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* Fee Download The Tiger's Child, by Torey Hayden

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From the bestselling author of One Child comes this incredible, true story of the six-year-old girl who touched the hearts of millions—and the courage of one teacher who would not give up on her.

What ever became of Sheila?

When special education teacher Torey Hayden wrote her first book One Child thirty-five years ago, she created an international bestseller. Her intensely moving true story of Sheila, a silent, profoundly disturbed little six-year-old girl touched millions. From every corner of the world came letters from readers wanting to know more about the troubled child who had come into Torey Hayden's class as a “hopeless case,” and emerged as the very symbol of eternal hope within the human spirit.

Now, for all those who have never forgotten this endearing child and her remarkable relationship with her teacher, here is the surprising story of Sheila, the young woman.

Sales Rank: #328481 in Books
Brand: Avon
Published on: 2002-07-30
Released on: 2002-07-30
Original language: English
Number of items: 1
Dimensions: 6.75" h x .72" w x 4.19" l, .30 pounds
Binding: Mass Market Paperback
288 pages

Features

Great product!

From Publishers Weekly
Abandoned by her mother on a highway at age four, abused by her drug-addict father between his prison stints, autistic, electively mute Sheila Renstad at age six broke through her silent rage to communicate, aided by her five-month relationship with special-education teacher Hayden. That experience, recorded in Hayden's One Child, which became a TV movie, is updated in this deeply moving sequel. It picks up with Sheila as a sullen 13-year-old bouncing between juvenile facilities and her father's "care." As Hayden renews her ties to Sheila?first at a clinic, then through informal contacts?the girl's outbursts and foul-mouthed sexual preoccupations betray a desperate craving for a sense of belonging. An inspirational testament to the healing power of love, this authentic tearjerker resonates with drama. There is no storybook ending: Sheila, with an IQ over 180, forgoes college to work for McDonald's; an epilogue finds her 10 years later as a branch manager at McDonald's and an articulate, stable woman. Paperback rights to Avon; Literary Guild alternate; Readers Digest Condensed Book selection.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
This is Hayden's sequel to her best-selling One Child (1981), the story of an abandoned autistic child. Here, Hayden describes in detail what happened to Sheila from the age of six to 16, a decade filled with tension, a search for understanding, and profound moments of love. During the course of this fast-paced narrative, Hayden's career develops from classroom teacher to practicing psychologist in a private clinic. Throughout this time, she keeps track of Sheila, torn between her professional knowledge of what constitutes appropriate treatment for the young woman and her instinct to be the good mother. This book is not only interesting as a biography of a seriously disturbed child but as a portrayal of a working psychologist. Anyone involved with children will find it enlightening.
Nancy E. Zuwiyya, Binghamton City Sch. Dist., N.Y.
Copyright 1995 Reed Business Information, Inc.

Review
"A deeply moving sequel ... resonateswith drama."-- "Library Journal""Read "The Tiger's Child" and the characterswill haunt you."-- "Indianapolis News"

Most helpful customer reviews

50 of 54 people found the following review helpful.
Satisfyingly realistic
By A Customer
I first read One Child when I was thirteen, and it was a powerful force in my life, impacting me more deeply than any other story I have ever read. I related somewhat at thirteen to her life at six, and have read the book millions of times since, always wondering what became of Sheila and what her life might be like now. So when I discovered this sequal yesterday, it was like a goldmine. My biggest emotional reaction was deep sorrow, because One Child WAS like a fairy tale that had led us to believe that Sheila would probably be all right now that Torey had given her the wings to fly. But reality tended to beat Sheila up one side and down the other like a spiked club, and she no longer had anyone to help her through it. I look at Sheila as having lived her life very much alone with the exception of the five months in Torey's classroom in Marysville. Is five months really enough to build a sturdy enough platform for this kid? All kids need constant care and attention; kids in healthy households living comparatively idyllic lives still clamor for more and more attention, love and care. Six is not really big enough to take on the world and conquer it and all its horrors alone, it is barely big enough to tie one's own shoes and remember where your mittens are! I can completely see Sheila's point when she accused Torey of offering her a world full of color and warmth and then sweeping it all away. Sheila was abused before Torey came, while Torey was there, and after she left. Torey's subsequent disappointment at finding this relatively human teenager, including dyed hair and common teenish speech patterns, is naive on her part. What did she expect? She hadn't been there; when Sheila was being abused and shifting around in foster homes, where was Torey, and what right did she have to judge Sheila now, at a still-tender thirteen? What right did she have to expect ANYTHING? Sure, it appears as if Torey is this wonderful goddess-type teacher that goes the 800 extra miles for Sheila, but Torey had never had to deal with Sheila's life on a day-to-day basis, could have no idea. The real hero is Sheila, who IS a survivor, who did remarkably well with herself considering she's sprung from horrors most of us can hardly imagine experiencing ourselves. She shouldn't have to feel grateful for what Torey's done for her; as a child, it was the least she could expect from somebody. It is Sheila who created herself, and what an extraordinary person.

19 of 19 people found the following review helpful.
Sobering & Honest
By A Customer
Having read One Child over and over and over again starting at the age of ten, I was euphoric to come upon The Tiger's Child in a bookstore 15 years later. I had wondered about Sheila my whole life, worked for several years in a preschool in great part due to that astonishing tale. I believe all the magic that was in the first book, because that is the truth about the reality of children. The Tiger's Child was somehow more sad, even if in much subtler & less horrifying ways than the first book. Sheila had left her childhood, and Torey L. Hayden (who was just 24 in the first book!) was not in a position to help her to quite the extent that she had been able to in the earlier years. Torey L. Hayden writes very honestly and does not attempt to soften any of the difficulties in this later period. Her work as a teacher is remarkable & awe-inspiring... I just wish that somehow the world had continued to provide for Sheila as much as Torey had been able to in One Child. I ache that the extraordinary, brilliant light that was Sheila was not left with as purely a happpy ending as the first book leads us to believe is possible...but I strongly recommend reading both stories.

15 of 15 people found the following review helpful.
I Bought This One In Hardcover...
By A Customer
Normally, I do not buy hardcover books. I wait until they are released in paperback or become available at the library. But when I saw the sequel to one of my all time favorite books, "One Child", at the bookstore right after its' release, I snatched it up immediately and ran to the cash register! That night I read the whole book from start to finish without stopping. For years I had wondered what became of Sheila after Torey's last glimpse of her through the school bus window, and now that I had the answer in my hands I could not put it down. It was heartbreaking to learn that the happiness and love that Sheila discovered in Torey's classroom did not last after she left. However, the story of she survived despite her many hardships, even finding some of that happiness again when she and Torey were reunited, was fascinating and often tearjerking. I have read and loved all of Torey Hayden's books. This is one of the best. I would love to see Sheila write her own book from her point of view some day!

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>> Download Caesar: Let the Dice Fly (Masters of Rome, Book 5), by Colleen McCullough

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In the long, fabled history of Rome, there was never one so beloved by so many--yet so feared and despised by lesser men whose power he eclipsed--than Gaius Julius Caesar. On the field of battle, he is invincible, and those who fight at his side would gladly give their lives for his glory. But even as Caesar sweeps across Gaul--brutally subduing the united tribes who defy the Republic--his enemies at home are orchestrating his downfall and disgrace. Vindictive schemers like Cato and Bibulus would tear Rome asunder just to destroy her greatest champion, using their wiles, position and false promises to seduce others into the fold: the spineless Cicero, the avaricious Brutus...even Pompey the Great, First Man in Rome and Caesar's former ally. But ill fortune can only come to the "Good Men" who underestimate Caesar. For rome is his destiny--a destiny that will impel him triumphantly on the banks of the Rubicon...and beyond, into legend.

Sales Rank: #1235358 in Books
Published on: 1999-03-01
Released on: 1999-03-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.68" w x 6.00" l,
Binding: Paperback
664 pages

From Library Journal
The fifth volume of McCullough's continuing saga of the history of Rome meets the stellar standards she has set in her earlier books (e.g., Caesar's Women, LJ 12/95). It opens in 54 B.C., with Caesar civilizing and romanizing the different tribes in Britannia and Gaul. After five years of almost constant warfare, Caesar turns all his political brilliance to defeating Pompey, his former son-in-law, who wants to strip Caesar of his power. McCullough clearly loves her subject and has done voluminous research, smoothly interweaving the vast number of facts into the narrative. She gives us a living Caesar, the superb military tactician and the man who cried at his mother's and daughter's deaths. It's not hard to see why his troops (and many women) loved him. The novel is further enriched by McCullough's hand-drawn maps, illustrations of major players, and useful glossary. Essential for historical fiction collections.
-?Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
The story of Caesar's Gallic Wars (roughly 5851 b.c.) and return to Rome warfare, followed fictively and, in the main, meticulously, from Caesar's Commentaries. Again, the portraits are memorable--from Brutus (here, a money-mad ``wet fish'' with acne) to Cleopatra (scrawny, ugly, calmly plotting fratricide)--and the politicking is showy, sly, witty, and often deadly. At the close of Caesar's Women (1996), McCullough's fourth massive staging of the power wrests and wrestlings of mighty men of ancient Rome, Julius Caesar, a true colossus of skill and brilliance, had left for ``Further Gaul.'' Now, while mopping up the revolts in his detested Britannia of ``blue-painted relics,'' he receives word from Pompey the Great, First Man in Rome and husband of Caesar's lovely daughter Julia, that Julia and his mother are dead. Grief drains him, but oddly he grows in strength, proceeding to un-Romanized Gaul, pacifying tribe after tribe, and eventually defeating Vercingetorix, an ambitious but inexperienced leader out to unite Gaul, who would not accept Caesar's offer of Rome's ``light rein'' in a ``shrinking world.'' While Caesar with his beloved legions win Gaul with extraordinary tactics and hardship, his foes in Rome have swung Pompey--once a Golden Boy, now tarnished with fatuous conceit and lack of political savvy--to their cause, which is, simply, to destroy Caesar. Although scrupulous in his observance of law, Caesar crosses the Rubicon to become Rome's aggressor. (McCullough appropriately uses Plutarch's account of his utterance: ``Let the dice fly high!'' instead of the gloomy ``The die is cast.'') While temporarily Dictator, afterward, Caesar pursues Pompey's armies until the Great One's sad end. In the wings for Book Six: the gorgeous Mark Antony, slinky Octavius, and Cleopatra. Rewarding but rugged terrain for the casual reader. Armchair generals, though, should love this--perhaps with De bello Gallico at the ready. Maps, glossary, and photos of sculptured portraits of the time. (Book-of-the-Month Club alternate selection/Quality Paperback Book Club selection) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Review
"Hail, Colleen McCullough! She once again gives Caesar his due...CAESAR reveals Julius Caesar and the author at the height of theirpowers...With all its Machiavellian machinations and its eye for entertaining history, McCullough latest novel merits the allegiance ofher legions of fans." -- - Columbus Dispatch

Most helpful customer reviews

0 of 0 people found the following review helpful.
I have now read the whole series "MASTERS OF ROME" ...
By Amazon Customer
I have now read the whole series "MASTERS OF ROME".
Colleen McCullough does do her research. It is most pleasant, to also read about the "minor" characters revolving around the main "players". Julius Caesar does come alive - which is something you won't get in a history book!

0 of 0 people found the following review helpful.
How republics become dictatorships
By ModernParzival
I love this whole series - both for the storytelling and for the compelling insight into how the Roman Republic devolved into autocracy and empire.

1 of 3 people found the following review helpful.
Great History with fiction
By Michael Goldman
Ancient Rome really comes to life in this whole series which I heartily recommend. Start with the "First Man in Rome" and read them in sequence - you'll be dying to know what comes next. I studied Latin in HS and read about Caesar later on my own which hardly makes me a scholar, but I knew enough to see that the portrayal of Caesar as handsome, brilliant, and generally a superb person, is not out of line with what many other more scholarly people have concluded. There is a reason, after all for his name having come down in history so strongly - he was revered as a saint in Medieval times (obviously, their dates were off) and the words Kaiser and Czar were pathetic attempts to embrace his glory. The earlier books in the series for the first time clarified for me what the heck was going on in the apparently endless Italian and Roman internecine wars. Throw in some lively and sympathetic portraits of people I'd always heard of as if they were born as marble busts and you have a terrific read with a lot of history.
I can't wait for the next in the series.

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Minggu, 28 Februari 2016

* Download PDF A Hole in the Bottom of the Sea: The Story of the Mohole Project., by Willard Bascom

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Great historical book!

Sales Rank: #2484221 in Books
Published on: 1961-01
Number of items: 1
Binding: Hardcover

Most helpful customer reviews

2 of 2 people found the following review helpful.
"Virtually all of the earth remains to be explored."
By John P. Roberts
I had purchased this book last year after spotting it in the library, and read it this month in light of the Deepwater Horizon disaster. I had read Bascom's autobiography and "Waves and Beaches" many years ago and enjoyed them. He was a talented writer and a gifted illustrator.

The Mohole Project was an ambitious plan to drill a hole all the way through the earth's crust and bring up a sample of the mantle (the junction between the crust and the mantle is called the Mohorovicic discontinuity, or "Moho" for short). It turns out that the crust is by far the thinnest in the deep ocean. When this project was conceived, the deepest water that had been drilled in was 400 feet. The Mohole Project drilled and obtained samples in nearly 12,000 feet of water. Drilling was done from an untethered ship using dynamic positioning, a breakthrough in naval engineering. The book explains several methods for doing this and why a particular one was chosen.

This book was written before any drilling took place but is still very valuable. The author spends about the first half of the book explaining what we know about the earth's crust and mantle and--just as importantly--how we know it. Seismology, geodesy and other techniques of measuring the earth's internal structure are explained clearly. This would make a great summer read for an undergraduate geology major who's going to take geophysics in the fall.

Bascom then teaches us the fundamentals of oil well drilling. I didn't know anything about drilling before this book, and I don't know how much drilling has changed in the last 50 years, but I do know that I understand a lot more of what I'm reading in the news about the Deepwater Horizon affair. I know what a riser pipe and a blowout preventer are. (Not in the book: the project drilled 183m (601 ft) into the deep ocean floor; the mantle is expected to be about 10,000m deep there.)

This book is a treat for any armchair geologist or anyone who appreciates the history of science and engineering.

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^ PDF Download Here First: Autobiographical Essays

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Here First is an important new collection of essays by Native American writers compiled by Arnold Krupat and Brian Swann, the editors of I Tell You Now: Autobiographical Essays by Native American Writers. In Here First, authors such as Sherman Alexie, Greg Sarris, and Elizabeth Woody tell the stories of their lives and their art. Each essay demonstrates the breadth of experience of twenty-seven individuals united in the creative expression of a Native American heritage. Each has a different relation to that heritage, and in describing it through personal and family history, with verse and in anecdotes, the writers give a strong image of the different cultures that have shaped them. This is living history and the kind of collective memoir that makes for fascinating and rewarding reading--one of the most vivid and diverse portraits of Native American culture available today.

Sales Rank: #1224145 in Books
Color: White
Published on: 2000-06-13
Released on: 2000-06-13
Original language: English
Number of items: 1
Dimensions: 8.50" h x 1.00" w x 5.50" l, 1.28 pounds
Binding: Paperback
448 pages

Features

ISBN13: 9780375751387
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Library Journal
This anthology of 26 essays is a follow-up to I Tell You Now (1978). The authors, born mostly in the 1940s or after, come from many different tribes. Some are full blood, others mixed; some were raised on a reservation, others weren't; and some are well known, others obscure. They are professors, artists, poets, novelists, playwrights, social workers, and more. Krupat (English, Sarah Lawrence Coll.) and Swann (English, Cooper Union) assert that the essays reflect not only how many different ways there are to be Indian today but also how many different ways there are to write about these experiences. After a misanthropic description of American life, W.S. Penn admits, "The problem is that I don't really hate America. I hate the fact that what I want America to do is like me." Rex Lee Jim declares, "When I realized that everything matters, I immediately knew that my destiny was completely in my control." Vickie Sears calls writing "a wind" and a "moving in dreamdance." Like the previous anthology, this collection is a mixed bag but still a valuable contribution to Native American studies and literary scholarship.DNancy P. Shires, East Carolina Univ., Greenville, NC
Copyright 2000 Reed Business Information, Inc.

From Booklist
Growing up Native American is unlike any other experience, although questions of identity and the struggle to find a place in the dominant culture resonate meaningfully to readers from all backgrounds. As Rex Lee Jim, one of the 26 contemporary Native American writers who contributed autobiographical essays to this striking collection, writes, "It's somewhat funny to know that the very personal is also the most common and therefore universal." Like many others, he focuses on the power of language, in his case, a Navajo prayer taught to him by his grandfather. Betty Louise Bell writes that as a child she "trusted words" to save her from the hardships of her poor, semiliterate family. Sherman Alexie's ironic and athletically graceful essay is the most dynamic, but each self-portrait compellingly discloses a unique facet of Native American life and of literature, which preserves memory, makes sense out of suffering, and renders revelations poetic. Donna Seaman
Copyright © American Library Association. All rights reserved

From the Inside Flap
Here First is an important new collection of essays by Native American writers compiled by Arnold Krupat and Brian Swann, the editors of I Tell You Now: Autobiographical Essays by Native American Writers. In Here First, authors such as Sherman Alexie, Greg Sarris, and Elizabeth Woody tell the stories of their lives and their art. Each essay demonstrates the breadth of experience of twenty-seven individuals united in the creative expression of a Native American heritage. Each has a different relation to that heritage, and in describing it through personal and family history, with verse and in anecdotes, the writers give a strong image of the different cultures that have shaped them. This is living history and the kind of collective memoir that makes for fascinating and rewarding reading--one of the most vivid and diverse portraits of Native American culture available today.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Truly fantastic book!
By Margaret Smith
This is one of the best books I've read in a long time. Each chapter is written by an author who shares some of his or her life with the reader - each from different tribes and nations. Not your typical "mystical, Lakota focused, written for a white audience" book. I purchased this book to help other non-Native people like myself understand and develop a broader awareness of the experience of literary Native America and it was well worth the time. I highly recommend this book. It's a great way to introduce yourself to new authors as well.

0 of 0 people found the following review helpful.
Five Stars
By Shelia J. Foster
Love it!

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Sabtu, 27 Februari 2016

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'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'

Sales Rank: #157982 in Books
Color: Multicolor
Brand: Keats, John/ Hirsch, Edward (INT)
Published on: 2001-02-13
Released on: 2001-02-13
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.30" w x 5.20" l, 1.04 pounds
Binding: Paperback
640 pages

Features

First Edition, 2001 Modern Library Paperback Edition.
Includes study guide inside the book. Total 598 pages. Poetry/
literature. Cover design: Gabrielle Bordwin.
Introduction by Edward Hirsch. Notes by Jim Pollock. Printed in USA.

Review
"No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perfection of loveliness."

From the Inside Flap
'I think I shall be among the English Poets after my death, ' John Keats soberly prophesied in 1818 as he started writing the blankverse epic "Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers, ' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia, ' 'Isabella, ' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance "Endymion; and the five-act poetic tragedy "Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci, 'perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness, ' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'

About the Author
John Keats was born in London in living quarters connected with his maternal grandfather's livery stable, the Swan and Hoop Inn, on October 31, 1795. He was the eldest of five children (one of whom died in infancy) begot by Thomas and Frances Jennings Keats. His father was the chief hostler at the Swan and Hoop, and the family prospered. The boy was eight years old when Thomas Keats was killed in a riding accident; the next year, in 1805, Keats's grandfather died. When the future poet was fourteen, his mother (after an unsuccessful remarriage) succumbed to tuberculosis. By then, however, Keats had received a liberal education at the progressive Clarke school, a private academy in the village of Enfield, twelve miles north of London, where for eight years he studied English literature, modern languages, and Latin. (He began translating Virgil's Aeneid while still at shcool.) Charles Cowden Clarke, the headmaster's son, remembered him as an outgoing youth who made friends easily and fought passionately in their defense. A fellow student recalled his pugnacious spirit: 'Keats was not in childhood attached to books. His penchant was for fighting. He would fight any one.' Yet George Keats spoke of his brother's 'nervous, morbid temperament' (perhaps attributable to a complex about being short—'poor little Johnny Keats' was barely five feet tall) and of his having 'many a bitter fit of hypochondriasm.' Indeed Keats himself wrote: 'My mind has been the most discontented and restless one that ever was put into a body too small for it.'

In 1811 Keats left the Clarke school to become a surgeon's apprentice—first at Thomas Hammond's apothecary shop in a small town near Enfield and later in London at Guy's Hospital. (Surgery would have been a respectable and reasonable calling for someone of Keats's means: unlike the profession of medicine, it did not require a university degree. Moreover, Keats always maintained he was 'ambitious of doing the world some good.') During his five years of study for a license, the young apprentice completed his translation of the Aeneid and 'devoured rather than read' Ovid's Metamorphoses, Milton's Paradise Lost, and other books he borrowed from the Clarke school. But the work that decisively awakened his love of poetry—indeed shocked him suddenly into self-awareness of his own powers of imagination—was Edmund Spenser's Faerie Queene. At some point in 1814 Keats composed his first poem, 'In Imitation of Spenser.' Although he struck medical colleagues as an 'idle loafing fellow, always writing poetry,' Keats passed the apothecaries' examination that allowed him to practice surgery on July 25, 1816.

In the meantime, his poetic genius was being recognized and encouraged by early friends like Charles Cowden Clarke and J. H. Reynolds, and in October 1816 Clarke introduced him to Leigh Hunt, whose Examiner, the leading liberal magazine of the day, had recently published Keats's sonnet 'O Solitude.' Five months later, on March 3, 1817, Poems, his first volume of verse, appeared. Despite the high hopes of the Hunt circle, it was a failure. During the fall of that year, Keats stayed with Oxford student Benjamin Bailey at Magdalen College. While Bailey crammed for exams, Keats worked on Endymion, his four-thousand-line romantic allegory; the two read and discussed Wordsworth, Hazlitt, Milton, Dante, and Shakespeare. Back in London, on November 22, 1817, Keats wrote to Bailey the first of his famous letters to friends (and siblings) on aesthetics, the social role of poetry, and his own sense of poetic mission. Rarely has a poet left such a remarkable record of his thoughts on his own career and its relation to the history of poetry. (The letters also reveal the astonishing speed with which Keats matured as an artist.) Yet by the time Endymion was published in April 1818, Keats's name had been identified with Hunt's 'Cockney School,' and the Tory Blackwood's Magazine delivered a violent attack on Keats as an 'ignorant and unsettled pretender' to culture who had no right to aspire to poetry.

Although the critical reaction to Endymion was infamous for its ferocity, the youthful bard was hardly destroyed by it—despite Byron's famous quip that Keats was 'snuffed out by an Article.' The surprising truth is that he entered upon an interval of astonishing productivity, perhaps the most concentrated period of creativity any English poet has ever known. In the summer of 1818, Keats journeyed to Scotland with Charles Brown, the rugged, worldly businessman who was one of his most loyal friends. There he vowed: 'I shall learn poetry here and shall henceforth write more than ever.' That fall he began composing Hyperion, his imitation of and challenge to Milton's Paradise Lost; even critics saw the work as a major achievement. In December, following his brother Tom's death from tuberculosis, Keats went to live with Charles Brown in Wentworth Place, Hampstead. There, almost in spite of himself, the young poet fell helplessly in love with Fanny Brawne, the eighteen-year-old daughter of a widowed neighbor; a year later they were betrothed. In 1819 Keats produced 'The Eve of St. Agnes,' 'La Belle Dame Sans Merci,' the major odes, Lamia, the Dantean dream-vision The Fall of Hyperion, and the five-act verse tragedy Otho the Great (written in collaboration with Brown).

On February 3, 1820, Keats suffered a pulmonary hemorrhage that signaled an advanced stage of tuberculosis. He quickly broke off his engagement and began what he called a -posthumous existence.' His career as a poet was effectively ended, although the volume Lamia, Isabella, The Eve of St. Agnes, and Other Poems, containing the bulk of Keats's claim to immortality, was published that July. In a desperate attempt to recover his health in a milder climate, Keats sailed for Italy in September accompanied by the painter Joseph Severn. Declining an invitation to stay with Shelley in Pisa, the two arrived in Rome on November 15 and took up residence in rooms overlooking the Piazza di Spagna. John Keats died in Rome on the night of February 23, 1821, and was buried there on February 26 in the Protestant Cemetery. On his deathbed Keats requested that his tombstone bear no name, only the words 'Here lies one whose name was writ in water.'

From the eBook edition.

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31 of 34 people found the following review helpful.
Incredible
By Mickey Callaghan
Pertaining to Keats himself, I could scarcely lavish enough praise upon his poetry. I must confess an extreme partiality to the High Romantics (Blake, Wordsworth, Keats, Shelley, Coleridge, etc.), and, among them, Keats vies with Wordsworth for the best verse.

Many of his poems are quite famous--if you have studied only a little poetry, you likely have passing familiarity with his great odes (especially the sublime "To Autumn," "To a Nightingale," and the wonderful, deep "On a Grecian Urn") or with his strangely dark "La Belle Dame sans Merci." If you have studied poetry and none of these poems even rings a bell, well... you have been missing out! Take this brief snippet of a stanza from his "Ode on a Grecian Urn":

"...
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st
`Beauty is truth, truth beauty, --that is all
Ye know on earth, and all ye need to know.'"

The odes are not his only great poems, of course; I daresay almost every poem in this volume is invaluable. They are, however, his most famous lyrics, and for good reason!

Some, critic/poet T.S. Eliot, for example, detest the Romantics**. Eliotian criticism for the first half of last century dismissed them frequently, and tried to deny their lyrical power and the influence of Romanticism on all poetry thereafter. I will admit that among the Romantics, there are some who are often weak: Lord Byron, for example, ranges from marvelous to quite tawdry, and I can't say I'm an overly enthusiastic fan of Shelley. Keats, however, who lived only to be twenty-five, suffers none of the faults of his more fortunate contemporaries. He is deeper than any save Blake, and his only rival in lyrical beauty (an intentionally vague term...) I have yet read is Wordsworth.

Anyone who loves poems, who has a reverence for life and a wonder for its mysteries and sorrows, anyone who is enthralled with the power of a well-turned phrase or well-craft lyric; anyone of such a nature with fall in love with John Keats.

[**: I must note, upon reading the hidden appendix of criticism on Keats pointed out by the wonderful review above, that Eliot is not critical of Keats. Among the Romantics, he seems to regard Keats fairly highly; I know for a fact, however, that this is not the case with most other Romantic poets]

139 of 142 people found the following review helpful.
Excellent For College Study or Independent Reading
By Michael Wischmeyer
In his short life John Keats created some of the finest poetry in the English language. I have read his shorter poems and odes many times, not for study, but simply for enjoyment. I am not a Keats expert, but I can now easily recognize quotations from Keat's odes, sonnets, and other poems. I especially like "The Eve of St. Agnes", a story of romance and danger in a medieval setting that illustrates Keats' remarkable command of language.
Keats is not difficult, but footnotes help with archaic words and references to more obscure Greek mythology. I prefer to read Keats unaided, then read the footnotes (best if tucked away in an appendix), and then return and read the poem again. For longer poems I jump to footnotes more quickly.
Initially, the inexpensive Dover edition "Lyric Poems", was exactly what I needed. Later, as I tackled longer poetry like "Endymion", I migrated to more complete collections with commentary and footnotes.
Keats" works are widely available in hardcover and paperback. Which collection is best for college study or independent reading? I have two favorites, one by Penguin Classics and the other by Modern Library. Both are available in softcovers.
The first is "The Complete Poems" by Penguin Classics, edited by John Bernard and a standard choice for college classes. I have the second edition, 1977. Barnard's extensive footnotes and commentary are quite good and offset his somewhat brief introduction. Additionally, the appendix discusses textual variations in Keats' manuscripts and has a useful guide to Greek mythology names. The third edition, 1988, adds 20 pages of selected letters, Keats' notes on Milton's Paradise Lost, and his notes on a Shakespearean actor.
The second choice (my favorite) is the newly published "Complete Poems and Selected Letters of John Keats", Modern Library 2001 edition (not the earlier 1994 hardcover version). Apparently as a direct challenge to Penguin Classics, this edition offers a longer introduction (22 pages) by Edward Hirsch and excellent footnotes (not too many, nor too few) by John Pollock. Also, as the title implies, it has selected letters by Keats, some 25 pages in total. Somewhat hidden in the appendix is commentary by six well-known literary critics such as T. S. Eliot, Mathew Arnold, and Keats' biographer Walter Jackson Bate. Lastly, the font is larger and more crisp in the Modern Library version (but is still quite acceptable in the Penguin edition).
Overall, I prefer Hirsch to Barnard, but both are good choices. Both are 5-stars.

4 of 4 people found the following review helpful.
Best e-book of Keats' poetry available
By B. Allen
Many other free or cheaper versions of Keats have a poor or non-existent table of contents. This edition has a complete TOC, and includes all his poems as far as I can tell. A must-buy if you want a complete, well-formatted version of this genius' work.

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Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 311 pages; Description: 311 p. : ill. ; 22 cm. Subjects: Fantasy literature, American. Fantasy literature, English. Review copy with publisher's slip loosely inserted.

Sales Rank: #4074188 in Books
Published on: 1977
Ingredients: Example Ingredients
Number of items: 1
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In this classic inspirational work, Marjorie Holmes shares her conversations with God, touching upon the big issues and the smaller details of a woman's everyday life. From marital difficulties, routine household tasks, and problems with children, to keeping healthy and sane in an increasingly violent world, I've Got to Talk to Somebody, God reminds us all that no matter where we are or what we do, God is watching over.

Sales Rank: #12983057 in Books
Published on: 1985-07
Binding: Paperback

From the Publisher
World-famous author Marjorie Holmes writes about life, ALL of its happiness and sorrow, sunshine and storm. Now, in this uplifting book she speaks to the many pains and joys a woman experiences in her everyday living-working, friendship, family, the loneliness and frustration, the moments of despair and doubt As a wife and mother, Marjorie Holmes has often sought spiritual guidance. Now she shows how her loving conversations with God can help all of us to find new answers, heal old wounds, and above all reclaim the hope and happiness we need to live richer lives.

About the Author

Marjorie Holmes, known for her fictional bestsellers Two from Galilee and Three from Galilee, was also the author of the long-running columns "Love and Laughter" and "A Woman's Conversation with God." Her work has appeared in numerous publications, and she was the recipient of awards from The Freedom Foundation, The National Federation of Press Women, and other organizations.

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## Ebook Slightly Out of Focus: The Legendary Photojournalist's Illustrated Memoir of World War II (Modern Library War), by Robert Capa

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In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier's magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces -- John G. Morris, Magnum Photos' first executive editor, called Capa "the century's greatest battlefield photographer" -- and his writing is by turns riotously funny and deeply moving.

From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.

Sales Rank: #529894 in Books
Brand: Capa, Robert
Published on: 2001-06-12
Released on: 2001-06-12
Original language: English
Number of items: 1
Dimensions: 8.00" h x .50" w x 5.30" l, .57 pounds
Binding: Paperback
272 pages

Review
"A powerful story nimbly told. For devotees of fine photography or accounts of World War II, the Modern Library 's reprinting is a welcome gift."
-- Tampa Tribune and Times

"Capa's work is itself the picture of a great heart and an overwhelming compassion. . . . He could photograph motion and gaiety and heartbreak. He could photograph thought. He captured a world."
-- John Steinbeck

"Above all--and this is what shows in his pictures--Capa, who spent so much energy on inventions for his own person, has deep, human sympathy for men and women trapped in reality."
-- John Hersey

From the Inside Flap
In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier's magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces -- John G. Morris, Magnum Photos' first executive editor, called Capa "the century's greatest battlefield photographer" -- and his writing is by turns riotously funny and deeply moving.
From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.

About the Author
Robert Capa was born in Budapest in 1913. At twenty-two he traveled to Spain to photograph the Spanish Civil War and soon established a reputation as one of the greatest war photojournalists in history. On May 25, 1954, in French Indochina, Capa was the first American photographer to die in what would become the Vietnam War.

Cornell Capa is Robert Capa's younger brother. A distinguished photojournalist, he founded the International Center of Photography in New York City in 1974.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Mario
Beautifull history...

8 of 11 people found the following review helpful.
War Stories With No Insights
By Alan B. Humphrey
The preface to the book points out that Capa originally wrote it with the intent of it being turned into a movie. The result is an engagingly good collection of war stories.
If, however, you're interested in finding out more about Capa, why, for example, he continually went back into harms way or why he let his relationship with Pinky languish so he could take more war pictures, or what he was trying to capture with his photographs, anything personal at all, you won't find it here.
Instead you'll find some well told war stories (although at times he tries too hard). You'll also be treated to a collection of his photographs. You just won't find the man here.

6 of 6 people found the following review helpful.
A Classic Story
By David A. Wend
This is a remarkable book by a great photographer. Robert Capa, as has been said, invented himself. This is evident in this book: as a Hungarian living the the United States during war time (technically an enemy alien) and broke, he managed to effortlessly have a job offered to him, get a passport (as if by magic) and become an American war photographer.
Mr. Capa wrote well for someone who learned English but his marvelous photographs included in this book say much more than the words on the printed page. Some of the photographs were familiar and others were new for me. They are touched with compassion and so involved with the scene as if the camera eye were able to explore the world invisible.
In sum, a wonderful book to read and treasure for Capa's outlook on life, his experiences and his unique photographs.

See all 34 customer reviews...

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Jumat, 26 Februari 2016

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From dumbbells to wedding bells . . .

Whether you have six months or just six weeks until your wedding day, Buff Brides is an invaluable must-have for every bride-to-be.

Buff Brides is a comprehensive, fully illustrated fitness book by a New York City personal trainer who has helped hundreds of brides get into shape over the past decade. Providing clear, concise instructions and photographs for each exercise, Sue Fleming knows what brides want the most. From toned triceps for sleeveless dresses to flat abs for the honeymoon bikini, Buff Brides provides results.

Why Buff Brides? Well, are you

• Running out of time? Buff Brides features a 12-week crash course as well as the 24-week
optimal program that works for any body type!

•Short on space? No need to panic—all of these exercises can be done right in your own
home, with minimal equipment.

•Stressing out? Helpful stress-relieving stretches will calm your pre-wedding jitters!

•Having sleeveless-dress anxiety? Easy-to-follow exercises will show you how to tone
your arms and make your back look fabulous!

•Concerned about a specific target area? From thighs to abs to triceps, Buff Brides has
the exercise for every bride-to-be’s problem area!

•About to settle for the first dress you see? Buff Brides offers helpful hints for choosing
a wedding dress that best suits your body type.

Incorporating fitness tips, motivational secrets, and wedding-planning reminders, Buff Brides will help you look great and make it to the altar on time.

Sales Rank: #423957 in Books
Color: Other
Brand: Villard
Published on: 2002-01-15
Released on: 2002-01-15
Original language: English
Number of items: 1
Dimensions: 9.15" h x .40" w x 7.35" l, .73 pounds
Binding: Paperback
160 pages

Features

Great product!

Amazon.com Review
Whether you want toned arms for your sleeveless gown or flat abs for your honeymoon bikini, certified trainer Sue Fleming can help you get in better shape for your wedding, even if you have only six months. This slim (106-page) book presents a six-month strength-training daily workout guide with cardio recommendations and a "crash program" if there’s only 12 weeks before the wedding. The strength-training exercises are basic, beginning workouts using dumbbells, stability ball, step, and ankle weights, all clearly explained and illustrated.

The cardio recommendations are very general--for instance, 75 minutes per week for weeks five and six, doing one or two activities that raise your heart rate for most of your workout, which should last at least 25 minutes. Sadly, Fleming runs through just a few ways (walking, running, and biking) to get aerobic exercise, but doesn't explore the huge array of cardio options or give much detail on this essential fitness component. Recommended for beginning exercisers who are committed to following a regular program and need specific strength-training exercises. --Joan Price

From the Inside Flap
From dumbbells to wedding bells . . .
Whether you have six months or just six weeks until your wedding day, Buff Brides is an invaluable must-have for every bride-to-be.
Buff Brides is a comprehensive, fully illustrated fitness book by a New York City personal trainer who has helped hundreds of brides get into shape over the past decade. Providing clear, concise instructions and photographs for each exercise, Sue Fleming knows what brides want the most. From toned triceps for sleeveless dresses to flat abs for the honeymoon bikini, Buff Brides provides results.
Why Buff Brides? Well, are you
- Running out of time? Buff Brides features a 12-week crash course as well as the 24-week
optimal program that works for any body type!
-Short on space? No need to panic--all of these exercises can be done right in your own
home, with minimal equipment.
-Stressing out? Helpful stress-relieving stretches will calm your pre-wedding jitters!
-Having sleeveless-dress anxiety? Easy-to-follow exercises will show you how to tone
your arms and make your back look fabulous!
-Concerned about a specific target area? From thighs to abs to triceps, Buff Brides has
the exercise for every bride-to-be's problem area!
-About to settle for the first dress you see? Buff Brides offers helpful hints for choosing
a wedding dress that best suits your body type.

Incorporating fitness tips, motivational secrets, and wedding-planning reminders, Buff Brides will help you look great and make it to the altar on time.

About the Author
Sue Fleming earned her B.S. and M.S. in physical education and has been a certified personal trainer for the past ten years. She is currently the director of physical education at Riverdale Country School in Riverdale, New York, and continues to work with private clients, many of whom are brides-to-be. She lives in Manhattan.

Most helpful customer reviews

21 of 21 people found the following review helpful.
A Program That Actually Works!!!!
By A Customer
This book is great! I hate working out and am the type of person who avoids it at all costs. This book gave me no excuses. The program does not require a lot of space, nor does it require a large investment in time or pricey equipment to do these exercises. I could do the workout at my convenience in the privacy of my own home. Now who can find excuses with flexibility like that? The exercises were explained well and the book was very easy to follow. The workout switches up from week to week so it doesn't get boring. I LOVED the results I achieved, and the fact it didn't take forever to start noticing the improvement (another key element to keeping me motivated).
I received so many compliments from friends who said things like "I wish I had the arms to be able to wear a dress like that" and "You are so lucky to have a nice back so you can wear that style". Believe me, I looked like an over-stuffed sausage in that dress when I first tried it on. We all know how slimming white is anyway. It was my dream dress though, and thanks to this book I was able to look the way I should have looked in it. I can't say enough good things about the Buff Brides workout. My husband is quite happy with the results too. ;)

8 of 8 people found the following review helpful.
Buff Brides: an AWESOME workout that works!
By Casey M.
I have been using the Buff Brides 24-week workout program (there's a 12-week program, too) for 5 weeks now and I'm seeing a lot of results. I haven't changed my eating habits...too busy...but am still losing inches and toning up in places I've never toned up before. Especially my abs, butt, and arms. I highly recommend this program. I used to go to the gym, but had gotten lazy the past year or so. This program is great for beginners to those who already work out a lot, just want to work out at home. It takes very little equipment and space. It does take time. With 30 minutes of cardio added, the workout takes me a little over an hour and a half, 3 days a week. It moves to 4 days a week of strength training as you get closer to the 12-week mark. It's really motivating and I plan on looking great for my wedding!

7 of 7 people found the following review helpful.
Great tone-up for any woman
By Claire Todd
I am currently into my 5th week of following this program, and I am already seeing results! Being a little weakling, my goal was not to lose weight, but to replace some of my fat with muscle, and so far that is what is happening. It has proved to be the most rewarding type of work-out I've tried, reasonably enjoyable for someone who is exercise averse, and the only one I've stuck with for this long. I am getting married in May, but I would be appreciating this workout even without the motivation of a wedding. I feel good about doing something healthy for myself, can tell a difference in how I feel overall, and my fiance can even feel the muscles in my arms now!

This book has illustrated guides to different stretches and exercises, grouped by target muscles; the back contains a 24-week and a 12-week recommended schedule. It tells you week by week which exercise to do on which day, three days a week. I like that this program has recommended weights and number of reps for differing levels on all the exercises. I started the 24-week program at beginner level and have been moving towards intermediate. Because I will finish before my wedding, I may continue on with the 12-week at advanced level. The book also gives recommendations on how much additional cardiovascular excerise to be getting, but that's not a part of the program itself. (I have not been doing anything additional myself; perhaps I'd be losing weight if I was.) With the use of a set of stairs and sturdy coffee table, all I bought to start with was an exercise ball, plus 5- and 10-lb. pairs of weights. Ankle weights are recommended as well.

See all 52 customer reviews...

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