Rabu, 31 Desember 2014

! Ebook Confessions of a Philosopher: A Personal Journey Through Western Philosophy from Plato to Popper (Modern Library Paperbacks), by Bryan Mag

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Confessions of a Philosopher: A Personal Journey Through Western Philosophy from Plato to Popper (Modern Library Paperbacks), by Bryan Mag

Confessions of a Philosopher: A Personal Journey Through Western Philosophy from Plato to Popper (Modern Library Paperbacks), by Bryan Mag



Confessions of a Philosopher: A Personal Journey Through Western Philosophy from Plato to Popper (Modern Library Paperbacks), by Bryan Mag

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Confessions of a Philosopher: A Personal Journey Through Western Philosophy from Plato to Popper (Modern Library Paperbacks), by Bryan Mag

In this infectiously exciting book, Bryan Magee tells the story of his own discovery of philosophy and not only makes it come alive but shows its relevance to daily life. Magee is the Carl Sagan of philosophy, the great popularizer of the subject, and author of a major new introductory history, The Story of Philosophy. Confessions follows the course of Magee's life, exploring philosophers and ideas as he himself encountered them, introducing all the great figures and their ideas, from the pre-Socratics to Bertrand Russell and Karl Popper, including Wittgenstein, Kant, Nietzsche, and Schopenhauer, rationalism, utilitarianism, empiricism, and existentialism.

  • Sales Rank: #645659 in Books
  • Published on: 1999-05-18
  • Released on: 1999-05-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.10" w x 5.20" l, .90 pounds
  • Binding: Paperback
  • 496 pages

Amazon.com Review
Confessions is a somewhat misleading term in this context: you won't find any lurid tales between these covers. Bryan Magee's memoirs-cum-histories of philosophy aren't even "confessions" in the self-flagellating tradition of St. Augustine and Jean-Jacques Rousseau.

So what is Confessions of a Philosopher, then? It's a fascinating excursion through 2,000 years of wondering about the basic nature of existence and reality. As a 20th-century philosopher, Magee has a lot to say about his peers, and he spares no feelings. The "Oxford philosophers," who decided that philosophy was not about the nature of existence but about the nature of language, yet refused to give any consideration to fiction, are particular targets of Magee's intellectual scorn, while the late Karl Popper, a personal acquaintance of the author, is celebrated as a man who persevered in philosophy's true duties in the face of widespread academic frippery.

If you've ever wondered why we exist, you have what it takes to be a philosopher ... or at least to understand one. Bryan Magee's Confessions are thoroughly engaging proof that you don't need a degree to be a deep thinker.

From Library Journal
Magee has taught philosophy at Oxford, and in each of these volumes he attempts to make philosophy understandable to the lay reader. The DK book devotes just a few pages to each of the major thinkers and is lavishly illustrated. It would be suitable for high school, college, and public libraries. Great Philosophers is a series of conversations with important contemporary philosophers about the major historical figures, originally produced for the BBC. Confessions is an autobiographical excursion through Western philosophy.
Copyright 1999 Reed Business Information, Inc.

From Booklist
Magee's book may not catapult philosophical discourse onto the talk show circuit or best-seller list, but it may breathe life into it for the general reader and modify the vestigial image of philosophy as separate from politics and everyday life. Told as a memoir, this book recounts the eruption of philosophical questions into the young Englishman's consciousness, beginning sometime before age five, and reveals his rather slow discovery that his interests were actually philosophical. Eventually Magee studied academic philosophy at Oxford and Yale, and in this book we have an account of the philosophers he studied or had the opportunity to meet, of his journey through the world of journalism and political philosophy, which lead to several books and passionate claims for what he has found valuable. Woven throughout is a highly detailed and engagingly readable explanation of the philosophical issues and problems with which he has grappled, a compelling tour of Western philosophical thinking from the Greeks to the present. Jim O'Laughlin

Most helpful customer reviews

54 of 54 people found the following review helpful.
A search for meaning
By Ralph Blumenau
Confessions can be of two kinds: confessions of faith and confessions of failure. Bryan Magee's vividly written intellectual autobiography has the character of both. His convictions make for exhilarating reading; but his failure to find in philosophy a reliable answer to his deepest concerns casts a shadow over the book, which darkens in the last chapter to a tormented despondency.

Magee's basic conviction is that philosophy is hugely important, in that it deals - or should deal - with all our ultimate questions about what the world, and therefore our existence in this world, is really like. His most trenchant attacks are on the Logical Positivists who dominated the Oxford scene at the time when he was an undergraduate there, and for many years afterwards. They ruled out as "non-philosophical" any discussion which was carried on in language that did not meet their narrow criteria of meaningfulness. The Linguistic Philosophers, who gradually took over from the Logical Positivists, were even less concerned with the truth or verifiability of a proposition. Instead, they thought that the principal task of philosophy was to elucidate the way words were used in practice, by examining, for example, the way in which the same word might mean different things to different people. They believed that it was not the business of philosophers to go beyond that and to produce any theories: as Gilbert Ryle defined it, philosophy was merely "talk about talk".

Magee describes these Oxford philosophers as having all the characteristics of a narrow and intolerant sect. They considered that Kant and Schopenhauer, who showed up the limits of empiricism, had so little to say that seemed to them "meaningful" that no acquaintance with them was required of undergraduates. Neither Kant nor Schopenhauer were part of the philosophy courses at Oxford, which jumped straight from Hume to Wittgenstein.

Magee had the strong conviction that the empirical world cannot be all there is: empirical and linguistic theories had nothing to say about those experiences we have, and have very intensely, which are therefore profoundly meaningful, but whose source we can hardly explain adequately: these include the arts (and especially Magee's great love of music) and intimate personal relationships.

After Oxford, Magee took a post-graduate course at Yale. He draws a vivid contrast between the cliquish atmosphere among Oxford philosophers and the broad and generous interest in the whole field of philosophy at Yale. There Magee discovered Kant, and at last he had found a thinker who spoke to his intuition that there was more to philosophy than the dry, narrow and limited fare that was dished out at Oxford. For it was Kant who explained that there must be a reality (the noumenal world) beyond the phenomenal world of which we have experience; that the noumenal world is something we cannot ever know because we are forced to perceive the world in terms of the concepts and categories which we have as human beings and which may not correspond at all with what Reality is actually like.

For Magee, however, the existence of a truth hidden from us has always been for him "almost intolerably frustrating" (a phrase he uses several times in the book); and so it was not until he discovered Schopenhauer that his thirst for a philosophical glimpse of what that Reality might be was somewhat assuaged.

In many ways, Schopenhauer says, we see ourselves phenomenally, as material objects mediated by space and time; but as material objects we are unique in knowing ourselves also from the inside. Because we are part of the noumenal reality, we therefore also experience something of the noumenon, as it were, from the inside, feeling the noumenon at work within us (even though we don't know what it is.) That experience is direct and intuitive; it is not the result of reasoning or of perceptions mediated by our concepts. It is not sensory at all and cannot be adequately described in sensory terms. For example, when we hear music or see a work of art, we can give a sensory description in terms of sound or sight signals we receive; but more significant is the non-sensory experience which transports us into a non-sensory realm, gives us a feeling of at-One-ness with something beyond ourselves, i.e. with the noumenal.

That discovery was for Magee an enormous enrichment of the way he understood himself and could establish in some way a connection between himself and the noumenon. But even Schopenhauer does not fully deal with Magee's "almost intolerable frustrations"; and we now have to turn to the second meaning of "Confessions": the confession of a kind of failure, the cloud that casts a shadow over his entire philosophical enterprise.

Almost throughout his life Magee has been haunted by an existentialist Angst, and he records times when this has plunged him into real terror. In his last chapter he defines the ultimate questions of philosophy as "questions that are of the greatest possible urgency for us, concerning as they do our annihilation or survival." He courageously admits, more than once, that the prospect of extinction terrifies him. He is not religious; he thinks that religious beliefs in any kind of immortality are based on wishful thinking; but he hopes desperately that there might be philosophical grounds for believing in some kind of the survival of the Self. If there is no kind of immortality at all, then life is absurd in the sense in which some of the continental Existentialists used that word. But Magee is not prepared to conclude that life is absurd; he is still hoping that philosophy may break through to produce a convincing argument for some kind of immortality.

Most of the book can be understood and enjoyed by readers who come to it with no previous knowledge of philosophy; the style is crystal clear, expansive and vigorous, except perhaps in the last chapter whose content is also rather harder going.

0 of 0 people found the following review helpful.
A Philosopher's Journey
By Keith C.
This is the type of book often written by scholars at the end of his career that looks back on their educational journey and shares what they learned along the way. An excellent recent example of this type of work are the reflections of Bernard Lewis.
Magee begins with the thought experiments that he made as a child and takes us on the roundabout journey he made to a formal study of philosophy ( recommending some influential books along the way)
At this point the book begins to become more of a history of philosophic thought ( if you are reading this you have probably read Sophie's World), but it is refreshingly honest in parts - as when he says philosophers pretend to doubt things ( like the existence of others ) which they know perfectly well exist.
I would give the work 5 stars except for Magee's refusal to think about the existence of God. His dismissal of anything outside of the material universe by saying that he simply never gave it any thought is simply lazy and not credible.

9 of 9 people found the following review helpful.
an interesting & enthusiastic look @ the world of philosophy
By A Customer
Magee is a wonderful writer, first of all; my interest was held for nearly all of its 463 pages. By the time one gets to the book's penultimate chapter, "The Main Split in Contemporary Philosophy," one has already heard quite enough about said split, as that seems to underly virtually every other chapter in the book. HOWEVER, I (myself an on-again-off-again student of philosophy) have sometimes been turned off by much of professional philosophy's seeming nit-pickiness at the expense of tackling "the really big questions," and I have never seen (and never expected to see) such an eloquent and impassioned expression of this frustration as that found in these pages. Like me (and perhaps you), Magee HAS philosophical problems, and this is his story of grappling with them. And quite a captivating story it is. Philosophical ideas come alive in this book--if not consistently so, at least at times extraordinarily so. If this were a novel, I would say that its main character, Bryan Magee, is underdeveloped, but the author tells us up front that the book "is about ideas: the autobiographical element is medium, not message." For anyone wanting to get her or his feet wet in what Philosophy is about, or for an insider wanting a glance at someone who was personally acquainted with some of the greatest thinkers and ideas and institutions of our time, this is a great place to start.

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! Free Ebook Junie B. Jones Has a Peep in Her Pocket (Junie B. Jones, No. 15), by Barbara Park

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Junie B. Jones Has a Peep in Her Pocket (Junie B. Jones, No. 15), by Barbara Park

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Junie B. Jones Has a Peep in Her Pocket (Junie B. Jones, No. 15), by Barbara Park

Barbara Park’s New York Times bestselling chapter book series, Junie B. Jones, is a classroom favorite and has been keeping kids laughing—and reading—for more than twenty years. Over 60 million copies in print and now with a bright new look for a new generation!
 
Meet the World’s Funniest Kindergartner—Junie B. Jones! It’s almost the end of the school year, and Room Nine is taking a field trip to a farm! There’s lots of fun farm stuff there. Like a real actual barn. And a real actual farmer. There’s even real alive animals you can pet! Only, where’s the gift shop? That’s what Junie B. Jones would like to know. Surely no one would want Junie B. to go home empty-handed. . . .
 
USA Today:
“Junie B. is the darling of the young-reader set.”
 
Publishers Weekly:
“Park convinces beginning readers that Junie B.—and reading—are lots of fun.”
 
Kirkus Reviews:
“Junie’s swarms of young fans will continue to delight in her unique take on the world. . . . A hilarious, first-rate read-aloud.”
 
Time:
“Junie B. Jones is a feisty six-year-old with an endearing penchant for honesty.”

  • Sales Rank: #249202 in Books
  • Color: Yellow
  • Brand: Random House Books for Young Readers
  • Published on: 2000-05-23
  • Released on: 2000-05-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .19" w x 5.19" l, .18 pounds
  • Binding: Paperback
  • 80 pages

Amazon.com Review
Kindergarten is just about to let out for the summer, and room 9 is going on a field trip to a farm. All the children squeal with joy--all but Junie B. Jones. 'Cause guess what? Farms are not my favorites. Junie B. Jones, hilarious heroine of more than a dozen well-loved books, is mortally afraid of ponies. An imprudent babysitter once allowed her to watch a cable TV show called When Ponies Attack, so a trip to a farm seems like the ultimate in reckless endangerment. Never mind the roosters, which, according to her classmate, Meanie Jim, can peck your head to a nub. It takes some pretty fast talking by Junie's parents, teacher, and the farmer himself to get Junie to participate in the field trip, where she has a surprisingly good time. Until she bonds with Peep, a fluffy little chick, only to discover, to her horror, that Peep's destiny is to become a rooster.

Award-winning author Barbara Park has joined with illustrator Denise Brunkus to create a charmingly outrageous character with a precocious yet childish voice that readers will never forget: "After that my heart got very poundy inside. 'Cause I heard the sound of footprints, that's why." Brunkus's comical drawings of Junie and her friends are the "bestest" ever. Don't miss any of the laugh-out-loud titles in the Junie B. Jones series. (Ages 5 to 8) --Emilie Coulter

Review
From USA TODAY:
"Junie B. is the darling of the young-reader set."

From Publisher' Weekly:
"Park convinces beginning readers that Junie B.—and reading—are lots of fun."

From Kirkus Reviews:
"Junie's swarms of young fans will continue to delight in her unique take on the world....A hilarious, first-rate read- aloud."

From Booklist:
"Park, one of the funniest writers around . . . brings her refreshing humor to the beginning chapter-book set."

From Time magazine:
"Junie B. Jones is a feisty six-year-old with an endearing penchant for honesty."

From School Library Journal:
"Park is truly a funny writer. Although Junie B. is a kindergartner, she's sure to make middle graders laugh out loud."

From the Inside Flap
The world's funniest kindergartner is back, in her 15th book!
It's almost the end of the school year, and Room Nine is taking a field trip to a farm! There's lots of fun farm stuff there. Like a real actual barn. And a real actual farmer. There's even real alive animals you can pet! Only, where's the gift shop? That's what Junie B. Jones would like to know. Surely no one would want Junie B. to go home empty-handed. . . .

Most helpful customer reviews

20 of 20 people found the following review helpful.
A mom's opinion
By A Customer
My daughter discovered the Junie B. Jones books sometime in the middle of her elementary grade years. She is now in 7th grade, and still eagerly awaits each new addition to the series. We have had the most fun sharing them together. Long after she didn't really feel the need for me to read to her at bedtime anymore, we still spent that precious time reading the newest book to each other whenever we brought one home. I cherish not only that opportunity, but the fact that certain expressions or phrases or word combinations that come up in everyday life will remind both of us: "that sounds like Junie B. Jones!" It happens more often that one would think, and we have an instant inside joke that we can chuckle over together. Sometimes an awkward or difficult moment can be gotten through more easily because one of us will adopt Junie B's way of expressing her feelings. I must comment on the complaints about the grammar. I agree that it is not poor grammar - it is just Junie's unique way of naming and expressing from her naive point of view. If a parent feels worried that her child will be confused or mislead by Junie's usage, perhaps it is best to wait a year or two before reading these books, when the child can better appreciate Junie's naive, childlike viewpoint. In fact, it is all the more funny as the reader gets older and can better appreciate how really innocent she is at her kindergarten level. We all have our memories of how blind we were to certain realities of life when we were little. Thanks to Barbara Park, Junie B. Jones tells us how it is for her in the most hilarious way!

12 of 13 people found the following review helpful.
Great books to help get your young reader hooked on reading
By S.Hite
My 6 year old son didn't care for reading until I bought a few of the Junie B. Jones books. They are very funny and entertaining and keep the kids interested. We have every Junie B. book and are always on the look out for new ones. These books are interesting enough, have large enough print and are the perfect length for my son to read alone. They gave him the self-confidence he needed to realize that he could read the book without help and that it was actually fun. My son also asks to read Junie B. to his 4 year old sister. He also enjoys picking out the grammar errors and laughes at that silly kindergartner. My kids enjoy trying to mimic Junie B.'s cute sayings like "Speedy quick" etc. My husband and I also enjoy reading Junie B. Jones. Great family reading!

6 of 6 people found the following review helpful.
Junie B. Has a Peep in Her Pocket
By A Customer
We love Junie B.! Every Friday one of the girls (aged 7 & 9) will bring a Barbara Park book home from the library and she gets to read it to all of us. Junie B. is great because it is written as though she (Junie B) is speaking to you and telling you about her day.
In this book school is about over and Room 9 is going a field trip -- to a FARM. Everyone is excited except Junie B. In Junie B. Smells Something Fishy that Meannie Jim told her roosters will peck your head to a nub. And too bad for her 'cause she saw the TV show called When Ponies Attack and now she is mortal afraid of ponies. That's not the worst of it. . .they have roosters AND ponies on farms! Her mother and father, Mrs. and the farmer all talk Junie B. into going on the trip. She has a great time and falls in love with Peep, a fuzzy yellow chick until she finds out that this soft, little, yellow ball will turn into a rooster.

See all 70 customer reviews...

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Selasa, 30 Desember 2014

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The Wolf: The Ecology and Behavior of an Endangered Species,, by L. David Mech

Throughout the continents of Eurasia and North American primitive man evolved in association with wolves. Wolves competed with him as a hunter, and raided his flocks and herds. Inevitably, folklore became rich in tales of this powerful, resourceful creature. Europeans reached North American with their attitudes already formed. The wilderness pressed in upon their tiny settlements in constant threat and all energies were devoted to destroying it and turning its inexhaustible resources to use. Over vast areas of the continent the wolf went down with the wilderness before the unprecedented effectiveness of our technological attack on the ecology of a continent. Today, however, there is a great tide of concern over the consequences of our assault on the wild lands and wild creatures on the continent, and more and more biologists are devoting their knowledge and energy to searching studies of our land and its native biota. The wolf has been the subject of detailed study by a number of ecologists on this continent who make use of all the research devices now available. Much of our knowledge is very recent, is increasing rapidly, and has resulted from the work of a mere handful of keen, resourceful, and courageous students of wolf biology. This, the first book to attempt a complete account of the biology of the wolf, draws from years of field research and upon the rich literature from two continents.

  • Sales Rank: #2592177 in Books
  • Published on: 1970-06
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 384 pages

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0 of 0 people found the following review helpful.
LOVE WOLVES??
By oceanshaman
You love wolves ... this is the must have clasdic by a leader in the field. You will LEARN!

0 of 0 people found the following review helpful.
he said he liked it.
By DobermanMomma
This was a purchase by the hubby, he said he liked it.

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> Ebook Kings II, Volume 11 (Anchor Yale Bible Commentaries), by Mordechai Cogan, Hayim Tadmor

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Kings II, Volume 11 (Anchor Yale Bible Commentaries), by Mordechai Cogan, Hayim Tadmor

II Kings (Volume 11 in the acclaimed Anchor Bible) is the chronicle of the raging conflicts that tore the United Kingdom of Israel apart, creating the rival nations of Israel to the north and Judah to the south.  It tells of the time of the great prophecies of Elijah and Elisha, and of the legendary conquerors of not only the Jews, but the whole of the Middle East--Sennacherib, Hazael, Tiglath-pileser III, Nebuchadnezzar, and Shalmaneser.

The book of II Kings was written with a dual purpose.  It provided a chronological history of the divided kingdoms of Israel, from the time of division, through the destruction of the city of Jerusalem, and the final exile of the Jews into Babylonia.  It also served as a reminder to all Israelite monarchs that their loyalty to the God of Israel, as worshipped in Jerusalem, determined the course of history.  In his telling of the story, the book's author emphasized to his contemporaries and future generations that in order to avert the calamities that befell the Chosen People (their conquest by nonbelievers, the destruction of Jerusalem, and their ignominious exile), they would have to avoid a repetition of the misdeeds of the past.  If they remained loyal to their God, their God would remain loyal to them.

Complete with maps, charts, photographs, and extra-biblical documentation, II Kings presents an important and illuminating new translation which explores a tumultuous epoch of change that forever affected theological and world history

  • Sales Rank: #765712 in Books
  • Published on: 1988-03-01
  • Released on: 1988-03-01
  • Original language: Hebrew
  • Number of items: 1
  • Dimensions: 1.38" h x 6.48" w x 9.50" l,
  • Binding: Hardcover
  • 371 pages

From the Publisher
II Kings (Volume 11 in the acclaimed Anchor Bible) is the chronicle of the raging conflicts that tore the United Kingdom of Israel apart, creating the rival nations of Israel to the north and Judah to the south. It tells of the time of the great prophecies of Elijah and Elisha, and of the legendary conquerors of not only the Jews, but the whole of the Middle East--Sennacherib, Hazael, Tiglath-pileser III, Nebuchadnezzar, and Shalmaneser.

The book of II Kings was written with a dual purpose. It provided a chronological history of the divided kingdoms of Israel, from the time of division, through the destruction of the city of Jerusalem, and the final exile of the Jews into Babylonia. It also served as a reminder to all Israelite monarchs that their loyalty to the God of Israel, as worshipped in Jerusalem, determined the course of history. In his telling of the story, the book's author emphasized to his contemporaries and future generations that in order to avert the calamities that befell the Chosen People (their conquest by nonbelievers, the destruction of Jerusalem, and their ignominious exile), they would have to avoid a repetition of the misdeeds of the past. If they remained loyal to their God, their God would remain loyal to them.

Complete with maps, charts, photographs, and extra-biblical documentation, II Kings presents an important and illuminating new translation which explores a tumultuous epoch of change that forever affected theological and world history

Most helpful customer reviews

3 of 3 people found the following review helpful.
Very useful.
By D. Stevenson
Academically rigorous, even-handed. A little too anti-supernatural, but one of the authors has expertise in Assyriology, which really enriches the historical discussion. Glad I bought this.

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Minggu, 28 Desember 2014

# Download PDF Following the Mystery Man, by Mary Downing Hahn

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Following the Mystery Man, by Mary Downing Hahn

The Stranger

He was busy reading the drugstore bulletin board when Madigan first saw him. He sure was good looking! His hair was dark and he had a full beard with a mustache that curled up on the ends and hid his mouth, just as his silver sunglasses hid his eyes. Then he walked right up to the soda fountain where Madigan and her friend Angie were sipping cherry Cokes, and asked for directions to Madigan's house!

Now the handsome "mystery man" is renting a room in her very own home -- and Madigan is about to take some dangerous risks to find who he is...

  • Sales Rank: #2343750 in Books
  • Published on: 1989-09-01
  • Released on: 1989-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .54" h x 5.13" w x 7.49" l,
  • Binding: Paperback
  • 192 pages

From Publishers Weekly
When Madigan was very young, her mother died of cancer; her father had walked out on their marriage long before that. Madigan has grown up at her grandmother's rooming house, and now she is a sixth grader, just like her friend Angie. They are young enough to get the giggles, old enough to wonder about the new man who has taken a room at Grandmother's. Clint is kind to them, and Madigan begins to think of him as her father, coming back to claim her after many years. But Clint has a much more dangerous pastone readers will comprehend by the middle of the bookand Madigan's fantasies are stripped away when he kidnaps her. She escapes from him and eventually is reunited with her grandmother, but berates herself for believing her father had returned. Like Angie, readers might scoff at Madigan's fanciful ideas, but because she is such an earnest, likable heroine, she makes her foolishness believable and the story retains suspense. Ages 9-13.
Copyright 1988 Reed Business Information, Inc.

About the Author

Mary Downing Hahn is the best-selling author of more than twenty award-winning books for young readers, including Stepping on the Cracks, which won the Scott O’Dell Award for Historical Fiction. Anna on the Farm is the follow-up to Anna All Year Round, both based on the author’s mother’s memoirs about growing up in Maryland pre-World War I.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Awesome
By A Customer
Awesome book. It's about a young girl, Madigan, who lost her mother when she was a baby and her father ran away. One day a stranger comes to town and he needs a place to stay. She thinks that he might be her dad by the way he acts around her and the way he looks like her. He's really a robber. Madigan finds out. She's very upset. He catches her spying on him when he is hiding stolen goods, and he grabs her. The best part of the book is her escape. A very exciting story that keeps you guessing at every page. I think this author writes amazing books. I really enjoy her mysteries.

1 of 1 people found the following review helpful.
A Good Mystery for Teens!
By A Customer
I first read this book when I was twelve years old, and now that I'm 15, I still enjoy it. There is a strong plot, interesting characters, and a few mysteries. This would be a good book for ages 11-14.

2 of 3 people found the following review helpful.
A memorable book
By LargeMargeSentMe
This is not just a good book, it's an extremly memorable one. I read it 15 years ago, and I still remember how good it was! I remember being completely enthralled and on the edge of my seat throughout the book. Highly recommended!

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Dos Passos: A life, by Virginia Spencer Carr

A New York Times Notable Book

An intimate biography of a great American writer.

He rose from a childhood as the illegitimate son of a financial titan to become the man Sartre called "the greatest writer of our time." A progressive writer who turned his passions into the groundbreaking U.S.A. trilogy, John Dos Passos later embraced conservative causes. At the height of his career he was considered a peer of Hemingway and Fitzgerald, yet he died in obscurity in 1970.

Award-winning biographer Virginia Spencer Carr examines the contradictions of Dos Passos's life with an in-depth study of the man. Using the writer's letters and journals, and with assistance from the Dos Passos family, Carr reconstructs an epic life, one of literary acclaim and bitter obscurity, restless wandering and happy marriage, friendship with Edmund Wilson and feuds with Hemingway. First published to acclaim in 1984, Dos Passos remains the definitive personal portrait of the author.

  • Sales Rank: #877562 in Books
  • Published on: 1984
  • Number of items: 1
  • Binding: Hardcover
  • 624 pages

Review
"Fascinating. It gives us a clearer sense than ever before of what a bizarre personal life lay behind his bitter views of public life.... Thanks to Mrs. Carr's stylishly-written, fact-crammed biography, it is now possible to put together a more plausible explanation of Dos Passos's political odyssey." -New York Times Book Review


"The virtues of this biography result largely from Carr's carefully establishing the facts of Dos Passos's visible progress through the world, including his many travels.... The figure who emerges from this welter of information is thoroughly human and is a sensible and likable and even admirable person." -Washington Post


"[A] solid, detailed biography that attempts to understand not only the novelist but the highly political man who found himself in no man's land: 'too liberal for the conservatives, too conservative for the liberals.'" -National Review

About the Author
Virginia Spencer Carr was formerly the John B. and Elena Dìaz-Versòn Chair of English Letters at Georgia State University. Her other works include the forthcoming Paul Bowles: A Life (Scribner, 2004), Understanding Carson McCullers (South Carolina, 1991), and The Lonely Hunter: A Biography of Carson McCullers (Doubleday, 1975), winner of the Francis Butler Simkins Prize of the Southern Historical Society and Longwood College. Carr lives in Atlanta, Georgia.

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0 of 0 people found the following review helpful.
Evolution of a Mind.
By Richard I. Pervo
C. is thorough and does not grind evident axes. She may have a deaf ear for literature (!), for, although she cites many reviews, she does not discuss D P's innovations and techniques. interesting that Hemingway, E. Wilson, and D P always lending one another a hundred or so and striving to get it back. after his disillusion with Stalinism, D P did not become a middle-class liberal. He became a right-wing Republican, Taft against Eisenhower, Goldwater against Nixon, MacCarthy. and so forth, not excluding "right to work." The author appears sympathetic with his shift.
That the USA remained his magnum opus after many books irritated D P, What is shows us is that people prefer hope to cynicism. The later books do not inspire or excite.
D P outlived all of his contemporaries of WWI. Thoroughly researched and worth reading, but no masterpiece

14 of 15 people found the following review helpful.
Carr's 1984 vs. Ludington's 1980 biography
By John L Murphy
I compare the 1984 printing of Carr's biography to the other standard study by Townsend Ludington; I do not think that Carr's recent reprinting substantially differs in the body of the contents from the original edition. It appears a preface has been added by Donald Pizer to the paperback.

Townsend Ludington's 1980 and Virginia Spencer Carr's 1984 volumes weigh in about the same, over five hundred pages of closely printed text. I have the hardcovers, although both biographies have appeared in paperback reprints, Ludington's a decade ago and Carr a few years back. Despite his earlier works being edited by Ludington in three handsome installments in the Library of America series in the past few years, even these languish, absent even from the giant city libraries near me. Outside of nods to the USA trilogy or maybe "Manhattan Transfer" or in a pinch, "Three Soldiers," not many readers bother with him.

Conventional wisdom, shared even by his admirers, tends to denigrate his later novels and histories and biographies, after his gradual embrace of "middle-class liberalism" after his disillusionment with the manipulation of the Left by Stalinists in the 1920s and 1930s. None of his works remain in print which were written after his fall from favor with the Left. The Library of America selections span the twenties and thirties, and it's for his rendering of the ideas, events, and trends of the first three decades of the last century that Dos Passos will be remembered. Like many writers who outlasted their early impact and kept at it, he resented being labelled the "USA" author forty years later, but without this contribution to American literature, there'd be no pair of hefty biographies on my shelf or any other that matter over a century after his birth.

Few today may read Dos Passos, at least in America, but as with Jack London, Upton Sinclair, or James T. Farrell, this one time literary lion of the Left inspired many in Europe and the Third World with his chronicles that mingled a Camera Eye of the passing scene, a mordant Newsreel span of current events from the Wilson-Harding-Coolidge-Hoover years, and meticulously observed, if often distant and mechanical, scurryings of individuals as they resisted the machinations of "competitive Capital," "Monopoly Capital," and the triumph of the Organization Man, with "the big money."

Ludington gains the edge over Carr for his diligent incorporation of Dos Passos' correspondence, which he corrected from its previous printing as the collected letters. Carr earns her merit by adding the letters to DP, from his agent Bernice Baumgartner, his first wife Katy, Hemingway, Edmund Wilson, and others who hated and loved DP. Ludington tends to concentrate more on DP's own career; Carr expands to notice, for example, F. Scott Fitzgerald complaining to Max Perkins about sales of "Tender is the Night" vs. "1919," or Edmund Wilson's sangfroid in his letters vs. his astonishing poverty at one point.

Neither biographer gives much notice to the actual works. Ludington's masterful comparison of the real event that DP reported on vs. its transformation as the "Body of an American" section in USA that covered the selection of one of four bodies for the WWI representative of the Tomb of the Unknown Soldier remains an anomaly. He tends to cite a few reviews of each work after a brief paragraph or two summarizing each DP book as it was issued. Carr adds more context and often quotes a far greater range of positive and negative reviews for each work, but she rarely offers her own judgment of the work at hand.

Ludington stresses, as his subtitle emphasizes, the "odyssey" intellectually and politically that DP made over the century. You understand his opposition to technocrats, centralized power, and elite planners who conspire to ruin liberty and crush self-government, according to DP's constant resentment. You also understand, against the frequent criticism of his fiction, why DP relies on cliché and cant. He strives to make you listen to the truckdriver, the lobbyist, the ad-man, the gladhander, or the idealist who walked among us once, especially in an era before TV managed to empower the spin doctors and when radio or film could spend their own charms trying to sway the masses. His characters, from "Manhattan Transfer" on, remain less lovable and more caricatured than those created by his peers, but DP meant to use them as true satirists do, as Thackeray did in "Vanity Fair," to highlight the shortcomings and exaggerate the ambitions that ordinary folks harbored.

Ludington sums up DP's "lover's quarrel with the world." (507) You appreciate how he could go from marching for miners in Harlan County or against the conviction of Sacco & Vanzetti to sharing a stage with John Wayne, if not Strom Thurmond! He stubbornly, as Ludington documents, sought the ideal of Jefferson's gentleman farmer-- especially after inheriting his father's plantations on the Potomac-- while somehow having to live hand-to-mouth for years, borrowing from his friends constantly, writing incessantly, and travelling studiously as a free-lance journalist in war and peacetime, home and abroad, always talking to whomever he met, thinking and listening just as carefully. Ludington, more than Carr, shows how far this habitual stance of self-reliance could take him, into dangerous support at one time of Joe McCarthy, such were his distrusts of American weakness against his former Communist cabal. Dos Passos kept warning his audience, however much it dwindled, of the dangers of power when concentrated into the hands of a few, no matter their rhetoric of inclusion.

Carr depicts DP as a coach on the sidelines, a fellow-traveller at times but not a party man by nature. The artist Adolph Dehn said of him, even at DP's most radical stage in 1928: "One sees better if one sits on the fence." (qtd. 235) The Left idolized him and then excommunicated him, but DP, as both biographers realize, lacked the credulity to follow any leader. This outsider aura began in his days as an illegitimate son of a wealthy capitalist and his long-time mistress, to his gawky status at Choate, and his aesthetic posing at Harvard-- this stint's richly detailed by Carr). He hated war, but wished to see it. This led to his ambulance-driving volunteer duty in the French trenches of 1917, which sparked his wish to both save the world for the little man and resist any program or power that would in doing this crush the freedom he learned increasingly to admire as the American contribution. This led, as Ludington explains with more evidence than Carr, to his distrust of both sides as they mouthed democracy in the Cold War, to his advocacy of Goldwater, and his impatience with hippies and the New Left on the campuses where he lectured before his death in 1970.

Determined to champion the common man even as he became the country squire his father longed to be, in his temperament he stayed his own man, infuriating more than he inspired as the decades went on. In the thick of ideological allegiance, as the Communist Party in the U.S. courted DP, he remained a refusenik. He sided with "the scavengers and campfollowers." (qtd. Carr 299) He agreed in 1932, as did most of his peers, that the American system was doomed to inevitable failure and collapse. But, while the capitalist failure loomed in the Depression as obvious, he could not discern any collapse. A plutocracy appeared to him more likely to spring from American soil than a Red dictatorship of the proletariat. Seventy-five years later, post-Cold War, it seems that Dos Passos' prediction has long come to pass!

Both academics draw on his widow's and daughter's permission to use the archives, and while Carr adds a few reminiscences from his family, Ludington uses his earlier editing of his letters to enrich his study. I assume both scholars worked in the same time, the 1970s, on their works, and although my back-to-back perusal of both uncovers the same content carefully sifted, each has its advantages. Carr gives more of the flavor of his times. She's superb on conveying Harvard during WWI, DP's courage as he rescued the wounded under fire, and the background of the Spanish conflict. You understand more his relationship with both his wives and his children, and the tensions that his commitment to living off others' generosity as he determined to make it as a writer created in his friendships and his family. Ludington probes into his mental evolution as he challenged leftist orthodoxy, and how he grew into a more consistent, organic, and daring critic of both D.C. and the Kremlin, the fat cats on both sides of the Iron Curtain, than the stereotype of an addled right-wing convert that many disappointed critics continued to peddle in the media for the three dozen productive years after he returned from Spain and challenged liberal platitudes with what he struggled to see as the sinister truth.

Both scholars inevitably repeat much of the same detail in this man's seven-and-a-half decades of a life spent as what Time magazine a bit clunkily but typically phrased it, in an echo of Dos Passos' own style, a "champion of the individual, an implacable foe of organized Bigness." But, after learning much from a two-time plunge into Dos Passos' life and his career, largely from primary sources well annotated by both professors, one can then return to not only Dos Passos' essays and fiction in print, but an intrepid reader may seek out the other works that languish in the rarely visited holdings of a few libraries today. Dos Passos, as you will agree after these two biographies have been finished, deserves for a full understanding of his defense of the individual against the political machine and the bureaucratic system, a careful study of his many writings, for which Carr and Ludington at least give if not in-depth criticism of their own, then at least a reminder of what awaits the few who delve off the path of conventional thinking from left or right, as he searched for himself.

P.S. See also Stephen Koch's 2005 study of Hemingway, Dos Passos, and the break of the two men over the murder by Communists of DP's old friend Jose Robles in 1937.

5 of 7 people found the following review helpful.
Two biographies compared: Carr with Ludington
By John L Murphy
Townsend Ludington's 1980 and Virginia Spencer Carr's 1984 volumes weigh in about the same, over five hundred pages of closely printed text. (Carr's has recently been reprinted with a preface by Donald Pizer; the body of her text does not appear to have been altered substantially.) I have the hardcovers, although both biographies have appeared in paperback reprints, Ludington's a decade ago and Carr a few years back. Despite his earlier works being edited by Ludington in three handsome installments in the Library of America series in the past few years, even these languish, absent even from the giant city libraries near me. Outside of nods to the USA trilogy or maybe "Manhattan Transfer" or in a pinch, "Three Soldiers," not many readers bother with him.

Conventional wisdom, shared even by his admirers, tends to denigrate his later novels and histories and biographies, after his gradual embrace of "middle-class liberalism" after his disillusionment with the manipulation of the Left by Stalinists in the 1920s and 1930s. None of his works remain in print which were written after his fall from favor with the Left. The Library of America selections span the twenties and thirties, and it's for his rendering of the ideas, events, and trends of the first three decades of the last century that Dos Passos will be remembered. Like many writers who outlasted their early impact and kept at it, he resented being labelled the "USA" author forty years later, but without this contribution to American literature, there'd be no pair of hefty biographies on my shelf or any other that matter over a century after his birth.

Few today may read Dos Passos, at least in America, but as with Jack London, Upton Sinclair, or James T. Farrell, this one time literary lion of the Left inspired many in Europe and the Third World with his chronicles that mingled a Camera Eye of the passing scene, a mordant Newsreel span of current events from the Wilson-Harding-Coolidge-Hoover years, and meticulously observed, if often distant and mechanical, scurryings of individuals as they resisted the machinations of "competitive Capital," "Monopoly Capital," and the triumph of the Organization Man, with "the big money."

Ludington gains the edge over Carr for his diligent incorporation of Dos Passos' correspondence, which he corrected from its previous printing as the collected letters. Carr earns her merit by adding the letters to DP, from his agent Bernice Baumgartner, his first wife Katy, Hemingway, Edmund Wilson, and others who hated and loved DP. Ludington tends to concentrate more on DP's own career; Carr expands to notice, for example, F. Scott Fitzgerald complaining to Max Perkins about sales of "Tender is the Night" vs. "1919," or Edmund Wilson's sangfroid in his letters vs. his astonishing poverty at one point.

Neither biographer gives much notice to the actual works. Ludington's masterful comparison of the real event that DP reported on vs. its transformation as the "Body of an American" section in USA that covered the selection of one of four bodies for the WWI representative of the Tomb of the Unknown Soldier remains an anomaly. He tends to cite a few reviews of each work after a brief paragraph or two summarizing each DP book as it was issued. Carr adds more context and often quotes a far greater range of positive and negative reviews for each work, but she rarely offers her own judgment of the work at hand.

Ludington stresses, as his subtitle emphasizes, the "odyssey" intellectually and politically that DP made over the century. You understand his opposition to technocrats, centralized power, and elite planners who conspire to ruin liberty and crush self-government, according to DP's constant resentment. You also understand, against the frequent criticism of his fiction, why DP relies on cliché and cant. He strives to make you listen to the truckdriver, the lobbyist, the ad-man, the gladhander, or the idealist who walked among us once, especially in an era before TV managed to empower the spin doctors and when radio or film could spend their own charms trying to sway the masses. His characters, from "Manhattan Transfer" on, remain less lovable and more caricatured than those created by his peers, but DP meant to use them as true satirists do, as Thackeray did in "Vanity Fair," to highlight the shortcomings and exaggerate the ambitions that ordinary folks harbored.

Ludington sums up DP's "lover's quarrel with the world." (507) You appreciate how he could go from marching for miners in Harlan County or against the conviction of Sacco & Vanzetti to sharing a stage with John Wayne, if not Strom Thurmond! He stubbornly, as Ludington documents, sought the ideal of Jefferson's gentleman farmer-- especially after inheriting his father's plantations on the Potomac-- while somehow having to live hand-to-mouth for years, borrowing from his friends constantly, writing incessantly, and travelling studiously as a free-lance journalist in war and peacetime, home and abroad, always talking to whomever he met, thinking and listening just as carefully. Ludington, more than Carr, shows how far this habitual stance of self-reliance could take him, into dangerous support at one time of Joe McCarthy, such were his distrusts of American weakness against his former Communist cabal. Dos Passos kept warning his audience, however much it dwindled, of the dangers of power when concentrated into the hands of a few, no matter their rhetoric of inclusion.

Carr depicts DP as a coach on the sidelines, a fellow-traveller at times but not a party man by nature. The artist Adolph Dehn said of him, even at DP's most radical stage in 1928: "One sees better if one sits on the fence." (qtd. 235) The Left idolized him and then excommunicated him, but DP, as both biographers realize, lacked the credulity to follow any leader. This outsider aura began in his days as an illegitimate son of a wealthy capitalist and his long-time mistress, to his gawky status at Choate, and his aesthetic posing at Harvard-- this stint's richly detailed by Carr). He hated war, but wished to see it. This led to his ambulance-driving volunteer duty in the French trenches of 1917, which sparked his wish to both save the world for the little man and resist any program or power that would in doing this crush the freedom he learned increasingly to admire as the American contribution. This led, as Ludington explains with more evidence than Carr, to his distrust of both sides as they mouthed democracy in the Cold War, to his advocacy of Goldwater, and his impatience with hippies and the New Left on the campuses where he lectured before his death in 1970.

Determined to champion the common man even as he became the country squire his father longed to be, in his temperament he stayed his own man, infuriating more than he inspired as the decades went on. In the thick of ideological allegiance, as the Communist Party in the U.S. courted DP, he remained a refusenik. He sided with "the scavengers and campfollowers." (qtd. Carr 299) He agreed in 1932, as did most of his peers, that the American system was doomed to inevitable failure and collapse. But, while the capitalist failure loomed in the Depression as obvious, he could not discern any collapse. A plutocracy appeared to him more likely to spring from American soil than a Red dictatorship of the proletariat. Seventy-five years later, post-Cold War, it seems that Dos Passos' prediction has long come to pass!

Both academics draw on his widow's and daughter's permission to use the archives, and while Carr adds a few reminiscences from his family, Ludington uses his earlier editing of his letters to enrich his study. I assume both scholars worked in the same time, the 1970s, on their works, and although my back-to-back perusal of both uncovers the same content carefully sifted, each has its advantages. Carr gives more of the flavor of his times. She's superb on conveying Harvard during WWI, DP's courage as he rescued the wounded under fire, and the background of the Spanish conflict. You understand more his relationship with both his wives and his children, and the tensions that his commitment to living off others' generosity as he determined to make it as a writer created in his friendships and his family. Ludington probes into his mental evolution as he challenged leftist orthodoxy, and how he grew into a more consistent, organic, and daring critic of both D.C. and the Kremlin, the fat cats on both sides of the Iron Curtain, than the stereotype of an addled right-wing convert that many disappointed critics continued to peddle in the media for the three dozen productive years after he returned from Spain and challenged liberal platitudes with what he struggled to see as the sinister truth.

Both scholars inevitably repeat much of the same detail in this man's seven-and-a-half decades of a life spent as what Time magazine a bit clunkily but typically phrased it, in an echo of Dos Passos' own style, a "champion of the individual, an implacable foe of organized Bigness." But, after learning much from a two-time plunge into Dos Passos' life and his career, largely from primary sources well annotated by both professors, one can then return to not only Dos Passos' essays and fiction in print, but an intrepid reader may seek out the other works that languish in the rarely visited holdings of a few libraries today. Dos Passos, as you will agree after these two biographies have been finished, deserves for a full understanding of his defense of the individual against the political machine and the bureaucratic system, a careful study of his many writings, for which Carr and Ludington at least give if not in-depth criticism of their own, then at least a reminder of what awaits the few who delve off the path of conventional thinking from left or right, as he searched for himself.

P.S. See also Stephen Koch's 2005 study of Hemingway, Dos Passos, and the break of the two men over the murder by Communists of DP's old friend Jose Robles in 1937.

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> Fee Download Howliday Inn (Bunnicula), by James Howe

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Howliday Inn (Bunnicula), by James Howe

Harold and Chester could hardly believe it. The Monroe family was going on vacation without them! Bunnicula, the family rabbit, would be boarded with a neighbor. But they, the family's loyal dog and cat, were to stay with strangers at the foreboding Chateau Bow-Wow...

No sooner had Harold and Chester settled into their bungalows than Louise, a French poodle involved in a messy love triangle, disappeared. Chester believed the six other guests were capable of anything -- even murder. Would you trust a pair of dachshunds who howled at the moon and were rumored to be part werewolf? Or crazy Lyle, a cat convinced he was a secret agent?

All Harold and Chester knew was that in spite of themselves they had entered the crime detection business and neither foul play nor foul weather would stop them from finding out whodunit!

  • Sales Rank: #3522134 in Books
  • Published on: 1983-10
  • Original language: English
  • Number of items: 1
  • Dimensions: .49" h x 5.10" w x 7.53" l,
  • Binding: Paperback
  • 195 pages

Review
"The story, with wonderfully witty dialogue and irresistible characters, is a treat for all ages."

-- "Publishers Weekly"

From the Publisher
Harold and Chester could hardly believe it. The Monroe family was going on vacation without them. Bunnicula, the family rabbit, would be boarded with a neighbor. But they, the family's loyal dog and cat, were to be sent away with strangers; they were to spend a week at Chateau Bow-Wow.

Chateau Bow-Wow, observed Chester, soon after they arrived, could more properly be called Howliday Inn. Though what was howling, neither of them knew. Chester had his suspicions however; only a werewolf could make that chilling sound.

From the Inside Flap
approx. 3.5 hours
2 cassettes
Performed by Victor Garber

Harold and Chester could hardly believe it. The Monroe family was going on vacation without them. Bunnicula, the family rabbit, would be boarded with a neighbor. But they, the family's loyal dog and cat, were to be sent away with strangers; to a place called Chateau Bow-Wow. Chateau Bow-Wow, observed Chester, soon after they arrived, could more properly be called Howliday Inn. Though what was howling, neither of them knew. Chester had his suspicions however; only a werewolf could make that chilling sound.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Howliday Inn
By A Customer
The Howliday Inn

The Howliday Inn is a book about a dog and cat. Chester (cat) is very smart and he loves to read books so that he can be the wise one. Harold (dog) on the other hand is just a lazy dog that takes advise from other animals. The family takes a vacation and Harold, and Chester has to go to a hotel that they think it is a laboratory. Harold is not worried about the hotel but Chester is very scared. Will the dogs find Chester and eat him, or will Harold get taken to the lab?

As the family goes on vacation Harold and Chester go to a dog and cat hotel. Chester tries to convince Harold that it is a laboratory and they are going to take them away forever. They get inside the hotel and they make friends. Later on Harold wakes up and he realizes Chester is gone. Chester escapes and finds Harold. They get the other animals together and they attack the people.

Chester is a fluffy brownish goldish colored cat. He loves to read books and to be the smart one of the family. Harold is nothing like Chester. Harold is lazy and he likes to lie by the fire and sleep. He depends on Chester for the good advice and to be his guidance.

I would recommend this book to kids who like funny adventures. This book is full of laughing excitement. Also people whom like animals should read this book. This book has a lot of animals in it and they all join each other in one big adventure. Come join Chester and Harold for this wonderful book full of adventures for kids.

9 of 10 people found the following review helpful.
Fantastic Animal Mystery for Middle Readers
By Erika Sorocco
Pete and Toby Monroe, along with their parents, Mr. and Mrs. Monroe, are going on vacation, and, thanks for Harold's tendency to get carsick, they have decide to leave both him, and Chester at Chateau Bow-Wow, a supposed four-star hotel for dogs and cats. It seems like a boring place to Harold and Chester, until the first night, when they are trying to get some sleep, and they hear a horrendous howling, causing Chester to rename Chateau Bow-Wow, Howliday Inn. Chester becomes convinced almost instantly that there are werewolves among them at the hotel, and begins investigating. But pretty soon Harold and Chester have even more to investigate, because animals begin disappearing, and there are rumors of murder spreading around. Now it's up to Chester and Harold to solve the case, before their check-out time from Howliday Inn comes sooner than expected.
After reading THE MISFITS by James Howe, I thought that I'd check out another one of his novels, which led to my purchase of HOWLIDAY INN. This is one of the best books that I have ever read for children and pre-teens. The characters are intelligent and witty, and speak in such a simple way that children of all ages will be able to understand what is going on in the plot. Not only that, readers will be able to help Chester and Harold solve the mystery, while also getting a good laugh out of the quirky personalities of the other boarders at Chateau Bow-Wow. A must have book for all kids ages 6-13, as HOWLIDAY INN is something that even the most reluctant reader will be unable to put down.
Erika Sorocco

0 of 0 people found the following review helpful.
Not as good as _Bunnicula_
By A Customer
I have been trying to track down the James Howe "Chester and Harold" series ever since I discovered _Bunnicula_. This is the second in the series, but does not feature the vampire bunny beyond a short mention in the first chapter. Chester and Harold go to stay at a pet hotel while their owners are on vacation. They are very uncomfortable, both with the people running the hotel and the other animals (six dogs and one other cat) boarded there... with good cause. This is an enjoyable little mystery, but it does not have the polish of the first book, which James Howe co-wrote with his wife, Deborah (Deborah died shortly after _Bunnicula_ was published). Harold seems just a little too bumbling -- I felt that the first book better captured the behaviors of cats and dogs (or at least the way they might behave when we aren't looking) -- and the wordplay seems a little forced. However, I will continue to read the rest of the Chester/Harold series.

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