half decades, would embrace nearly every sort of literary enterprise: from modestly successful novels to prize-winning Western histories, from the editorship of the Saturday Review to a famously combative, long-running monthly column in Harper's, "The Easy Chair." A nuanced portrait of a stormy literary life, Stegner's biography of DeVoto is also a window on the tumultuous world of American letters in the twentieth century.
- Sales Rank: #1510228 in Books
- Published on: 1974
- Number of items: 1
- Binding: Hardcover
- 464 pages
- The Uneasy Chair by Wallace Stegner
- A Biography of Bernard DeVoto
- Essayists
- Historians
- Conservationists, Iconoclasts
Review
"Stegner's 'valentine' to his friend . . . captures the times in which he thrived—it's a remarkable look at the literary politics of an era, and a man who found himself at its red-hot center."—Kirkus Reviews (Kirkus Reviews)
"One of the best-written biographies . . . It consistently goes beyond the limits of its subject to illuminate what it meant to be a writer in the America of the '30s, '40s, and '50s."—Time (Time)
"A battlefield panorama of the literary world from 1920 to 1955."—New York Times Book Review (New York Times Book Review)
From the Back Cover
"He was precocious, alert, intelligent, brash, challenging, irreverent, literary, self-conscious, insecure, often ostentatiously crude, sometimes insufferable", Wallace Stegner says of Bernard DeVoto, who, in the words of a childhood acquaintance, was also "the ugliest, most disagreeable boy you ever saw". Between the disagreeable boy and the literary lion, a life unfolds, full of comedy and drama, as told in this definitive biography, which brings together two exemplary American men of letters.
Born within a dozen years of one another in small towns in Utah, both men were, as Stegner writes, "novelists by intention, teachers by necessity, and historians by the sheer compulsion of the region that shaped us". From this unique vantage point, Stegner follows DeVoto's path from his beloved but not particularly congenial Utah to the even less congenial Harvard where, galvanized by the disregard of the aesthetes around him, he commenced a career that, over three and a half decades, would embrace nearly every sort of literary enterprise: from modestly successful novels to prize-winning Western histories, from the editorship of the Saturday Review to a famously combative, long-running monthly column in Harper's, "The Easy Chair". A nuanced portrait of a stormy literary life, Stegner's biography of DeVoto is also a window on the tumultuous world of American letters in the twentieth century.
Most helpful customer reviews
27 of 28 people found the following review helpful.
A worthy biography written with a novelist's flair
By Anson Cassel Mills
The Uneasy Chair is a fine, friendly, but not uncritical, biography of one Pulitzer-Prize-winning author, Bernard DeVoto (1897-1955), by another, his colleague and fellow westerner Wallace Stegner (1909-1993). Stegner masterfully handles DeVoto's philosophy of literature and his unrequited professional yearnings. In no time the reader wonders why DeVoto failed to understand that his gift lay in nonfiction and not in novel writing. Stegner merely sketches DeVoto's family life, but DeVoto's personality is always on display, especially his compulsiveness and insecurity, the latter of which was so serious that it sporadically verged on panic.
5 of 5 people found the following review helpful.
Who is Bernard DeVoto and why should I read about him?
By J. David Naumann
I heard the name Bernard DeVoto while riding down Lolo Pass between Montana and Idaho on the Lewis and Clark bicycle trail when we stopped at DeVoto Grove, a cluster of 1,000 year-old cedars not far down from the pass. Some were 8-10 feet in diameter; the grove was reportedly named after an author, Bernard DeVoto, who camped here to write. Subsequently I discovered DeVoto's American history trilogy covering pre-history up to almost the American civil war. As I read that I realized this was not so much a history as a description of people and of life as Europeans gradually took over the entire continent. The word "trenchant" means "vigorous or incisive in expression or style." DeVoto's trenchant descriptions ring so true that you will want to underline or even memorize his definitions: of fur-traders, missionaries, generals, presidents, indians, Mormons...
So getting to the biography: the writer of the works described above was so incredibly insightful I had to get to know more about him. Unfortunately he died in the 1950's. Wallace Stegner knew him most of his life, and circulated in the same intellectual groups. Both were ultimately outsiders, having come from West to East they were never confident they fit. Stegner describes DeVoto's endless struggles while he leads the literary leaders and generates a broad following as an insightful columnist. DeVoto has a successful - but very difficult - life. He never forgets he grew up in the intellectual backwater of Utah. Stegner shows this very clearly: DeVoto's successes parallel his doubts and financial difficulties throughout his life. First read the histories. Then if you wonder as I did what kind of person could know so much, epress it so clearly, and be so insightful, then read Stegner's bio of him.
3 of 3 people found the following review helpful.
Master literary craftsmen at work
By Gordon Morris
Stegner is not well read beyond American shores, which is a great pity. His outstanding achievements include the captivating story of John Wesley Powell's 19th century exploration of the Green and Colorado Rivers, in Beyond the Hundredth Meridian, and his splendid novel, Angle of Repose. But Stegner could also turn his rich talents to biography, and The Uneasy chair is a fine example of his broad canon. In it Stegner captures the essence of an equally fine writer and friend, as well as the literary culture that brought together many excellent representatives of West coast and East coast writing traditions in early post World War Two America.
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