Selasa, 31 Maret 2015

# Download Stalin and His Hangmen: The Tyrant and Those Who Killed for Him, by Donald Rayfield

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Stalin and His Hangmen: The Tyrant and Those Who Killed for Him, by Donald Rayfield

Stalin did not act alone. The mass executions, the mock trials, the betrayals and purges, the jailings and secret torture that ravaged the Soviet Union during the three decades of Stalin’s dictatorship, were the result of a tight network of trusted henchmen (and women), spies, psychopaths, and thugs. At the top of this pyramid of terror sat five indispensable hangmen who presided over the various incarnations of Stalin’s secret police. Now, in his harrowing new book, Donald Rayfield probes the lives, the minds, the twisted careers, and the unpunished crimes of Stalin’s loyal assassins.

Founded by Feliks Dzierzynski, the Cheka–the Extraordinary Commission–came to life in the first years of the Russian Revolution. Spreading fear in a time of chaos, the Cheka proved a perfect instrument for Stalin’s ruthless consolidation of power. But brutal as it was, the Cheka under Dzierzynski was amateurish compared to the well-oiled killing machines that succeeded it. Genrikh Iagoda’s OGPU specialized in political assassination, propaganda, and the manipulation of foreign intellectuals. Later, the NKVD recruited a new generation of torturers. Starting in 1938, terror mastermind Lavrenti Beria brought violent repression to a new height of ingenuity and sadism.

As Rayfield shows, Stalin and his henchmen worked relentlessly to coerce and suborn leading Soviet intellectuals, artists, writers, lawyers, and scientists. Maxim Gorky, Aleksandr Fadeev, Alexei Tolstoi, Isaak Babel, and Osip Mandelstam were all caught in Stalin’s web–courted, toyed with, betrayed, and then ruthlessly destroyed. In bringing to light the careers, personalities, relationships, and “accomplishments” of Stalin’s key henchmen and their most prominent victims, Rayfield creates a chilling drama of the intersection of political fanaticism, personal vulnerability, and blind lust for power spanning half a century.

Though Beria lost his power–and his life–after Stalin’s death in 1953, the fundamental methods of the hangmen maintained their grip into the second half of the twentieth century. Indeed, Rayfield argues, the tradition of terror, far from disappearing, has emerged with renewed vitality under Vladimir Putin. Written with grace, passion, and a dazzling command of the intricacies of Soviet politics and society, Stalin and the Hangmen is a devastating indictment of the individuals and ideology that kept Stalin in power.


From the Hardcover edition.

  • Sales Rank: #767226 in Books
  • Brand: Rayfield, Donald
  • Published on: 2005-12-13
  • Released on: 2005-12-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.50" w x 5.30" l, .90 pounds
  • Binding: Paperback
  • 592 pages

From Publishers Weekly
This investigation of Stalin and his coterie is at its best when it focuses on the latter—henchmen such as Feliks Dzierzynski, Viacheslav Molotov and Lavrenti Beria—showing that it was their "spellbound submission" that made it possible for tens of millions of Soviet citizens to be killed, while the account adds nuance to our understanding of how the brutality of the U.S.S.R. was possible. As Rayfield (Anton Chekhov), a professor of Russian and Georgian at the University of London, shows, the leaders Stalin appointed also needed no direct instructions to turn their hands to violence; Beria, for instance, who took over the secret police in 1938, was a "vindictive sadist" who combined "unscrupulousness" with "finesse." Rayfield focuses less than Moses Montefiore in his recent biography of Stalin on the personal lives of top Soviet officials, and more on their policies. When Rayfield concentrates on Stalin, however, while some of the details are new, the picture overall is familiar. By focusing on Stalin's tactics and network of violent underbosses, though, Rayfield makes an important argument: discussions of Stalin's ideology should be secondary to the brutal means he used to remain in power for 30 years. 32 pages of photos, maps, not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Inside Flap
Stalin did not act alone. The mass executions, the mock trials, the betrayals and purges, the jailings and secret torture that ravaged the Soviet Union during the three decades of Stalin's dictatorship, were the result of a tight network of trusted henchmen (and women), spies, psychopaths, and thugs. At the top of this pyramid of terror sat five indispensable hangmen who presided over the various incarnations of Stalin's secret police. Now, in his harrowing new book, Donald Rayfield probes the lives, the minds, the twisted careers, and the unpunished crimes of Stalin's loyal assassins.
Founded by Feliks Dzierzynski, the Cheka-the Extraordinary Commission-came to life in the first years of the Russian Revolution. Spreading fear in a time of chaos, the Cheka proved a perfect instrument for Stalin's ruthless consolidation of power. But brutal as it was, the Cheka under Dzierzynski was amateurish compared to the well-oiled killing machines that succeeded it. Genrikh Iagoda's OGPU specialized in political assassination, propaganda, and the manipulation of foreign intellectuals. Later, the NKVD recruited a new generation of torturers. Starting in 1938, terror mastermind Lavrenti Beria brought violent repression to a new height of ingenuity and sadism.
As Rayfield shows, Stalin and his henchmen worked relentlessly to coerce and suborn leading Soviet intellectuals, artists, writers, lawyers, and scientists. Maxim Gorky, Aleksandr Fadeev, Alexei Tolstoi, Isaak Babel, and Osip Mandelstam were all caught in Stalin's web-courted, toyed with, betrayed, and then ruthlessly destroyed. In bringing to light the careers, personalities, relationships, and "accomplishments" of Stalin's key henchmenand their most prominent victims, Rayfield creates a chilling drama of the intersection of political fanaticism, personal vulnerability, and blind lust for power spanning half a century.
Though Beria lost his power-and his life-after Stalin's death in 1953, the fundamental methods of the hangmen maintained their grip into the second half of the twentieth century. Indeed, Rayfield argues, the tradition of terror, far from disappearing, has emerged with renewed vitality under Vladimir Putin. Written with grace, passion, and a dazzling command of the intricacies of Soviet politics and society, "Stalin and the Hangmen is a devastating indictment of the individuals and ideology that kept Stalin in power.

"From the Hardcover edition.

About the Author
Donald Rayfield is professor of Russian and Georgian at the University of London and the author of a number of books on Russian writers and intellectuals, including an acclaimed biography of Anton Chekhov.


From the Hardcover edition.

Most helpful customer reviews

0 of 0 people found the following review helpful.
did not like the
By leonard rogan
very slow reading , did not like the writing

22 of 24 people found the following review helpful.
Stalin: The Red Satan and his unspeakably evil minions are indicted before the Bar of Human Justice and condemned to infamy
By C. M Mills
Joseph Stalin (1879-1953) was Ivan the Terrible with a copy of Karl Marx in his hand. In fact, Stalin (Russian for "steel") was much worse than Ivan. Under Stalin's dictatorship the Soviet Union underwent years of murders; shootings; forced removal of millions of ethnic and other groups; persecution of a wide array of groups:

(Jews; physicians, professors, religious leaders, non-ethnic Russian citizens, artists; writers; actors; lawyers-you name it!)

Stalin seized power by ruthlessly murdering his opponents. As he emerged with total power in 1927 "Koba" (to use a nickname) ruled the Soviet Union with cruelty, stupidity and crimes so immense it takes Rayfield 500 small printed pages to describe them in searing detail!!

Lenin had established Soviet rule but it was Stalin with such loathsome cronies as Iagoda; Estov and the repulsive Lavria Beria who launched a reign of terror on the very people they governed! Millions were slaughtered by bullet, ax or starvation. In the Great Purge of 1937-1938 millions were relocated to distant lands; sent into slavery in the GULAG in the far east or murdered after a short kangaroo court proceeding.

Justice was absent from the Soviet lexicon under the evil Stalin.

Stalin trusted no person. He executed those who had worked hard to establish him in power. Most of the powerful men who were vassals of Stalin's whims died betrayed by him.

On the eve of World War II Stalin purged the Red Army of gifted generals. When Nazi Germany launched its attack against the Soviet Union on June 22, 1941 the Soviets were woefully unprepared. Generals were murdered: Pows returning from German captivity were executed as spies. In all over 20 million Soviet citizens would die in the war. Many of these victims died at the hands of the evil sorcerer of the Kremlin.

Donald Rayfield teaches Russian and Georgian at the University of London. His book on playwright Anton Chekhov was well received. In this book he shows us the Soviet hell on earth world of sudden death; betrayal; cruelty beyond belief; hatred; racial and ethnic hatred that boggles the mind of anyone with a claim to be a member of the human race!

Stalin and his hangmen were thugs; bullies and merciless killers of all that is decent and good in the human soul. Rayfield suggests at the end of his book that he fears democracy in the new Russia under Putin is very fragile.The ghosts of Stalin may again materialize in the Russia of the 21st century.

Anyone who lives in a Western democracy should thank God that they did not first see daylight in the Soviet Union in the black days of Stalin and his cruel cronies.

Rayfield's book is well written. Though he is a scholar the book can be

read by one who has little familiarity with the history of this sad chapter of human history (the chapter on the Katyn Forest of Polish officers is just one case among countless tales told in the book which will break your heart). Stalin killed women, children, the old and the poor, the wealthy and the smart. He was an indiscriminate murderer of all he feared in his paranoic isolatiion inside tall Kremlin walls. He also was adept at turning people against one another. Several cases are related where a husband would volunteer to murder his own wife if this was the ukase ultimatum from Stalin which would prove the man's loyalty!

As one who has read several books on Stalin I would give this book five stars. Every page has something to shock the reader. We should know what Stalin did as we honor his millions of helpless victims.

14 of 14 people found the following review helpful.
New Perspectives On An Old Evil
By Jonathan S.
This painstakingly thorough compendium of knowledge on Stalin, the Communist movement, Bolshevik leaders and the enslaved masses is one of the best books available on its subject. Rayfield tells you all the news you already know about the Red Terror, and some you didn't- he began his research shortly after the collapse of the Soviet Union, when many secret documents and personal possessions of Stalin's became publicly accessible. These resources allowed him to paint a more complete picture of the Stalinist government than was previously possible, untangling endless webs of intrigue.

Rayfield occasionally writes too long on insignificant subjects, but his generally focused and thorough style works. It's a bit reminiscent of "Rise and Fall of the Third Reich" by Shirer, and almost as masterful. Rayfield restrains himself from sensationalism throughout, then concludes with a brief and needed social critique on Russia's failure to acknowledge the criminal nature of the Cheka, the NKVD and the other deadly machinery of Russian Communism.

This is one of the best places to start reading about Stalin, and may have just enough new information to satisfy seasoned readers. I especially recommend it to those who have read books focused on Stalin himself, but haven't yet examined the hangmen who made his slaughter possible.

See all 48 customer reviews...

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Senin, 30 Maret 2015

! Get Free Ebook The Confessions of Saint Augustine (Image Classics), by St. Augustine

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The Confessions of Saint Augustine (Image Classics), by St. Augustine

The Confessions of Saint Augustine (Image Classics), by St. Augustine



The Confessions of Saint Augustine (Image Classics), by St. Augustine

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Do you understand why you must read this site and exactly what the connection to checking out publication The Confessions Of Saint Augustine (Image Classics), By St. Augustine In this contemporary period, there are lots of means to get guide and they will certainly be a lot simpler to do. One of them is by obtaining the book The Confessions Of Saint Augustine (Image Classics), By St. Augustine by on the internet as what we inform in the link download. Guide The Confessions Of Saint Augustine (Image Classics), By St. Augustine could be a selection considering that it is so appropriate to your necessity now. To get the book online is really simple by simply downloading them. With this possibility, you could check out the book wherever as well as whenever you are. When taking a train, hesitating for listing, as well as hesitating for someone or various other, you could read this on the internet publication The Confessions Of Saint Augustine (Image Classics), By St. Augustine as a good buddy again.

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The Confessions of Saint Augustine (Image Classics), by St. Augustine

Heartfelt, incisive, and timeless, The Confessions of Saint Augustine has captivated readers for more than fifteen hundred years. Retelling the story of his long struggle with faith and ultimate conversion -- the first such spiritual memoir ever recorded -- Saint Augustine traces a story of sin, regret, and redemption that is both deeply personal and, at the same time, universal.

Starting with his early life, education, and youthful indiscretions, and following his ascent to influence as a teacher of rhetoric in Hippo, Rome, and Milan, Augustine is brutally honest about his proud and amibitious youth. In time, his early loves grow cold and the luster of wordly success fades, leaving him filled with a sense of inner absence, until a movement toward Christian faith takes hold, eventually leading to conversion and the flourishing of a new life. Philosophically and theologically brilliant, sincere in its feeling, and both grounded in history and strikingly contemporary in its resonance, The Confessions of Saint Augustine is a timeless classic that will persist as long as humanity continues to long for meaning in life and peace of soul.

  • Sales Rank: #23186 in Books
  • Brand: Random House
  • Published on: 1960-08-23
  • Released on: 1960-08-23
  • Original language: Latin
  • Number of items: 1
  • Dimensions: 7.97" h x 1.20" w x 5.13" l, .86 pounds
  • Binding: Paperback
  • 464 pages
Features
  • Great product!

Review
"In plain words--if you can accept them as plain--Christianity is the life and death and resurrection of Christ going on day after day in the souls of individual men and in the heart of society. It is this Christ-life, this incorporation into the Body of Christ, this union with His death and resurrection as a matter of conscious experience, that  St. Augustine wrote of in his Confessions."
--Thomas Merton


From the Hardcover edition.

From the Publisher
The greatest spiritual autobiography of all time, this classic work is a literary and theological masterpiece. John K. Ryan's masterful translation brings out the luster of Augustine's unmatched tale of his soul's journey to God.

From the Inside Flap
The greatest spiritual autobiography of all time, this classic work is a literary and theological masterpiece. John K. Ryan's masterful translation brings out the luster of Augustine's unmatched tale of his soul's journey to God.

Most helpful customer reviews

152 of 178 people found the following review helpful.
a fabulous prayer
By George Schaefer
I will begin by stating that I am an estranged ex-catholic. But as a philosopher and writer, I always wanted to read The Confessions of St. Augustine. The famed quote of Give me chastity and continence but not yet is one that I have often used out of context with a wicked smile. It was great to read these lines within the intended framework of Augustines writing. This is a beautiful book. Augustines gradual turn toward God is glorious. This book beautifully illustrates the human ability for transformation and transcendence. Along with Meister Eckhart and Thomas Aquinas it gives one a good grasp of the early Christian and Catholic theory. As a cynic I must question what went wrong but my sarcasm should not detract from the sheer beauty and power of St Augustine. It brought me closer to God if not back to my original faith. Like the Bible itself, this is a book that many Christians in general and Catholics in specific really ought to read.

34 of 37 people found the following review helpful.
The best book (other than the Bible) that I have read so far
By Jesse Rouse
Let me just begin by saying that this book is brilliant. Augustine is one of the greatest thinkers that the world has ever known, and it shines through in this book. In this book, Augustine manages to cover an amazing number of topics, and does so in a beautiful way, filled with prayers to God.

I am not sure what the reviewer from June 10, 2005 is talking about. I think that they were reviewing the wrong book. This book is 400 some pages, not 90, and it is the complete version, not an introduction or abridgement.

Normally when I read books I underline quotes or passages that I think are especially good, or that I think I will be able to use in papers in the future. I then write the page numbers of the pages that have underlining on the back page. In this book, however, I ended up writing the pages numbers of pages I DIDN'T underline in on the back, since I underlined something on nearly every page. This book is absolutely filled with wisdom and knowledge of God and how He and the world He created works. This book inspired me to find a copy of The City of God, which I am now just beginning. If it is one-tenth as good as the Confessions, it will be well worth the money.

26 of 30 people found the following review helpful.
For the patient reader with plenty of time
By gccircle
This book is a Roman Empire era classic, but not for the reader in a hurry. The translation appears to attempt to faithfully follow the original Latin long sentences and has therefore had to deploy advanced literary English to deal with the frequent multiple midsentence clauses. This is one of the reasons I found it slow going from a time perspective, but worth persisting with. One really good addition to the book is the notes section with all the Bible references; this is where having a cleric as the translator is clearly a bonus.

As other reviewers have pointed out, the book is a combination of St Augustine's personal life and his discussion of theology and philosophy. His personal life details include petty theft of fruit from an orchard, sitting around unemployed, youthful indiscretions, living a few years with his girlfriend until they split up, and his personal spiritual realignment from a heretical sect to the Catholic tradition. The Biblical references are mainly letters from the Apostle Paul, the Genesis story of the creation, and the Psalms, and there is nothing much from the Gospels or the Prophets. The philosophy component includes a review of his personal experiences with sense of time and memory which was no doubt drawn from his experience as a professional teacher of rhetoric and philosophy.

What one gains from all this is a great snapshot of what someone of religious conviction in the fading days of the Roman Empire saw and thought, including the experience of just scraping by to make a living. Overall, recommended for the patient reader!

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On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex_though no less heroic_than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts.

  • Sales Rank: #982614 in Books
  • Published on: 1994-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.25" w x 1.25" l,
  • Binding: Paperback

Most helpful customer reviews

7 of 7 people found the following review helpful.
An Unmotivated Hero?
By joan a. shelton
Russell Duncan has done us a favor by making available, and editing meticulously, Colonel Shaw's letters. The problem lies with his bias: it's fashionable today to read the biographies of old-time heros with suspicion, running any plaudits they may have amassed through filters of class, race, politics, gender, and so on. The result usually debunks the hero, which is fashionable, too. This "hermeneutic of suspicion" can introduce a real Rob Shaw beneath all the canonization piled onto him, but here it has blended into what's called "presentism," whereby a historian judges the subject's classism, racism, politics, gendered outlook--or whatever--according to today's baseline. I have a problem with this approach, found in the preface and several footnotes (the adjective "gentlemanlike" seems to give Duncan a special problem whenever he meets it; he needs to find out what it meant, and didn't mean, in the 1860's). Further, his analysis of why Shaw decided to leave his beloved 2nd Massachusetts seems way off-base. Duncan seeks to present to us a hapless young man who "never understood,or fully dedicated himself to" the abolition of slavery. It seems Shaw braved ridicule from his friends and death from the enemy if captured, taking on the labors of raising, training, and leading something new, a black regiment, before dying in the middle of it to ensure its work would be recognized and other black soldiers appreciated by racists North and South, all this only because his mother's apron strings still held him tight. Meanwhile we need to notice that Duncan has left out letters which don't support these appraisals, for example Shaw's letters protesting the iniquitous pay decisions coming out of Washington (cutting the 54th's pay below the standards they had signed on to receive), or the letter in which he rebuffs his mother's plans for a "show wedding." I also disagree with Duncan's analysis of the Shaw family dynamic, because he seems unaware that gender and family norms then are different from ours now. These seem like serious problems for a serious historian; most are found in the biography and some footnotes. Otherwise Duncan lets Shaw speak for himself (in the letters he offers us)and Shaw does so articulately and often eloquently when given the chance. Buy the book for the letters, thank Duncan for making them accessible, and take his commentary with a grain of salt.

0 of 0 people found the following review helpful.
The physical book was in very poor condition and pages fell out the first time I ...
By LawMom61
Not what I expected. Contains a lot of footnotes that make it difficult to follow the story without being interrupted to read all of the footnotes. The physical book was in very poor condition and pages fell out the first time I opened it. I had to wash my hands thoroughly after touching the pages or I got little blemishes on my face, almost like an allergic reaction. Overall, not very impressed.

0 of 0 people found the following review helpful.
Great read
By Carol Burch
Purchased for a friend. Read it twice and enjoy it every time.

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Sabtu, 28 Maret 2015

~~ Download Ebook It Must've Been Something I Ate, by Jeffrey Steingarten

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It Must've Been Something I Ate, by Jeffrey Steingarten

In this outrageous and delectable new volume, the Man Who Ate Everything proves that he will do anything to eat everything. That includes going fishing for his own supply of bluefin tuna belly; nearly incinerating his oven in pursuit of the perfect pizza crust, and spending four days boning and stuffing three different fowl—into each other-- to produce the Cajun specialty called “turducken.”

It Must’ve Been Something I Ate finds Steingarten testing the virtues of chocolate and gourmet salts; debunking the mythology of lactose intolerance and Chinese Food Syndrome; roasting marrow bones for his dog , and offering recipes for everything from lobster rolls to gratin dauphinois. The result is one of those rare books that are simultaneously mouth-watering and side-splitting.

  • Sales Rank: #465306 in Books
  • Published on: 2003-10-14
  • Released on: 2003-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .95" w x 5.17" l, .81 pounds
  • Binding: Paperback
  • 528 pages

From Publishers Weekly
Vogue magazine food writer Steingarten picks up where The Man Who Ate Everything left off, offering foodies a mouthwatering collection of nearly 40 obsessive essays. "Sometimes, I feel like a giant bluefin, my powerful musculature propelling me around the world in search of food," he explains in an essay about toro, the tender tuna belly used in Japanese cuisine. Equal parts travelogue and investigative reporting, Steingarten's writing is funny, fast-paced and clever. Whether re-creating a perfect plate of coq au vin using rooster procured from a live poultry market, braising ribs for his dog or taste-testing espresso in his Manhattan loft cum laboratory ("Right now there are 14 brand new, state-of-the-art, home espresso makers in my house...."), Steingarten proves himself a true gastronome. Of course, his interest in food goes beyond haute cuisine-freeze-dried foods, hot dog buns, even his beloved Milky Way bars do not escape scrutiny. A few essays aren't even about food. One follows the author's south-of-the-border search for phen-fen; another contemplates New York City's "reservation rat race." Recipes-and only Steingarten could add humor to the form-appear throughout. Devoted readers will savor this collection (many of the essays have won awards from the James Beard Foundation and the International Association of Culinary Professionals); those unfamiliar with the author will be clamoring for more.
Copyright 2002 Reed Business Information, Inc.

From Booklist
Fast becoming a star among contemporary food writers, Steingarten returns with another compilation of his columns from Vogue. Steingarten's breakneck tour through the world of unlimited consumption takes him aboard a tuna boat to find the source of his favorite sushi selection, raw fatty bluefin. The reader benefits from Steingarten's thorough research into the murky history and spreading popularity of sushi. In another personal encounter, Steingarten takes issue with a government ban on a popular diet drug that had helped him maintain his gluttonous intake volume and still lose weight. He debunks current outrageous claims for the superiority of tony, expensive sea salts over the everyday blue-box variety. Steingarten watches a pig butchered in France and explores the origins of the outrageously complex Cajun dish, turducken. Ever on the lookout to skewer others' pretentious food allergy claims, he calls into doubt claims of MSG sensitivities. Despite his silly New York disdain for the Midwestern heartland, Steingarten casts useful illumination on many hitherto dim areas of our fascination with food. Mark Knoblauch
Copyright © American Library Association. All rights reserved

Review
“Compelling. . . . It is quite possible that Steingarten knows more about food than any man now eating.” –The Observer

“Whets appetites . . . adventurous, provocative and often rollicking essays.”–Newsday

“Delightful. . . . Employing courageous culinary curiosity and impressive gastronomic stamina, Steingarten happily deconstructs misinformation that hinders us as we cautiously trek to the kitchen of the nearest restaurant.” –USA Today

“Steingarten’s work will stay on the bookshelf long after our passionate colleagues have stopped competing over who can find the best osetra—and not with the food books but with the humor books funny enough to last.” –The New York Times

“Armed with a sense of adventure, a spymaster’s array of fancy gadgets, and a mind that finds it natural to introduce Boccaccio into a discussion of Parmesan cheese, he turns out little thrillers on the riddles of salt and the making of perfect pizza, salutes to chocolate and goose. Steingarten asserts that eaters ask modern cooking to be ‘stunning, original, precise, provocative, and very delicious,’ and his best prose displays those very qualities.”–Entertainment Weekly

“Like the best food, nourishes and delights.”–Boston Globe

“Endlessly entertaining and thought-provoking . . . Steingarten moves with boundless authority and wit between the search for a perfect espresso and investigations into why the Chinese don’t have all have MSG-induced headaches and whether different types of salt have different flavours. This is food-writing at its succulent best.”–The Sunday Times (London)

“Erudition, sense of humour, graceful prose, fanatical gluttony– [Steingarten]’s got it all.”–The Guardian

“The tireless culinary connoisseur is back in full force. . . . And somehow, during all his pursuits, he manages to remain an entirely likeable food snob–mainly because he’s funny, even self-deprecating.”–Time Out New York

“A witty, humorous culinary road trip, even for those with a lesser interest in food. For serious gourmets and gourmands, it is a road trip not to be missed. Read it with a food you love.”–Fort Worth Star Telegram

“Steingarten may be our most original investigative food writer.”–William Rice, Chicago Tribune

Most helpful customer reviews

0 of 1 people found the following review helpful.
Good
By Angela
It was A little long for me, but I still found it interesting. Very in depth look at many areas.

14 of 17 people found the following review helpful.
Superb Tutorial in How to think about Food. Buy It!
By B. Marold
`It Must've Been Something I Ate' is Jeffrey Steingarten's second collection of Vogue columns, following the earlier `The Man Who Ate Everything'. Monsieur Steingarten is certainly better recognized these days among the foodie masses as he has appeared as the anchor judge on many of the new Food Network `Iron Chef America' shows, and adds gravity to the show as one of the few people who can trump commentator Alton Brown's perceptions on food.

I was always puzzled by the fact that a magazine like Vogue, which I have never once picked up to read, and which I perceived as a home largely of advertisements for goods appealing to women who have more money than they know what to do with (sic). I was chastised somewhat when I discovered that Mr. Steingarten's role at Vogue was formerly staffed by none other than Elizabeth David, one of the most interesting and respected culinary writers of the 20th century.

Mr. Steingarten's writing has a `family resemblance' to Ms. David's work, but they are really doing a slightly different kind of dialogue with their readers. Elizabeth David took conventional food writing with recipe plus commentary and elevated it to its highest level. Her closest students were Jane Grigson and Claudia Roden. Like James Beard with American cooking, her knowledge of food, especially European and Mediterranean food was encyclopedic.

Steingarten is doing something different! I would even argue with the blurb on the cover of my Vintage edition that states that he `knows more about food than any man now eating'. That perception may be due to the fact that Steingarten looks into food issues more deeply than almost any other writer I can cite, with the possible exception of Harold McGee. But Steingarten is a much better writer than McGee, so he is much more enjoyable to read. I think of him as being a culinary Sherlock Holmes who uses, or who has friends who use all of the very best scientific methods for tracking down the scoop on interesting food issues.

A classic example of his `modus operandi' is the article on differences in the varieties of salt. The jumping off point for the story is the fact that appreciation for salt has reached levels formerly lavished on olive oils. The heavy of the story is fellow food writer Robert Wolke who published a series of articles that claimed that the differences from one salt to the next are small and are largely due to the shape of the salt crystals. Like me, Wolke comes to culinary matters from a background in chemistry. And, since I know, like Wolke, that virtually all forms of salt are simply 98% Sodium Chloride. And, the odds are that the remaining one or two percent of the chemical composition is composed of inorganic compounds which simply do not register either on our tongue or nose. This is not to say that there are not important differences between salts. Kosher(ing) salt, for example is truly superior to table salt for seasoning simply because it is easier to handle while cooking.

Since Steingarten and his colleagues are more attuned to the culinary aspects of things than chemist Wolke, Steingarten felt Wolke was missing something. So, he enlists some pretty serious medical and statistical talent to conduct a true double blind test of the differences in taste. To make the experiment even better, the differences in crystal shape is factored out by doing the tasting of a 2% solution. I am very quickly getting the feeling that it is not Steingarten but the famous science writer, Stephen Jay Gould who I am reading.

Since it makes a great story, Steingarten is not at all shy in confessing that statistically, the first experiment showed very little difference in the various salts. Steingarten did not lose me when he felt that further investigation was needed. The aesthetic perception of something that not everyone can appreciate is an entirely familiar story. Just scratch the opinions of ten people at random to ask them what they think of Jackson Pollack's oil paintings and you will find more than half believing they are shams. Steingarten and his high priced scientific talent repeat the experiment with somewhat different conditions but with no loss of scientific rigor and come up with some, but not compelling statistical basis for saying that the tastes of one or two of the salts was different from the table salt controls.

Steingarten was probably constrained by the space allotted him on the pages of Vogue, but I would have liked him to take things just one step further and consider the relative costs of the `artisinal' salts compared to the perceived differences in taste. I suspect that Steingarten won this battle, but the salt enthusiasts may have lost the war to establish the greater culinary cachet of arcane salts.

But, unlike scientist Gould's work, this book is simply not about whether Steingarten reaches either the right or the desired conclusion. It is about the vistas opened to ways of thinking for yourself about food and the enjoyment you get from Mr. Steingarten's immensely talented way of writing about food. As with the case of the investigation into salt, I may have agreed with Professor Wolke's conclusion, but I think Steingarten was superior in every way in how he approached the issue. Wolke is good, but Steingarten is better.

Very highly recommended culinary reading!

12 of 14 people found the following review helpful.
Just as good the second time around...
By P. Mitchell
I loved Jeffrey Steingarten's first book of essays and was thrilled he'd released a second. I find his writing to be warm, witty and lovely. His affection for food is infectious, and I appreciated the inclusion of several recipes and where-to-buy suggestions (I will be making Pierre Herme's version of hot chocolate, NOT Laura Bush's!). It is rare to find a writer who combines erudition with humor and manages to remain accessible along the way....

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~~ Ebook Download The Face of Another, by Kobo Abe

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The Face of Another, by Kobo Abe

Like an elegantly chilling postscript to The Metamorphosis, this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him.

His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self–a self that is capable of anything. A remorseless meditation on nature, identity and the social contract, The Face of Another is an intellectual horror story of the highest order.

  • Sales Rank: #717104 in Books
  • Published on: 2003-02-04
  • Released on: 2003-02-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l, .44 pounds
  • Binding: Paperback
  • 256 pages

Review
"A fascinating book.... The world of Kobo Abe is one in which intellectual concepts have the emotional impact and motivating power of psychotic compulsions."–Newsweek

"A major novel... Since The Woman in the Dunes, Kobo Abe's stock as a novelist has been very high. The Face of Another raises it still more."–The Christian Science Monitor

"Probes the edges of a waking nightmare....The central, shaping metaphor of face and facelessness is brilliant, and Abe's relentless pursuit of its every implication is powerful."–The Saturday Review

Language Notes
Text: English (translation)
Original Language: Japanese

From the Inside Flap
Like an elegantly chilling postscript to The Metamorphosis," this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident-a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him.
His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self-a self that is capable of anything. A remorseless meditation on nature, identity and the social contract," The Face of Another is an intellectual horror story of the highest order.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Unique and riveting plot
By Theia111
In a sense this was an awful book but it was a book you cannot put down. The plot and characterization are completely unique. To the extent I had problems I think they had to do with my inability to relate to aspects of Japanese culture. Yet as a book emerging from that culture, it was outstanding.

13 of 13 people found the following review helpful.
A face to meet the faces that we meet...
By Mark Nadja
Everyone knows that in Japanese society there's hardly anything worse than losing face. Kobo Abe starts with this cultural taboo and amplifies it to its logically nightmarish extreme as he explores the existential horror experienced by a scientist who literally loses his face in a laboratory accident. Hideously disfigured and shunned even by his former friends and colleagues, the narrator of *The Face of Another* describes in harrowing detail the totality of his isolation from human contact--especially from his conventional, well-meaning wife--and his desperate plan to create for himself a life-like mask that will reopen the `doorway' between him and the community of others.

The novel itself is written as an extended address to the aforementioned wife and meant to be read after he carries out his intention of seducing her as the `stranger' the mask allows him to become. Between the elaborate preparation of the mask and the ill-fated seduction, Abe's narrator travels a zig-zag path between cynicism and self-loathing, psychological breakdown and philosophical speculation as he confronts the elusive nature of human relations and personal identity. His mask gives him a passport to cross the border forbidden the faceless and to re-enter society. Even more, it grants him the radical freedom to be someone else, to be anyone else...to be everyone else. But at what price? If he must wear a mask has he really accomplished anything? Is he really being seen by others or is his `true' self as invisible as before--and just who is he, anyway? How does he choose his mask? Does a mask ultimately reveal or conceal? Which mask will his estranged wife be seduced by? And if she is seduced, has she been unfaithful? Has she betrayed him with himself? As he contemplates these labyrinthine questions, Abe's narrator comes to understand how even people with undamaged faces are also wearing a mask when they're with others. Is the face itself nothing but a mask made of flesh?

This eerie, thought-provoking novel operates on several different levels. But what makes it more than just another Jeckyll & Hyde tale of evil doubles, shadow-selves, and dual identities is the profound philosophical dialectic that Abe engages in throughout. A mystery, thriller, horror novel all in one, *The Face of Another* is a sophisticated meditation on that most enigmatic question of all: who exactly are we?

At times Abe's story drags, at other times his musings are difficult to follow, almost as if some vital connection between his observations had been lost in translation, and, therefore minus one-star, but, the last fifty pages or so are as powerful as anything you're likely to read. For the most part, *The Face of Another* is a riveting and disturbing work that, like Abe's classic *The Woman in the Dunes,* I won't soon--if ever--forget. You probably won't either.

0 of 0 people found the following review helpful.
Suspenseful with a mind boggling affect!
By Emerson
I loved this book and will be giving it for holiday gifts this year. The philosophical musings are incredibly powerful and thought provoking, while the prose is intense and suspenseful. After page 83, I found myself yelling outloud to the narrator whose journal we read as he attempts to deal with the aftermath of an accident that has stolen his face. I dare you to read this book and look at your self and others the same way you did before.

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Jumat, 27 Maret 2015

# Get Free Ebook The List of Seven, by Mark Frost

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The List of Seven, by Mark Frost

Dark Brotherhood

As the city of London slumbers, there are those in its midst who conspire to rule the world through the darkest and most nefarious means. These seven, seated in positions of extraordinary power and influence, marshal forces from the far side to aid them in their fiendish endeavor.

Force of One

In the aftermath of a bloody séance and a terrifying supernatural contact, a courageous young doctor finds himself drawn into a malevolent conspiracy beyond human comprehension.

All or Nothing

The future is not safe, as a thousand-year reign of pure evil is about to begin, unless a small group of stalwart champions can unravel the unspeakable mysteries behind a crime far more terrible than murder.

  • Sales Rank: #159247 in Books
  • Brand: Avon
  • Published on: 2005-04-26
  • Released on: 2005-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.15" h x 4.11" w x 6.81" l, .45 pounds
  • Binding: Mass Market Paperback
  • 416 pages
Features
  • Great product!

From Publishers Weekly
The Twin Peaks co-creator's first novel confronts Sir Arthur Conan Doyle with a mystery involving black magic and Satanic manifestations.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
This first novel by the cocreator of Twin Peaks arrives amid much hype and expectation. After submitting a manuscript to a London publisher, young Arthur Conan Doyle becomes the target of an occult group that bears a coincidental likeness to the subject of his novel. To Doyle's aid comes Jack Sparks, a mysterious and resourceful figure who ultimately serves as Doyle's inspiration for Sherlock Holmes. With enough twists and last-minute escapes to make it thrillingly palatable, The List of Seven seems a sure bet to climb the best seller lists. In the spirit of hyperbole, the publisher is planning to seal an epilog into the back cover to keep nosy Parkers from spoiling the book's ending. As if this were not enough to keep patrons drooling, Universal Studios is planning to release a movie version in summer 1994. All popular collections should purchase. Literary Guild main selection; Mystery Guild, Doubleday, and Science Fiction book club alternates; previewed in Prepub Alert, LJ 5/15/93. --Mark Annichiarico, "Library Journal"
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
History has it that Arthur Conan Doyle based Sherlock Holmes on his med-school teacher Dr. Joseph Bell. Not so, imagines Frost (co-creator of Twin Peaks) in his exhilarating, exuberantly melodramatic first novel: Holmes's real template was one Jack Sparks, Queen Victoria's most secret agent, who enlisted Doyle as his Watson to combat a conspiracy aimed at nothing less than incarnating Satan in human form. Doyle's a young M.D. and writer when he gets an anonymous letter imploring him to save ``an innocent's life'' from ``fraudulent'' practitioners of the ``spiritual arts''--a letter couched in the same Victorian language that Frost uses to tell his tale, and one appealing to the doctor's interest in psychic phenomena. It's this interest that has prompted Doyle to write about a ``Dark Brotherhood'' in a novel that's attracted the attention of the ``7,'' a real-life cabal of the black arts. The letter, sent by the cabal, takes Doyle to a s‚ance where a demon manifests and several are slain, and from which Doyle escapes with the help of a mysterious dynamo who calls himself Jack Sparks- -though, for his deductive powers, violin playing, and cocaine addiction, he might just as well be called ``Holmes.'' Sparks tells Doyle of the 7 and of their leader, Alexander Sparks, Jack's own brother and nemesis, the crime lord of London (i.e., Moriarity). The game is afoot--and wearing running shoes--as Sparks and Doyle race from one cliffhanger to the next, mixing it up with zombies, villains, giant leeches, and femmes fatales; exploring secret tunnels and a walled castle; crossing paths with Bram Stoker, Madame Blavatsky, Jack the Ripper, and Victoria Regina--even as The Dweller on the Threshold awaits his borning.... Unabashedly corny, and lifting ideas from a dozen sources, including Nicholas Meyer (whose new Holmes pastiche, The Canary Trainer, p. 821, it far outclasses)--but a jolly good adventure yarn for that. (Film rights to Universal) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

55 of 55 people found the following review helpful.
One of my favorite books
By Clan Lindsey
There are books that are OK, books you like, books you love, and then there a another whole class of very special uber-books that you flat-out enjoy, devour every page, and feel devastated when they are finished. The List of Seven is one of the latter types of books and I whole-heartedly recommend it to others. It gets a six star review from me. Set in Victorian England this book has everything a rollicking good adventure yarn should. Follow a young Arthur Conan Doyle as he gets swept up into a grand adventure with secret agent Jack as they race desperately around the country trying to foil a devilish plot against the crown. Murder, magic, mayhem, zombies, the occult, recidivist arch-nemeses, crazed aristocrats, beautiful girls, reformed second-story men, the British Museum....this is one crackerjack of a novel that will leave you panting for more.

This book features AC when he is still a struggling doctor and before he has penned the Sherlock Holmes stories. Indeed, as you read, you begin to see that the future Sherlock Holmes is built upon AC's experiences with his secret agent friend Jack, who himself is the model for Holmes. This is one of the most inventive, enjoyable and wonderful books I've read in recent years, a superior example of magic realism that thrills you to the last page. Make sure you don't miss the sequel, The 6 Messiahs.

The author, Mark Frost, apparently had a hand in the Twin Peaks series. Whether you enjoyed that series or not, don't miss out on this book. They are as much fun as you can have with a novel in my estimation. I am not sure why Mr. Frost has not written more novels but I surely wish he would. If this book, and the sequel, leave you wanting more fictional accounts of Arthur Conan Doyle battling with dark occult forces then don't miss Thomas Wheeler's The Arcanum either. It's another very enjoyable book in the same vein.

3 of 3 people found the following review helpful.
first good book
By J. Wesemann
I first read this book when I was 16 and it was the first book that I litteraly couldn't put down. I am now 24 and reread this book every 2 yrs. or so and it gets better every time. I have read it so many times and lent my original copy out to be read to nearly everyone I know that it has fallen apart and I recently bought another copy from amazon so that I may reread it again for the sixth time. I can't really say why I fell in love with it, but it's probably all the corelations with Sherlock Holmes and Sir Arthur Conan Doyle, and not to mention the all incapcitating web Frost weaves that makes it continue to bring me back time after time. I also read the sequel The 6 Messiahs, however enjoying reading it also, I wasn't as entralled with it as I was with the first.

0 of 0 people found the following review helpful.
One Great Book
By Kent Hudson
This scary, intelligent book is an instant classic as it plunges you into 19th century England with a tale of evil and treachery. The characters of Sparks and Doyle travel headlong into a world of Satanic plots with more twists and turns than seem possible, yet the novel nonetheless inspires emotion and sympathy for our hero and his accomplice. When you finish reading this one you'll feel like a part of its story.

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Kamis, 26 Maret 2015

^ Ebook Free The Mother Tongue - English And How It Got That Way, by Bill Bryson

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The Mother Tongue - English And How It Got That Way, by Bill Bryson

With dazzling wit and astonishing insight, Bill Bryson—the acclaimed author of The Lost Continent—brilliantly explores the remarkable history, eccentricities, resilience and sheer fun of the English language. From the first descent of the larynx into the throat (why you can talk but your dog can't), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world's largest growth industries.

  • Sales Rank: #18592 in Books
  • Color: Multicolor
  • Brand: Bryson, Bill
  • Published on: 1990
  • Released on: 2001-10-23
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .72" w x 5.31" l, .45 pounds
  • Binding: Paperback
  • 272 pages

Amazon.com Review
Who would have thought that a book about English would be so entertaining? Certainly not this grammar-allergic reviewer, but The Mother Tongue pulls it off admirably. Bill Bryson--a zealot--is the right man for the job. Who else could rhapsodize about "the colorless murmur of the schwa" with a straight face? It is his unflagging enthusiasm, seeping from between every sentence, that carries the book.

Bryson displays an encyclopedic knowledge of his topic, and this inevitably encourages a light tone; the more you know about a subject, the more absurd it becomes. No jokes are necessary, the facts do well enough by themselves, and Bryson supplies tens per page. As well as tossing off gems of fractured English (from a Japanese eraser: "This product will self-destruct in Mother Earth."), Bryson frequently takes time to compare the idiosyncratic tongue with other languages. Not only does this give a laugh (one word: Welsh), and always shed considerable light, it also makes the reader feel fortunate to speak English.

From Publishers Weekly
Bryson's blend of linguistic anecdotes and Anglo-Saxon cultural history proves entertaining but superficial. "While his historical review is thorough. . . he mostly reiterates conventional views about English's structural superiority," said PW. "He retells old tales with fresh verve . . . but becomes sloppy when matters of rhetoric and grammar arise."
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
YA-- Bryson traces the English language from the Neanderthal man of 30,000 years ago to the present. Interestingly, he contrasts the language as it developed simultaneously in various locations. He also presents examples of the evolution of words and their spellings. The book is well researched and informative; the thorough index will aid novices in the exploration of the language.
- Diane Goheen, Topeka West High School, KS
Copyright 1991 Reed Business Information, Inc.

Most helpful customer reviews

651 of 715 people found the following review helpful.
A multitude of errors
By Whimemsz
This book is certainly amusing. It's very enjoyable for a novice to read.

But, as many others have pointed out, every page is just error after factual error. Bryson simply does not understand how languages work, and whatever his sources are are frequently wrong. My favorite mistake is when he claims that in Finnish, there is only one swear word, ravintolassa, meaning "in the restaurant" (page 214). Now, ravintolassa DOES mean "in the restaurant," but that's ALL it means. Finnish has plenty of native swear words (saatana, perkele, vittu, jumalauta, and more), and I still cannot imagine how Bryson came to the conclusion that, not only did it have only one, but that it was the word for "in the restaurant." It's truly mind-boggling.

Among my other favorite errors are when he says that "Estimates of the number of languages in the world usually fix on a figure of about 2,700" (page 37; all estimates I've ever seen generally give between 5,000 and 6,000). Or when he completely misunderstands the concept of case affixes when discussing Finnish (page 35; he seems to think that the various words created are utterly unanalyzable to the speakers. By analogy, then, English speakers would need to learn the plural word "cats" separately from the singular "cat," rather than simply extending their knowledge of the plural suffix -s to the word "cat." Bryson fails to make the rather important distinction between "word" and "root").

He also buys the extremely controversial arguments of people like Merritt Ruhlen and presents them as complete fact ("Recent studies of cognates...have found possible links between some of those must unlikely language parteners: for instance, between Basque and Na-Dene...and between Finnish and Eskimo-Aleut. No one has come up with a remotely plausible explanation of how a language spoken only in a remote corner of the Pyrenees could have come to influence Indian languages of the New World, but the links between many cognates are too numerous to explain in terms of simple coincidence" -- page 24). There hardly exists a serious linguist in the world who would agree with that statement.

And of course there is the famous "Eskimo" Words for Snow Myth, which results in large part from a total misunderstanding of the nature of polysynthetic languages (page 14).

Unfortunately, many of the errors Bryson makes are much harder to catch, in that they involve concepts (such as his apparent conviction that English is somehow unique among languages in its expressiveness and form...he also ironically says on page 17 that "most books on English imply in one way or another that our language is superior to all others"), rather than factual claims, since incorrect facts are easier to refute.

Throughout the book, Bryson repeatedly makes these types of inexcusable factual and conceptual errors, and as a result paints an inaccurate and deceptive picture of languages and linguistics in general. For this reason, I take issue with the reviewers who say that what matters is that the book is entertaining negates its errors. On the contrary, the entire point of the book is to tell the story of the English language, and Bryson, as a good writer who knows how to inject good humor into his work, makes it funny. But a the true purpose remains to educate people, and it fails miserably in this respect, and as a result, it fails as a whole. Adding humor cannot make a bad book into a good one.

0 of 0 people found the following review helpful.
VERY POOR AUDIO QUALITY!
By Beulah
While I almost always enjoy the content and anecdotal style of Bill Bryson's books, the Bxxxxstxne Axdio audiobook version was quite disappointing due to it's mediocre audio quality. Frankly, I have (very venerable) audiobooks on audiocassettes that sound better. The tracks on these CDs simply lack dynamic range and "crispness" as if the narrator was speaking through a cardboard tube, and the quality of the sound is, after all, the whole point of buying a CD product instead of downloading some low bitrate MP3 version. Perhaps this is due in part to the use of cheap CDs - the CDs are - quite seriously - translucent. I can actually read text on my computer monitor THROUGH the CDs! I've never encountered THAT before!
So, high marks for the author (and narrator), but very low marks for Bxxxxstxne Axdio.

0 of 0 people found the following review helpful.
Second reading it is just as good
By Chris Thatcher
Not a travel book (except in a way it is a journey through the English language).
Easy to read but still challenging and fascinating.
I love this book and if you are in any way interested in how the English language developed (with some laughs along the way) then you will be too.

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^^ Ebook The Polish Officer: A Novel, by Alan Furst

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The Polish Officer: A Novel, by Alan Furst

September 1939. As Warsaw falls to Hitler’s Wehrmacht, Captain Alexander de Milja is recruited by the intelligence service of the Polish underground. His mission: to transport the national gold reserve to safety, hidden on a refugee train to Bucharest. Then, in the back alleys and black-market bistros of Paris, in the tenements of Warsaw, with partizan guerrillas in the frozen forests of the Ukraine, and at Calais Harbor during an attack by British bombers, de Milja fights in the war of the shadows in a world without rules, a world of danger, treachery, and betrayal.

  • Sales Rank: #70105 in Books
  • Published on: 2001-10-09
  • Released on: 2001-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .68" w x 5.20" l, .49 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
With clear, reticent prose and his trademark mastery of historical detail, Furst (Shadow Trade; Night Soldiers) brings vividly to life this WWII-era tale of espionage and bravery, chronicling the work of the Polish underground in Poland, France and the Ukraine. As Warsaw is falling in 1939, Polish Captain Alexander de Milja embarks on a harrowing journey to smuggle the national gold reserves out of the country by rail-the first of many death-defying missions he will undertake for the nascent ZWZ, the Union for Armed Struggle. Under a series of false identities, mingling with the bon vivants of occupied Paris, he later becomes a prized intelligence resource in France, surviving by cunning and passing valuable strategic information to the British. In the novel's final section, de Milja is in even more danger, working as a saboteur based in a Ukrainian forest as the Germans march east. Throughout these dramatic events, Furst's understated narrative is insightful and convincing. The unassuming de Milja-who considers himself merely "unafraid to die, and lucky so far"-proves an engaging protagonist. His exploits and the courageous sacrifices of the ordinary patriots who help him are both thrilling and at times inspiring.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
Capt. Alexander de Milja is a chameleon. A cartographer by profession, de Milja works as an intelligence officer in the Polish underground at the outset of World War II. When the Germans discover de Milja's identity in Poland, he goes to France and later Russia to continue his work. De Milja's disguises are many-he passes as a Russian writer, a Czech coal merchant, and a Polish horse breeder-and he embraces each persona completely as he goes about the business of espionage and sabotage. De Milja comes across as a genuine individual who, in his weaker moments, grapples with his desire to give up the fight. This well-written, realistic novel by the author of A Distant War (LJ 10/1/94) paints a vivid picture of the grayness and despair of the German occupation. Recommended for larger public libraries.
--Maria A. Perez-Stable, Western Michigan Univ. Libs., Kalamazoo
Copyright 1995 Reed Business Information, Inc.

From Booklist
After its dismemberment in 1939, Poland had precious few officers, but those who survived the blitzkrieg carried on the war underground or in exile. Furst creates one such man, Captain Alexander de Milja. Relying more on period detail than on the plot (which ultimately fizzles out) in depicting the tense life of a spy and the delicacy of maintaining one's cover, Furst writes like a confident crafter of the genre, as he has done previously (e.g., Dark Star, 1991). Here, Captain de Milja, whose polyglot background and fluency in languages lend him the protean ability to change his identity, runs agents in Warsaw, Paris, the Pas de Calais, and the Ukraine. In each of these places, he ducks as the Nazi tidal wave passes, resumes contact with his superiors in the Polish intelligence organization, assumes a new pose, then cautiously noses around for information about the Wehrmacht, a traitor in his own ranks. No mere drudge, de Milja manages an amorous conquest everywhere he goes, and each woman brings out another side to his world-weary demeanor. This accurate, descriptive portrait compensates for the story's abrupt suspension when de Milja joins the Ukrainian partisans. Presumably, his fate will unfold in a sequel. Gilbert Taylor

Most helpful customer reviews

139 of 143 people found the following review helpful.
Intriguing, Authentic Description of Occupied Europe
By Michael Wischmeyer
The reader new to Alan Furst may not immediately recognize that the plot is subordinate to the setting and character development. The Polish Officer, like his other novels, ends somewhat abruptly; the war continues unabated and the fate of his protagonist remains unresolved. Furst sees WWII as a large canvas. This novel, a detailed painting by Alan Furst, only covers a minute spot.

Poland is under coordinated attacks by Hitler's Germany and Stalin's Russia. The story begins as Captain Alexander de Milja is assigned the task of transporting by train Poland's national gold reserves to a location out of reach of Hitler's forces. Not much later, despite fierce fighting by Polish forces, Poland is overwhelmed and de Milja joins the Polish resistance. The setting moves from Poland to Romania to France to the Ukraine as de Milja's situation becomes increasingly insecure. The Polish officer himself no longer has rank, nor an army, nor a country. He does not expect to survive.

Furst's novels excel in two regards: their historical settings are authentic while simultaneously the stories provide unexpected, even unique, perspectives on WWII. In this story we readers experience life from inside an occupied Poland, inside an intimidated Romania, within a surrendered France, and in a brutalized Ukraine. His plots are suspenseful and well-crafted, and yet I recall his stories more for their detailed settings. It is unlikely that I will forget Furst's description of occupied Europe.

The WWII historical novels of Alan Furst offer a richness and authenticity seldom encountered. I highly recommend The Polish Officer. It is among his finest works and is a great introduction to a remarkable author.

48 of 50 people found the following review helpful.
Espionage and intrigue in Occupied Europe
By David W. Nicholas
Alan Furst has apparently been writing books of this genre for some years now. The plots all take place during the period just prior to World War II, or the during the war itself. Each of the characters is somewhat compromised, morally or otherwise. Here, the main character is Captain Alexander de Milja, a Polish army officer whose main duty, in peacetime, was as a cartographer and intelligence officer. Now that the war has started, he's helping defend Warsaw, but he's soon called away to escort a supply of gold and specie across the border into Romania. From there, his bosses in the military intelligence bureau wish him to spy on the Germans, first in Paris, later in other parts of France and elsewhere. He moves with ease from one theater of the war to another, repeatedly surviving when others around him are captured or killed. He has affairs, makes and loses friends, watches as others are betrayed by traitors, even executes said traitor himself on one occasion.
The one thing the book does extremely well is portray the lives of ordinary people during the war. The author seems to have a view of the mundane populace of an occupied country, and what they do or say or when they go on vacation. When they spy for de Milja, they do so for mundane reasons, for the most part, and their reactions when they get caught aren't heroic, for the most part, either. The novel is told in a series of grays (if they ever make a movie, it'll have to be black and white) with few if any colors in the landscape.
If I have a serious criticism, it's that there really isn't a plot. Instead, the story is basically a series of incidents involving a single individual, and if he'd structured it differently it could be a short story collection, plotwise. That's how connected the various plots are.
In spite of that, I enjoyed it a great deal, and would recommend the book.

37 of 38 people found the following review helpful.
Espionage and Resistance in Wartorn Europe
By Prauge Traveler
"The Polish Officer" details the adventures of Captain Alexander de Milja, who survives his nation's defeat in 1939 and moves onto resist the Nazi juggernaut as a spy working with the allied powers. De Milja helps smuggle gold, and eventually makes his way to the Ukraine as Nazi Germany attacks the Soviet Union. As usual, Fust has created an excellent novel of espionage and action set amidst upheaval and tension- this time dealing directly with the events of World War Two, rather than the interwar years common to many of his other novels.

Although this novel can easily be read as a stand-alone book, some readers will enjoy beginning their foray into Furst's world with "Night Soldiers", his original and possibly best spy novel. This book introduces several characters who make appearances throughout Furst's other novels set in the same period of time and general geographical local. Because of this fact, I highly recommend reading this novel first, although those that follow can typically be read in any particular order (the exception being the stories involving Jean Casson - World at Night and Red Gold).

What makes Furst's loosely structured series so compelling is that 1; they are very well researched and historical very accurate, especially with regard to spy craft - as I understand it through academic experience only. 2; the characters are extremely flawed, very believable and interesting to empathize with - all of the characters and their adventures provoke much thought. 3; the novels do not attempt to achieve a false sense of conclusion at their end - they always allow the reader to decide for him/herself what happens, and they rarely resolve the feeling of tension that pervades Furst's works. 4; the secondary characters are always very well developed and much more interesting than their sometimes small roles would have the reader believe- so one is always off balance (who will live, who will die - who can be trusted, who cannot?). 5; Furst does an excellent job of setting the atmosphere of terror that resulted from the conflict between fascism and stalinism during the secret wars preceding the outbreak of the Second World War.

You cannot go wrong with this novel. For anyone interested in reading and enjoying spy stories, or stories of world war two, this book is a must read.

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