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Song of Songs: A New Translation with Introduction and Commentary, by Marvin H. Pope
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Traditionally ascribed to King Solomon, the Song of Songs is one of the great books of world literature, full of sensuous imagery that has been the subject of various allegorical interpretations, chiefly as relating to Yahweh's love for Israel or Christ's love for the Church.
- Sales Rank: #555154 in Books
- Published on: 1977-11-02
- Released on: 1977-11-02
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.50" l,
- Binding: Hardcover
- 743 pages
Language Notes
Text: English (translation)
About the Author
Marvin H. Pope, Professor of Northwest Semitic Languages at Yale University, previously authored Job in the Anchor Bible Commentary series.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Brilliant Scholarship
By Jim
The Song of Songs is a set of sexually explicit poems set in the heart of the Bible. In this brilliant study presented as part of the respected Anchor Bible Series of Bible commentaries Marvin Pope has explored those poems using the kind of mastery of the Hebrew language and literature of the Levant one would expect from someone holding his position as Professor of Northwest Semitic Languages at Yale University.
Throughout history Biblical interpreters have used allegory and many other literary devices to conceal The Song's erotic content. For example the poems' detailed celebration of a lover's breasts has been interpreted as a reference to the Old Testament heroes Moses and Aaron. This kind of rewriting has misrepresented the material and deceived uninformed readers. By contrast Pope presents the text with integrity and having done so is able to trace its actual cultural roots as well as demonstrate its social and religious applications in its time and throughout history.
Using his unique skills Pope has written a lively and fascinating introduction to a little known book of the Bible that also introduces the reader to an even lesser known thread of religious history while laying the groundwork for a fresh appreciation for the Bible as a whole. Based on his analysis of its content,for example, Pope reveals links between The Song and elements of Tantric poetry that suggest The Song had a South Indian origin. He also shows a correlation between specific images presented in The Song and sexually charged fertility rituals widely practiced in Israel and the rest of the Levant. Pope's study includes an examination of The Song's role in history with a focus on how it inspired the development of ceremonial observances in both Judaism and Christianity that gave physical expression to its erotic language.
The question that hangs over the book is how and why did poems like these ever find their way into sacred scripture? Pope doesn't answer that question directly but he does remind his readers that the ancient rabbis taught that the whole world was created and the Bible written for the purpose of presenting The Song of Songs. Perhaps the value and message of The Song is found in the way it challenges narrow and unimaginative renderings of Biblical faith. As presented by Pope The Song serves as a reminder that the Bible is rooted in the exotic cultures of Asia and draws insights from many sources and influences beside the narrow stream of Israel's history. But on a deeper level, under Pope's expert examination these poems come alive as the expression of a love whose depth demanded passionate language. In that sense The Song of Songs can be read as the Old Testament expression of the same theme that is presented in the New Testament through the equally passionate and disturbing image of the cross. Whatever conclusions one draws from his work Marvin Pope has written a book that both stirs the mind and inspires the heart.The Ethics of Chaos
15 of 16 people found the following review helpful.
A Mission of Gender Reconciliation
By Jedidiah Carosaari
After reading this text I came to the conclusion that Song of Songs is *the* most missiological book in the Old Testament. Pope translates the text directly, free of the normal curtailing of language that occurs in English translations in order to protect pseudo-Puritan American sensibilities. As such it is a much more moving, poetic, and graphic collection of poems. "My lover thrust his "hand" through the "hole", and my inwards seethed for him." The description of part of the man is not "slabs of ivory", but "an ivory tusk". In this focus on being more true to the original text Pope reveals some key aspects of the Hebrew mindset which we could all learn from. Far from the traditional Christian perspective of these latter days of downplaying sexuality, of thinking it as somehow unclean though never saying so outright, God's desire is for us to revel in it and celebrate it. He created us as holistic beings, the only true amphibians, being both spiritual and physical, and thus capable of enjoying what he created to a much greater degree. The author of Song of Songs revealed years before contemporary psychology that sexuality is an integral part of eros love, not to be denied, but celebrated.
Throughout the translation one also gets the distinct impression of the empowerment of the woman. While this is certainly present in other translations, it comes through all the more clearly in Pope.
"Our sister is young
And breasts she has none.
What will we do for our sister
On the day she is bespoken?
If she be a wall,
We will build on her a silver buttress.
If she be a door,
We will close her with a cedar board."
"I am a wall,And my breasts are like towers.
Thus have I become in his eyes
As one producing peace."
While the woman's brothers would seek to constrain and control her, she speaks out and states that she has the control, turning the wall metaphor on it's head. While they would belittle her physical manifestations of womanhood, she proclaims to all the world that she is all woman, and beautiful, betraying a clear confidence in herself and her body.
Repeatedly the man and woman within these poems show their care for each other- not just for their bodies, and not just for their souls, but for the entire being, as one. In Pope one sees clearly here an image, a foretaste, of true gender reconciliation, as existed once before the fall, and was not to be fully realized until Christ came and sat down at a well in the desert. The both encourage each other to grow, and love each other fully as beautiful in entirety. Since Song of Songs is a collection of poems, it tells not a story so much of what is, but like all great poetry, of what might be. It does not seem to describe the reality of gender interaction at the time it was written, but what was yearned for, for what might be. This it does beautifully, such that one thirsts for this reality as one reads it. And I believe this is what makes it missiological- it preaches a reality that one day could be, will be, should be, though the author can have no awareness at that time of what Jesus will come to offer.
One would wish that Pope's translation was available without the commentary, that it would be read more often by the layman who might be stymied by the length of the work. But the commentary is indeed excellent as well. After the translation, Pope goes on to present alternative scenarios for understanding Song of Songs, and then an exhaustive and impressive line by line analysis of the entire book. His analysis adds greatly to a thorough appreciation of this inspired work.
7 of 9 people found the following review helpful.
outstanding reference
By A Customer
I have been working on a research paper on the Song of Songs and feel extremely fortunate to have found Pope's reference. It is exhaustive, interesting and helpful. The most amazing section is his bibliography and list of translations of publications on the Song of Songs, dating back to ancient manuscripts. Excellent.
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