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The Devil Knows You're Dead (Matthew Scudder), by Lawrence Block
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A deranged derelict, a crazed Vietnam vet, has been arrested for gunning down successful young lawyer Glenn Holtzmann at a corner phone booth on Eleventh Avenue -- and the suspect's brother wants p.i. Matthew Scudder to prove the madman innocent. But Scudder's curiosity and dedication are leading him to dark, unexplored places in his own heart...and to passions and secrets that could destroy everything be loves.
- Sales Rank: #327683 in Books
- Brand: Avon Book
- Published on: 2002-07-02
- Released on: 2002-07-02
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .96" w x 4.19" l, .40 pounds
- Binding: Mass Market Paperback
- 337 pages
- Great product!
From Booklist
There's a new trend afoot in the series mystery. Mickey Spillane, Nero Wolfe, Sherlock Holmes, and their investigating cohorts seldom changed from book to book. Part of their appeal, in fact, was their consistency. Contemporary series authors, however, such as Bill Pronzini, Robert P. Parker, Joseph Hansen, and Lawrence Block, have taken the series character a step further, allowing growth and change to occur to the hard-boiled hero just as they do to ordinary mortals. Block's recovering alcoholic Matt Scudder is a perfect example. Once isolated by guilt, angst, and booze, Scudder was the quintessential loner. Now, as his never-ending recovery continues, his world has begun to expand. He has a true friend in Mick Ballou, a sidekick in street urchin T. J., and a lover in former hooker Elaine. Hired by the brother of a mentally handicapped vet accused of the murder of attorney Glenn Holtzmann, Scudder finds that the victim was both less and more than he appeared to be. Much to his surprise--because he loves Elaine--Scudder becomes involved with Holtzmann's widow. The resolution of the case is a logical surprise that will leave readers contemplating an indifferent universe. Though Scudder's world is as bleak as it's ever been, he's letting a little sun shine through. It's nice to see a friend happy. Wes Lukowsky
From Kirkus Reviews
Mysteries of the heart eclipse those of the street in Matt Scudder's quietly compelling new case, which finds the p.i. avoiding the wrenching physical violence of his last few outings (A Walk Among the Tombstones, etc.) but falling prey to all sorts of emotional havoc. The crime on which Block hangs Scudder's latest study in angst is the apparent shooting death of attorney Glenn Holtzmann by deranged homeless vet George Sadecki. Despite strong evidence of Sadecki's guilt, the accused's brother hires Scudder to look into the case--which the unlicensed p.i. does, discovering that Holtzmann, far from being a clean-cut yuppie, was actually a professional rat for various federal agencies and may have been slain by one of his targets. Scudder's gumshoeing is dogged but not very exciting--lots of phone calls and interviews--and serves mostly to put him in contact with old series regulars and one likely new one, a sympathetic transvestite, as well as with Holtzmann's widow, with whom he starts an affair despite his commitment to longtime girlfriend Elaine: The widow proves as addictive as booze and in fact may drive Scudder back to drink, especially if he keeps indulging in moody midnight gabfests with Irish gangster Mick Ballou and brooding over a WW I poem about breaking faith with those who've died. Meanwhile, in an equally introspective subplot, Scudder's old flame Jan Keane is dying of cancer and asks Scudder to get her a suicide-gun, which he does. Will she choose life, however painful, instead of the bullet's oblivion? Will Scudder resist the bottle and widow and do the same? The murder finally resolves through a quirk of fate: Can Scudder command his own fate? Those who can take or leave Scudder will probably leave this gathering of shadows: loyalists, though, will hang on every word as Scudder makes his fascinatingly uncertain way through an increasingly uncertain world. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Review
"EMINENTLY READABLE...A MOODY PAGE-TURNER". -- Chicago Sun-Times
"Block has never been better."-- "New York Daily News "Eminently readable...a moody page-turner."-- "Chicago Sun-Times
Most helpful customer reviews
17 of 17 people found the following review helpful.
A Very Good Book (But An Average Mystery)!
By Bobbewig
The Devil Knows You're Dead is a very well written book that held my interest throughout -- however, I have been a big fan of this series from the beginning. Mystery fans who are looking for lots of action and suspense may want to skip this book. Relative to several of the other books in this series, there is considerably less physical violence and more --much more-- of a concentration on the emotional havoc and angst that Matthew Scudder is experiencing as he makes his way through his topsy-turvy world. The cases Scudder is working on in The Devil Knows You're Dead are interesting but they are not exciting and action-based. So, if this is what you're looking for in a mystery you probably should choose another book. If you enjoy great character development, interesting and likable secondary characers, vivid and accurate descriptions of the Hell's Kitchen/Clinton section of NYC, then treat yourself to this very good book. Keep in mind it's not the best book in this series but it's one I think you'll enjoy. However, I would strongly recommend that if you haven't read any of the books in this series, you first read at least one or two of the earlier books (e.g., When The Scared Ginmill Closes, A Ticket To The Boneyard, A Dance At The Slaughterhouse, A Walk Among The Tombstones, etc.) before reading The Devil Knows You're Dead. These books will familiarize you what the world of Matthew Scudder has been like. This book serves pretty much as a vehicle to further evolve the main character of Matthew Scudder and to let you know where he's moving to in his life.
8 of 9 people found the following review helpful.
Gritty writing, but not much drama for a Scudder
By ensiform
Let me preface by saying I'm a huge Scudder fan, so the three star rating is compared to the entirety of the Scudder saga. In this entry, the clean and ostensibly happily domesticated Scudder is hired by a vagrant's brother to clear the vagrant of a shooting. The victim happens to be a distant acquaintance of Scudder's, and though Matt didn't like the guy much, he ends up having a desultory kind of affair with his widow. Meanwhile the accused killer is himself killed in prison, leaving a stubborn Scudder to attack the closed case (or as his cop friend puts it, "trying to give a dead horse mouth-to-mouth resuscitation" --- love that noir dialogue). This is only an average Scudder entry, which means that it's a bleak look at a seedy world, rife with witty dialogue and sharp insights into AA philosophy. Probably because the case here is so cold, however, a lot of drama in the sense of personal danger or action is lacking. There's much of the traditional amoral, detatched soul-searching, which is terrific, but none of the rough justice Scudder usually hands out.
4 of 4 people found the following review helpful.
The Truth: A Novel Concept
By Kindle Customer
My favorite thing about Block, is that he doesn't write anything that is incredible. He writes novels that are true, which apparently is much more difficult. He doesn't put the flashy window dressing that so many others do, keeping you reading in the same way you'd read a tabloid.
Instead, with simple, unvarnished narrative that feels true in your heat, seems true to your head, and rings true to your ear, you learn not to watch from your vantage point on high for the high-octane magic that so many of his craft employ.
Once you learn there's nothing to see up there, you climb down and slap your feet on wet New York pavement, take a couple of extra quick steps to catch up, and walk a little further with Matthew Scudder. You feel the dirt in Block's novels.
I've read literally dozens of Block's books by now, and what never ceases to amazing me is how he can strip away so much of what I "think" we're coming to noir/crime/mystery stories for. I come for them, but he craftily baits and switched me.
Instead he gives me people. People in situations they cannot explain or understand. People who are afraid, excited, confused, in over their head, and dying. Just people, like you and me.
In novels where the glitz and shiny lights and action are page after page, someone's death can go unnoticed. In a novel like this, where the character is you, your friend, your greatest love, your son, a death can hurt. A lot.
He really is an amazing writer. One you can do a very rare thing. Not make you care about the story, but care about the people in it. Their deaths hurt. Why wouldn't they? You've known them for years.
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