Selasa, 29 April 2014

> PDF Ebook I Touch the Earth, the Earth Touches Me, by Hugh Prather

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I Touch the Earth, the Earth Touches Me, by Hugh Prather

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I Touch the Earth, the Earth Touches Me, by Hugh Prather

Very Good. No Jacket as Issued TRADE PAPERBACK. 8vo-over 7¾"-9¾" tall. PREV OWNER INSCRIP TO FEP, LIGHT RUBBING TO COVERS.

  • Sales Rank: #270467 in Books
  • Published on: 1972-08-01
  • Released on: 1972-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.50" w x .50" l,
  • Binding: Paperback
  • 164 pages

Most helpful customer reviews

11 of 11 people found the following review helpful.
part of my transformation
By A Customer
This book was recommended to me in 1974 by a family therapist, as my estranged husband and i were involved in family and individual counseling. The ideas presented in this book helped me let go of old hurts and unhealthy ways of thinking and living. Two of Mr. Prathers books, and one by John Powell, FULLY HUMAN FULLY ALIVE, helped me to change my life totally for the better. I let go of my hurtful marriage environment, and trusted in luck, faith, and optimism to go to graduate school to get into a career field that seemed promising and a better match for me. Since that was 26 years ago, I now have the advantage of hindsight to say YES, THESE BOOKS HELPED ME GET THROUGH AND BEYOND sadness, disappointment, dullness, feeling trapped. I truly don't believe I would have made the necessary changes, had I not read Prather's ( and Powell's) books. I thank you Hugh Prather for hleping me rescue myself.

7 of 7 people found the following review helpful.
Whole, Clear & Solid Reading !
By James D. Sapara
I thoroughly enjoyed this book. I have an original copy from 1972 that my Mother left me in her book collection. Inside I found Mr. Prather's observations very insightful as well as some startling personal revelations I felt. This book is very well written with his honest thoughts and expressions that really give us something to think about within ourselves. I found his work to have several meanings. For anyone that decides to stay in the now and really read it, perhaps while you're in the quiet, there is a message. For anyone that doesn't come away with any sort of message from Mr. Prather's piece of written Art here, is perhaps not really ready yet or looking for it.- James D. Sapara Comments Welcome jpsapara@home.com

5 of 6 people found the following review helpful.
This is a Wonderful book!
By Kira Del Mar
I read this book, and found it deeply moving and wonderfully written. It's been a long time since I've read such a wonderful book. The illustrations are lovely as well! I can't wait to read Mr. Prather's other books.

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Senin, 28 April 2014

!! PDF Download Out of Her Mind: Women Writing on Madness (Modern Library Paperbacks), by Rebecca Shannonhouse

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Out of Her Mind: Women Writing on Madness (Modern Library Paperbacks), by Rebecca Shannonhouse

Out of Her Mind, edited by Rebecca Shannonhouse, captures the best literature by and about women struggling with madness. A remarkable chronicle of gifted and unconventional women who have spun their inner turmoil into literary gold, the collection features classic short stories, breathtaking literary excerpts, key historical writings, and previously unpublished letters by Zelda Fitzgerald.

Shannonhouse’s recent anthology, Under the Influence: The Literature of Addiction, is also available as a Modern Library Paperback Original.

  • Sales Rank: #779152 in Books
  • Brand: Brand: Modern Library
  • Published on: 2003-02-04
  • Released on: 2003-02-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .48" w x 5.23" l, .54 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

Review
“A stirring anthology of the best and most searing writings that brightly illuminate the dark side of so many women’s lives.”—Kirkus Reviews

“A startling, stunning, wise, heartbreaking, and most useful collection . . . a book for soulful and literary people of all genders, everywhere.” —Phyllis Chesler, Ph.D., author of Women and Madness and Letters to a Young Feminist

“The wide range of work includes arresting first-person descriptions of mental illness.” —Library Journal

“A rich mosaic of historical, social, and political perspectives on mental illness . . . Ms. Shannonhouse has performed a profound service in bringing these women’s voices—outraged and compassionate, strong and stricken—to our attention.” —Carl Sherman, author of How to Go to Therapy

From the Inside Flap
"Out of Her Mind, edited by Rebecca Shannonhouse, captures the best literature by and about women struggling with madness. A remarkable chronicle of gifted and unconventional women who have spun their inner turmoil into literary gold, the collection features classic short stories, breathtaking literary excerpts, key historical writings, and previously unpublished letters by Zelda Fitzgerald.
Shannonhouse's recent anthology, "Under the Influence: The Literature of Addiction, is also available as a Modern Library Paperback Original.

From the Back Cover
“A stirring anthology of the best and most searing writings that brightly illuminate the dark side of so many women’s lives.”—Kirkus Reviews

“A startling, stunning, wise, heartbreaking, and most useful collection . . . a book for soulful and literary people of all genders, everywhere.” —Phyllis Chesler, Ph.D., author of Women and Madness and Letters to a Young Feminist

“The wide range of work includes arresting first-person descriptions of mental illness.” —Library Journal

“A rich mosaic of historical, social, and political perspectives on mental illness . . . Ms. Shannonhouse has performed a profound service in bringing these women’s voices—outraged and compassionate, strong and stricken—to our attention.” —Carl Sherman, author of How to Go to Therapy

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent collection of female writers
By Maya Tea
This is a great anthology of short stories and other publications written by women who were mad, misunderstood or mislabeled. The Yellow Wallpaper (a classic) is featured here in addition to countless others. I can;t even remember why I bought this (undergrad? grad school?) but it's one of the few texts I loved so much I never got rid of it.

I still pick it up from time to time and read through the stories and gain a new perspective from them.

0 of 0 people found the following review helpful.
Great read
By some random guy writing about stuff that he buys
Brought it for gender study class, again just like the title says, its a collection of short stories depicting madness throughout history and the women that either suffer it or witness it.

Easy to read and very well documented view from other females

0 of 0 people found the following review helpful.
Intense. Thought-provoking. At times frightening. A much ...
By sandy bekkerus
Intense. Thought-provoking. At times frightening. A much needed read to promote treatment of mental health disorders. We've come a long way baby; but ooooh we have so far to go.

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^^ Download Cracking the SAT II: Writing & Literature, 2001-2002 Edition, by Liz Buffa, Adam Robinson

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Cracking the SAT II: Writing & Literature, 2001-2002 Edition, by Liz Buffa, Adam Robinson

The Princeton Review realizes that acing the SAT II: Writing & Literature exam is very different from getting straight As in school. They don't try to teach students everything there is to know about writing and literature--only what they'll need to score higher on the exam. There's a big difference. In Cracking the SAT II: Writing & Literature, The Princeton Review will teach test takers how to think like the test makers and:

* Eliminate answer choices that look right but are planted to fool test takers
* Ace the writing test by mastering the most important grammar rules
* Earn more points by learning to quickly identify sentence errors
* Write better essays by knowing in advance what the graders want to see
* Score higher on the literature test by more effectively analyzing prose, poetry, and drama

*** This book includes 5 full-length simulated SAT II exams (three writing and two literature). All of the sample test questions are just like the ones test takers will see on the actual exam.

Contents Include:

I Overview
The Route to College
Approaching the SAT II: Writing & Literature Tests
II The SAT II: Writing Test
Cracking the Writing Test
Grammar, Grammar, Grammar
Identifying Sentence Errors
Improving Sentences
Improving Paragraphs
The Essay
The Final Word in the Writing Test
III Answer Key to Drills
IV The Princeton Review SAT II: Writing Test
V The SAT II: Literature Test
Cracking the Literature Test
Literary Terms
Analyzing Poetry
Analyzing Prose
Analyzing Drama
The Final Word on the Literature Test
VI Answer Key to Drills
VII The Princeton Review SAT II: Literature Test

  • Sales Rank: #7602973 in Books
  • Published on: 2001-03-20
  • Released on: 2001-03-20
  • Original language: English
  • Number of items: 1
  • Dimensions: .71" h x 8.41" w x 10.77" l,
  • Binding: Paperback
  • 288 pages

From the Inside Flap
The Princeton Review realizes that acing the SAT II: Writing & Literature exam is very different from getting straight As in school. They don't try to teach students everything there is to know about writing and literature--only what they'll need to score higher on the exam. There's a big difference. In Cracking the SAT II: Writing & Literature, The Princeton Review will teach test takers how to think like the test makers and:

* Eliminate answer choices that look right but are planted to fool test takers
* Ace the writing test by mastering the most important grammar rules
* Earn more points by learning to quickly identify sentence errors
* Write better essays by knowing in advance what the graders want to see
* Score higher on the literature test by more effectively analyzing prose, poetry, and drama

*** This book includes 5 full-length simulated SAT II exams (three writing and two literature). All of the sample test questions are just like the ones test takers will see on the actual exam.

Contents Include:

I Overview
The Route to College
Approaching the SAT II: Writing & Literature Tests
II The SAT II: Writing Test
Cracking the Writing Test
Grammar, Grammar, Grammar
Identifying Sentence Errors
Improving Sentences
Improving Paragraphs
The Essay
The Final Word in the Writing Test
III Answer Key to Drills
IV The Princeton Review SAT II: Writing Test
V The SAT II: Literature Test
Cracking the Literature Test
Literary Terms
Analyzing Poetry
Analyzing Prose
Analyzing Drama
The Final Word on the Literature Test
VI Answer Key to Drills
VII The Princeton Review SAT II: Literature Test

About the Author
Liz Buffa joined The Princeton Review in 1989. She has taught classes in test prep for the SAT, LSAT, GMAT, and SAT II: English Subject Tests. She is a graduate of Wellesley College.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Comprehensive, realistic book raised my score!
By Emily
Don't try to take the SAT II Writing Test without a prep book--specifically the Princeton review book. In all honesty, it's a very tricky test but definitely not impossible if you're prepared. The majority of the test consists of those tricky "find the sentence error" or "correct the sentence," which can be daunting--I was certainly daunted. The Princeton Review book methodically goes through every category of error that you will be tested on, giving numerous examples that turned out to be extremely similar to the acutal test questions. I can't emphasize enough how important this is: you WILL feel confident on the test because you already know what you need to be on the lookout for. (Ex: subject-verb agreement, idioms, tenses, etc.) The explanations are clear, concise, and VERY thorough without being too boring. The section on identifying sentece errors has the same clear, effective format. It also includes the best peice of writing test advice: DON'T be afraid to pick choice E--"no error." When all else fails go with the ol' intuition.
But what of the dreaded essay? Don't worry, this book covers that too. It gives lots of sample questions, and directs you as to what eXaCtLy makes a strong essay. My experience says the'yre right: at least on example from literature, then one from life, or history. And your essay should fill up the space they give you. Anyway, the samples are very good (the real questions are usually easier, judging by the ones I've heard), and the advice clear.
Wait, you say! What about the Literature Test?? The section on preparing for the literature test (which, if you study for both, is really trickier than the writing), is equally effective. The book includes many passages of poetry and prose which are VERY similar to those found on the actual test. Once again, the book outlines specific areas with which you will need to be familiar and does a very good job explaining each example and literary term. In a relatively short space, this book manages to give you a comprehensive review of literature, its structure, and how to analyze it.
In sum, I highly recommend this book to anyone preparing for either (or both) of these tests. The practice tests in the back are great (5 full ones!), all the examples realistic and clear, the explanations thorough and helpful. Most importantly, this book will allow you to go into the tests knowing what types of questions and tricks you'll encounter and how to effectively tackle it. Believe me, it drastically helped my score and gave me all the prep and info I needed.

12 of 12 people found the following review helpful.
This Book Horrible!!
By Angel Karmer
I fully intended to happily learn all the ins and outs of the SAT II Writing. Learning about the Literature part too would just be a two for one deal. The thing that should have set my antennae up was how short the book was for studying for two SAT IIs. But the sparkling review from that one person who oozed satisfaction because of the book dissolved my doubts.

This PR book is horrible. First, there are three tests in the books but without one word of explanation. I was left wondering, why did I get this wrong? Secondly, there are drills after each very short lesson, but those explanations were really only a couple words. Thirdly, the supposed essays they give you that are supposed to teach you what a good essay looked like, was trash. They showed you two horrible essays that were four sentences long that everyone should know already not to do. The third essay was supposed to be good but it was a trite essay on Romeo and Juliet that wouldn't have gotten more than a four. Fourth, they give wrong information because length is not the only thing those people are looking for. Lastly, when "teaching" about idioms, they state that there are no rules, you just have to know how to "listen" to them?? Well you know what, that isn't true!
The book could teach you a few things, but very few, and no better than another book could. I recommend Sparknotes SAT II Writing. It actually teaches you thoroughly and gives you explicit explanations. Plus Sparknotes is less money than the overpriced no good Princeton Review Writing & Literature.

21 of 28 people found the following review helpful.
Excellent SAT II Writing guide but useless for Literature.
By A Customer
The Princeton Review has published an excellent preparation guide for the SAT II Writing test. Complete with drills on virtually every grammatical pitfall you may encounter, a quick run through the book should be enough to adequately prepare for the test or at least to identify your weak areas. The drills are ten problems each but there are many of them so that you don't have the chance to get bored as you would with a traditional grammar book. Nevertheless, while Cracking the SAT II is excellent grammar preparation, it is quite useless in preparing for the essay section of the SAT II Writing or for SAT II Literature. Given the nature of both, success largely depends on your ability to write/read and is virtually impossible to drill and study for. This book only helps with the SAT II Literature by giving you two practice exams to get used to the kind of questions that will be asked. If you need a touch up on your grammar skills for the SAT II Writing, this text, complete with two practice exams, is an indispensible resource.

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Beyond culture, by Edward Twitchell Hall

Edward T. Hall opens up new dimensions of  understanding and perception of human experience by  helping us rethink our values in constructive ways.

  • Sales Rank: #874537 in Books
  • Published on: 1976
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Hardcover
  • 256 pages

Review
"A fascinating book." -- Ashley Montag,  Chicago Daily News

From the Publisher
Edward T. Hall opens up new dimensions of understanding and perception of human experience by helping us rethink our values in constructive ways.

"A fascinating book." -- Ashley Montag, Chicago Daily News

From the Inside Flap
Edward T. Hall opens up new dimensions of understanding and perception of human experience by helping us rethink our values in constructive ways.

Most helpful customer reviews

7 of 9 people found the following review helpful.
A must-read for "Diversity in the Workplace"
By J Zimmer
Since other reviewers have summarized this book, my suggestion is to read it with present-day work environments in mind. There is an increasing emphasis of Diversity and Globalization in the workplace. This book can be difficult to wade through, but the concepts stick with you. It was very easy to take the concepts and compare them to the daily situations of working in a multi-cultural corporate environment. Sometimes the best information, is from an original source or work. I would suggest reading this, just because Hall's premises still bear the brunt of time and provide that "ah-ha" awareness to an experience.

0 of 0 people found the following review helpful.
explains a lot
By Goggle-Eyed Slewfoot
Let me share a few overseas experiences:

1. In Bolivia, I met many people who knew both Spanish and Quechua, but very few of those people could translate exactly from one language to another.

2. In Bolivia, the children spoke in a code which was quite simple: they added chi after each syllable. When I asked them to explain the code, they were unable to explain.

3. At a party in Bolivia, I asked the people present at the party to teach me the steps to a folk dance. They looked at me in bewilderment and said, “We can’t do that now. The music is turned off.”

4. In Korea, a director disapproved of my teaching methods not because they were wrong, but because they were unconventional.

5. In Korea, the children had trouble understanding my directions when I used terms such as word, sentence, and past tense, even when I was speaking to them in their own language.

6. In Korea, when I offered to teach a grammar class, the director said, “How can you do that?”

Do you see a pattern? The pattern is that I was dealing with cultures which were high context compared with my own culture. That means that the denizens of that culture see the elements as closely interwoven and therefore impossible to isolate. In examples 1-3, the denizens were unable to explain elements of their culture to an outsider since the elements were so difficult to isolate.

In example 4, the director was so securely trapped in the box that she couldn’t think outside the box. In example 5, we see that the Korean children are not taught to examine their own grammar as children in our culture are taught to examine English grammar. This leads to example 6, where we see that Korean people therefore fail to realize that a speaker of another language is capable of analyzing his or her own language.

If I had read this book sooner, it would have saved me a lot of frustration.

8 of 9 people found the following review helpful.
Fundamental for multi-cultural humans
By Angela Sarandon
If you're reading this, you will really appreciate Beyond Culture.

It is a most annoying book. A lot of books have a hook, clearly displayed on the cover, which is described repeatedly from every angle throughout the book.

This one has deep thoughts time and again. You read a page, perhaps two, and put down the book to feel how it relates to your life and experience. Then you must pick up the book again to look for the next nugget. And there - another set of thoughts that resonate with you.

If you are still reading this review, I cannot overly recommend that you embrace this book.

See all 30 customer reviews...

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Minggu, 27 April 2014

~~ PDF Ebook The Selected Poetry of Edna St. Vincent Millay (Modern Library Classics), by Edna St. Vincent Millay

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The Selected Poetry of Edna St. Vincent Millay (Modern Library Classics), by Edna St. Vincent Millay

One of America’s most celebrated poets—and winner of the Pulitzer Prize in 1923—Edna St. Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”

  • Sales Rank: #435407 in Books
  • Published on: 2002-09-10
  • Released on: 2002-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .44" w x 5.16" l, .32 pounds
  • Binding: Paperback
  • 192 pages

Review
“Edna St. Vincent Millay seems to me one of the only poets writing in English in our time who have attained anything like the stature of great literary figures.”—Edmund Wilson

From the Inside Flap
One of America's most celebrated poets--and winner of the Pulitzer Prize in 1923--Edna St. Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet's unique spirit in works like "Renascence and Other Poems, "A Few Figs from This-tles, and "Second April, as well as in "The Ballad of the Harp-Weaver" and eight sonnets from the early twenties. As Milford writes in her Introduction, "These are the poems that made Edna St. Vincent Millay's reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page."

From the Back Cover
“Edna St. Vincent Millay seems to me one of the only poets writing in English in our time who have attained anything like the stature of great literary figures.”—Edmund Wilson

Most helpful customer reviews

41 of 43 people found the following review helpful.
Be Warned
By John Brady
Edna St. Vincent Millay is (in my opinion) one of the great 20th century poets, generally under-appreciated. Readers who buy this edition SHOULD BE WARNED that it's not a selection from her whole life's work, but only from her early poetry, which made her reputation but isn't necessarily her best. If you want a more comprehensive view of her work, including the later, more mature work, I think you'll have to get the Collected Poems and make your own 'selection'.

25 of 27 people found the following review helpful.
A Good Introduction
By David A. Wend
This book is a good introduction to the poetry of Edna St. Vincent Millay presenting many of her most memorable poems. It is not a comprehensive presentation of her writing (for example, some of her more erotic poems are not present) but it is not meant to be. The introduction is good and provides the highlights of her life and career. I would like to have had a chronology of her life and a list of her complete works in this book. Overall, this volume satisfied my curiosity but I would want a good biography to accompany this book in order to know more about St. Vincent Millay.
I must also comment on the book itself. My copy has many pages that were cut at an angle with the result that when they were bound the text becomes the margin! The end papers were also effected so the design is set on a slight angle, the edge of which comes close to being cut off. It was unsettling for me to find this book in this condition. I did not return it because I did not care to go to the expense (considering the price of the book) of packaging the book to send back.

4 of 4 people found the following review helpful.
Worth it for the sonnets alone
By R. S. Corzine
Her shorter pieces are much better than her longer ones. Many of the sonnets are quite good. She may be unlucky or unhappy in love, but she is wry about it and not the least bit maudlin or self-indulgent.

The poems about the unbearable beauties of nature strike me as overwrought and do not work at all.

Her shortest bits sting the page. As an example, this two lines, the "Second Fig" from her collection A Few Figs From Thistles, describes quite neatly those whose ability to see facts are limited by their wishing them not so. She writes:

Safe upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!

See all 16 customer reviews...

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~~ Ebook Free Wonderful Town: New York Stories from The New Yorker (Modern Library Paperbacks)From Random House

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Wonderful Town: New York Stories from The New Yorker (Modern Library Paperbacks)From Random House

New York City is not only The New Yorker's place of origin and its sensibility's lifeblood; it is the heart of American literary culture. Wonderful Town collects superb short fiction by many of the magazine's and this country's most accomplished writers. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Here New York is every great place and every ordinary place. Each life in it, and each life in Wonderful Town, is the life of us all.

  • Sales Rank: #186705 in Books
  • Published on: 2000-05-01
  • Released on: 2001-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .93" w x 6.10" l,
  • Binding: Paperback

Amazon.com Review
"Ah, what can ever be more stately and admirable to me than mast-hemm'd Manhattan?" marveled the excitable Walt Whitman in 1865. The skinny island and its four sister boroughs have continued to fascinate writers ever since, and it would be hard to find a better record of that fascination than Wonderful Town: New York Stories from The New Yorker. As David Remnick explains in his foreword, the fledgling magazine paid relatively little heed to the nuts and bolts of metropolitan life, and in his original prospectus, Harold Ross didn't even mention fiction. But in the following decades, Ross and his successors published so many classic New York stories that the real challenge, according to Remnick, was whittling down the selection: "As there is barely enough room in this city to contain all of its busy, funny, angry, joyful, carping, and canny inhabitants, there was barely enough room to contain the wide range of stories we agreed upon."

So what made the grade? There are treasures from John Cheever ("The Five-Forty-Eight"), James Thurber ("The Catbird Seat"), Maeve Brennan ("I See You, Bianca"), Isaac Bashevis Singer ("The Cafeteria"), Jamaica Kincaid ("Poor Visitor"), and many others. The uptown neighborhoods appear to be more generously represented--a token, perhaps, of the magazine's well-heeled, fur-bearing readership--but from early Updike to middle-period Tama Janowitz, there are plenty of excursions south of Fourteenth Street. It's not, however, a simple matter of geography, but a kind of urban metaphysics at work. There are numerous and overlapping New Yorks represented in this collection: you'll find John Cheever's postwar paradise cheek-by-jowl with Ann Beattie's yuppie stomping ground. Then there's James Stevenson's vision of a flooded Gotham: We are on the roof now. I have no idea what time it is, but it is daylight. The lower buildings have been submerged, the tall office buildings stand like tombstones above the heaving waves. There are whitecaps toward Central Park. An ocean liner stood by the Pan Am building for a while, then moved out to sea.... The water is swirling around the skylights now. The wind shifts. The waves are coming straight in from the Atlantic. Even in this postapocalyptic setting, New York stubbornly remains itself. A wonderful town indeed--and a wonderful collection to celebrate it. --Anita Urquhart

From Library Journal
To commemorate the 75th anniversary of The New Yorker, one of America's most popular and enduring magazines, Random House is bringing out these complementary anthologies that reprint the work of prominent New Yorker contributors. Selected by Remnick, the magazine's current editor, the pieces provide a retrospective of the magazine's journalistic history. Life Stories includes biographical sketches of such notables as Ernest Hemingway, Isadora Duncan, Johnny Carson, and Floyd Patterson. Well known for profiling famous people of the day, The New Yorker has created an intriguing record of those individuals considered important to the 20th century. Organized around the same theme of life in New York City, Wonderful Town contains works by some of the true masters of the short story genre, among them John Updike, Dorothy Parker, Vladimir Nabokov, and Isaac Bashevis Singer. With so many talented writers aboard, the venerable New Yorker should enjoy at least another 75 years of success. Both titles are recommended for public library collections.
Ellen Sullivan, Ferguson Lib., Stamford, CT
Copyright 2000 Reed Business Information, Inc.

From Kirkus Reviews
Half of New Yorker editors 75th birthday gift to the magazine (along with the nonfiction counterpart, Life Stories, p.1947) is a collection of 43 pieces that should be required reading for anybody who thinks theres such a thing as a New Yorker storyor, for that matter, a single New Yorker way of looking at its hometown. Dorothy Parker and Sally Benson are reliably brittle reminders of the weeklys early days; Irwin Shaws passionate commitment and E.B. Whites disarming understatement show the range of its maturity; John Cheever and Ann Beattie explore shadowy corners of urban (and suburban) hell; Vladimir Nabokov and Donald Barthelme manage to be seriously playful; and S.J. Perelman and Woody Allen remind you that the magazine never lost its delight in parody. Also on hand are Ludwig Bemelmans, John OHara, James Thurber, Peter Taylor, William Maxwell, J.D. Salinger, Jean Stafford, John Updike, Hortense Calisher, Bernard Malamud, Philip Roth, Isaac Bashevis Singer, Saul Bellow, Elizabeth Hardwick, Renata Adler, Veronica Geng, Laurie Colwin, Jamaica Kincaid, Tama Janowitz, Maeve Brennan, Lorrie Moore . . . . . And everybody else the Empire City would most like to have valentines from. -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By mary fetcho
Love NY stories!

10 of 12 people found the following review helpful.
Terrific!
By Ethan Cooper
John Cheever, Woody Allen, and Bernard Malamud wrote my favorite stories in this wonderful collection about life in New York City. Three quick thoughts: (1) While the dynamic captured by some authors seems a little dated (Dorothy Parker), most of the stories resonate with characters, experiences, and social groups that are common today in New York. (2) The collection offers 44 stories and 44 authors. This helps a reader see how these authors are great in different ways. (3) This collection ends, once and for all, the impression that all stories in The New Yorker are the same. Buy this book!

18 of 20 people found the following review helpful.
A brilliant collection
By Richard LeComte
This collection of New York stories shows both why writers have been fascinated with the Big Apple for so long and also why The New Yorker has been the hallmark of short fiction. The collection begins with Cheever and ends with Perlman, which pretty much sums up the golden years of the magazine. The pleasures here range from a story of lingering urban dread by William Maxwell to a hilarious tale of an intellectual loser by Jonathan Franzen. Updike's story both paints a true picture of New York in the snow and returns to his favorite theme -- infidelity. Philip Roth has a hilarious entry about a famous writer hounded by a game show contestant -- even funnier if you've seen "Quiz Show." The collection made me homesick for New York. It's one of the best books I read in 2000.

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The Old City Lay Dark And Cold...

It is night. And Edmund is alone. His mother is gone. His aunt, who went in search of her, is dead. His sister has disappeared. Edmund has no one. Except for a stranger of the night.

A dark, mysterious stranger who flees from demons of his own...who follows Edmund with grim determination through the cold and shadow city, promising to help, but often hindering. A stranger who needs Edmund for purpose of his own!

  • Sales Rank: #1186708 in Books
  • Brand: Harper Collins
  • Model: FBA-|291744
  • Published on: 1991-08-01
  • Released on: 1991-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .56" w x 4.19" l, .24 pounds
  • Binding: Mass Market Paperback
  • 224 pages
Features
  • Great product!

Review
"Suspenseful fiction that works extremely well." -- --Horn Book Magazine

"The writing is that of a true master...a suspenseful, thought-provoking novel that combines mystery with historical fiction." -- --Children's Book Review Service

About the Author

Avi is the award-winning author of more than seventy-five books for young readers, ranging from animal fantasy to gripping historical fiction, picture books to young adult novels. Crispin: The Cross of Lead won the Newbery Medal, and The True Confessions of Charlotte Doyle and Nothing But the Truth were awarded Newbery Honors. He is also the author of the popular Poppy series. Avi lives outside Denver, Colorado. You can visit him online at www.avi-writer.com.

From AudioFile
Avi's mystery offers a Holmes-ian precursor, Auguste Dupin, and a young boy. Dupin is actually his creator,Edgar Allan Poe, and the tale has enough complexity to match Doyle and Poe's stories. The setting is early nineteenth-century Providence, Rhode Island, and Case's British accent could have helped enhance the period, but it doesn't. The narration is overwrought. His voice sounds constricted throughout, and his women's voices are much too shrill and breathy. R.F.W. (c)AudioFile, Portland, Maine

Most helpful customer reviews

5 of 5 people found the following review helpful.
The Man Who Was Poe
By Gary C.
The Man Who Was Poe is a historical mystery with Edgar Allan Poe as a character in this fictional novel by Avi. This novel might be classified as a puzzle mystery. The setting is early nineteenth-century Providence, Rhode Island. Edmund's mother is missing. His aunt went looking for her and now she's missing too. Edmund and his sister need food. Edmund goes out to get something for them to eat, but since Auntie told them not to leave, he locks Sis in the room; no one can get in, and Sis cannot get out. It's very important to Edmund to keep Sis safe. After helping an old man, Edmund goes back to the room, and now Sis has disappeared. This is the first puzzle. How could Sis have disappeared from a locked room when Edmund had the only key? Edmund gets help from Auguste Dupin who happens to really be Edgar Allan Poe. (Dupin is a character that Edgar Allan Poe created.) Dupin agrees to help Edmund if Edmund will deliver a message for him. Dupin (or is is really Poe) has his own issues and problems. He is a most difficult man to understand. As Dupin and Edmund form their uneasy alliance, they find that their lives are more entwined than either could imagine. Another puzzle catches the attention of Dupin. Gold bars are stolen from the bank vault that has been compared to a tomb. This was an impossible crime. The only way in was through a locked door; yet no one got in that way. Are the two locked room puzzles related? This is an excellent novel of murder, intrigue, danger, and suspense. As with all good mysteries, the reader discovers the clues along with Dupin and Edmund. Dupin and Edmund use their intelligence and keen observation as they seek the solution to the many mysteries contained in this novel. In the back of the book is a section called "Something About Edgar Allan Poe." Readers will find it helpful to read this before beginning the novel as aspects of Poe's life parallel the characters in the novel.

0 of 0 people found the following review helpful.
No wonder Avi is the newbery honor author
By A Customer
The man who was poe is a fantastic, mysterious, suspenseful, and is a bonechilling story. It has some murder in it but that's what makes it so terrifying, as it should be, because all stories are about or by Edgar A. Poe are meant to not want to be alone or be in the dark. It's just the storie's nature. If you the reader enjoy solving mysteries you should take a look at this book, because at the beggining everything is a mystery including the characters, only until you actually get to know them by reading about their tragic conflicts and who they really are, then you can know who you can really trust. Solving the mystery is only half the fun of reading ''The man who was poe.'' I gave this book five stars and I think you should be able to add more stars because I want to add more! Well... atleast I gave it the max. This book is about Edgar A. Poe and how he helps Edmund find his loved ones. Both characters evolve throughout the story and wind up not seeing each other ever again, Edmund found out that Mr.Poe was only helping him, because he wanted to make a story out of Edmund's worries and problems. But at last Edmund infuriates and dismantles Mr.Poe's story and Mr.Poe just gives up on writting his story. What is also fantastic about this book is that it is also educational, because at the end of all the chapters there is a section on Edgar A. Poe's life and I found it satisfying to know more than I already know. I recommend this book to anyone that can handle a little murder, but even though it gave me goosebumps I loved reading this book and I think it is the best book I have read in a while. I'm just saying that if you want to read a good book for fun, book reports, or any other project I recommend ''The man who was poe'', because I assure you it will keep you on the edge of your seat and wanting to learn more about the story.

0 of 0 people found the following review helpful.
Best ending ever
By A Customer
A review by Marc
It's a cold, cloudy night in Providence, Maine and young Edmund is in search of he lost sis and aunty when he crashes in to a mysterious man. When the man picked himself up off the ground he reached back down to retrieve his letter he dropped. He then turned to a very apologetic Edmund and Edmund repeatedly said," I'm terribly sorry sir." The man looked right into Edmunds eyes and said, " Well you should be bumping into an old man like me." The man then asked Edmund why he is out at such late hours. Edmund then explains himself to the man and the man became curious. The man questioned about the disappearance of Edmunds sis when Edmund asked him to help in the search of her. The man contemplated foe a few seconds and agreed but, under one condition, he deliver the man's letter to the address.
Throughout the book Edmund and Mr. Dupin (the mysterious man in the beginning) encounter many mysteries including finding Edmund's auntie dead. The search for his sis turns into the search for a killer.
I really enjoyed this book but their were a few boring parts that I really think did not belong in the book. I also like how suspenseful the book was and ending which is one of the best I have ever read. As my conclusion I rated the book 4 out of 5 stars and I recommend this book to just about everyone especially if you like any other of books containing or by Edgar Allen Poe.

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Jumat, 25 April 2014

!! Download Ebook True Notebooks: A Writer's Year at Juvenile Hall, by Mark Salzman

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True Notebooks: A Writer's Year at Juvenile Hall, by Mark Salzman

In 1997 Mark Salzman, bestselling author Iron and Silk and Lying Awake, paid a reluctant visit to a writing class at L.A.’s Central Juvenile Hall, a lockup for violent teenage offenders, many of them charged with murder. What he found so moved and astonished him that he began to teach there regularly. In voices of indelible emotional presence, the boys write about what led them to crime and about the lives that stretch ahead of them behind bars. We see them coming to terms with their crime-ridden pasts and searching for a reason to believe in their future selves. Insightful, comic, honest and tragic, True Notebooks is an object lesson in the redemptive power of writing.

  • Sales Rank: #37845 in Books
  • Brand: Salzman, Mark
  • Published on: 2004-08-31
  • Released on: 2004-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .75" w x 5.19" l, .58 pounds
  • Binding: Paperback
  • 352 pages

From Publishers Weekly
Salzman (Lying Awake; Iron & Silk) volunteered to teach creative writing at Central Juvenile Hall, a Los Angeles County detention facility for "high-risk" juvenile offenders. Most of these under-18 youths had been charged with murder or other serious crimes, and after trial and sentencing many would end up in a penitentiary, some for life. Sister Janet Harris, of the Inside Out Writers program, convinced Salzman that in spite of his reservations-about teaching writing, about being a white liberal offering "art" to darker-skinned ghetto boys-these children needed to be encouraged to express themselves in writing instead of acting out, needed to feel they mattered to someone. So Salzman started coming twice a week to meet with three boys, although their number quickly grew. He tried to structure each session with a half hour for writing followed by each boy reading his work aloud, although after a lockdown or a class member's trial, he had to loosen the routine. While their writing themes are somewhat predictable-their anger and violent impulses, their relationships with parents and gangs, plus a tedious dose of "pussy, bullets, and beer"-the discussions these essays provoked were personal and often explosive. As productive as these classes were, everyone was always aware of the painful truth that students would soon be shipped out to more brutal facilities. Salzman doesn't dwell on that, concluding that "a little good has got to be better than no good at all." Indeed, his account's power comes from keeping its focus squarely on these boys, their writing and their coming-to-terms with the mess their lives had become.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Wanting to add life to a cardboard juvenile delinquent character in the novel he was trying to finish, Salzman (Iron & Silk; Lying Awake) visited a juvie lockup for high-risk offenders where his friend taught a writing class. Despite entering the facility wishing "we could tilt L.A. County and shake it until everybody with a shaved head and tattoos falls into the ocean," Salzman ended up teaching a class himself. The remarkable results are detailed in this wonderful book. Salzman found students who took writing more seriously than the college kids he'd taught. He also found clowns, of course, who just wanted to goof off or antagonize him, but even the manipulative kids Salzman introduces us to are stunningly human. Both selections from the boys' writing and Salzman's taut storytelling give us multidimensional images of teenagers thrown into a justice system concerned only with punishment. Early in the book, a friend of Salzman's complains that there are no good books about juvenile delinquents. Well, there's one now--one that examines a broken system with grace, wit, and gripping storytelling. John Green
Copyright © American Library Association. All rights reserved

Review
“Extraordinary. . . . Everything about this book seems perfect.” —San Francisco Chronicle

“Fresh, galvanizing and articulate . . . a narrative that asks as many questions as it answers. Cogent, thoughtful and honest.” —The New York Times

“One cannot read. . . and not be stirred . . . As moving as it is sparse, as revealing as it is concealing, as straightforward as it is complex.” —Los Angeles Times Book Review

“Engaging. . . . Salzman creates a cast of lively, convincing, and hugely sympathetic characters and True Notebooks is filled with powerfully moving scenes.” —O, The Oprah Magazine

Most helpful customer reviews

32 of 32 people found the following review helpful.
A favorite writer turns his gaze
By bensmomma
I have always loved Mark Salzman's writing; he brings a deep respect and appreciation of the humanity of his characters to the page. Maybe that sounds easy to do when you're writing about, say, the spiritual life of a cloistered nun, as he did in his recent novel "Lying Awake."
In "True Notebooks," you might think he has taken on too big a task: he wants you to understand and appreciate the imprisoned Los Angeles teenagers he supervises in the "Inside Out Writers" program in LA Central jail. He does this by describing a year or more of biweekly readings of his jailhouse writers group. Inmates come, write, live out the details of their cases, and then, sadly, eventually disappear into the adult justice system.
He doesn't sugarcoat or sentimentalize these kids' stories--he understands and acknowledges the pain their crimes have caused, and he writes about their victims too. But by doing such a marvelous job showing how his subjects grow and change through their experiences, he forces you to see them as real and human. You will be astonished and saddened by the quality of their writing, and hold your own children closer as a result.

22 of 23 people found the following review helpful.
Powerful...Salzman does it again...
By Krisilou
Since Mark Salzman is one of my favorite writers, I couldn't wait to read his new work of non-fiction. Lost In Place made me laugh so hard in some parts that I cried, but in True Notebooks, I cried for different reasons.
This book chronicles Salzman's experiences as a volunteer writing instructor in L.A.'s Central Juvenile Hall. This could have easily been one of those memoirs where readers are taken down a "feel good-I'm such a noble guy" journey. We have all seen Hollywood renditions of such situations, but Salzman doesn't portray himself as a hero. Instead, he reveals his doubts, fears, and insecurities right along with those of the juvenile offenders he works with.
Without intending to, this book makes a powerful political statement as to why juveniles should not be tried as adults and how the justice system fails too many poor and minority youth. I was moved by the writing that these young men produced, and you will be, too. As an English teacher, I only dream of getting such work turned in to me.
As expected in a book such as this, there is no happy ending. But, Salzman has truly given these young men a voice by helping each find his own through the written word.

20 of 21 people found the following review helpful.
A truly moving read
By A Customer
Salzman's latest is my favorite of his so far. It is not some glossy "To Sir, With Love" or "Dangerous Minds" but a real, insightful glimpse into the world of juvenile delinquents, showing them at their most vulnerable. Their stories (in their own words) are depressing, funny, heart wrenching and violent - but all are brutally honest. Their writings are framed by Salzman's thoughtful and spare prose; without judging these troubled kids he helps us appreciate how they became who they are. It is not a hopeful book, but it does build compassion and understanding, which is much more useful than hope. It is a fantastic book.

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@ Fee Download Knights And Castles (Magic Tree House Research Guide, paper), by Mary Pope Osborne

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Knights And Castles (Magic Tree House Research Guide, paper), by Mary Pope Osborne

Track the facts with Jack and Annie!

When Jack and Annie got back from their adventure in Magic Tree House #2: The Knight at Dawn, they had lots of questions. How were castles built? What was it like to live inside a castle? How did boys train to become knights? Did horses really wear armor? Find out the answers to these questions and more as Jack and Annie track the facts.

Filled with up-to-date information, photos, illustrations, and fun tidbits from Jack and Annie, the Magic Tree House Fact Trackers are the perfect way for kids to find out more about the topics they discovered in their favorite Magic Tree House adventures. And teachers can use Fact Trackers alongside their Magic Tree House fiction companions to meet common core text pairing needs.
 
Have more fun with Jack and Annie on the Magic Tree House® website at MagicTreeHouse.com!

  • Sales Rank: #28749 in Books
  • Brand: Random House Books for Young Readers
  • Published on: 2000-08-01
  • Released on: 2000-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .31" w x 5.19" l, .51 pounds
  • Binding: Paperback
  • 128 pages

From the Inside Flap
What was it like to wear armor? What was the food like in castles? This book explores what life was really like in medieval times.

About the Author
WILL OSBORNE and MARY POPE OSBORNE have been married for a number of years and live in northwestern Connecticut with their three dogs, Joey, Mr. Bezo, and Little Bear.
 
Mary is the author of over one hundred books for children, including novels, picture books, biographies, and retellings of fairy tales and world mythologies. Will has worked for many years in the theater as an actor, director, and playwright. Together he and Mary have coauthored two books of Greek mythology and eight Magic Tree House® Fact Trackers. Will has also written a multimedia planetarium show, Magic Tree House Space Mission, and is cocreator with Randy Courts of Magic Tree House: The Musical, a full-scale Broadway-style family musical based on Christmas in Camelot.
 
SAL MURDOCCA has illustrated more than 200 children's trade and text books. He is also a librettist for children's opera, a video artist, an avid runner, hiker, and bicyclist, and a teacher of children's illustration at the Parsons School of Design. Sal lives and works in New York with his wife, Nancy.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Great for fans of the magic tree house!
By William J. Rapaport
My 4-year-old son and I have been reading the Magic Tree House series for nearly half his life; they are among his favorite books (in fact, when given an opportunity at a book sale at day camp this summer, he opted to buy the next book in the series rather than the Pokemon cards that all his friends were buying!). When I showed him the Knights and Castles Research Guide, he was thrilled! We started reading it right away, and he found it fascinating. Especially appealing are the illustrations, much more numerous and detailed than those in the regular series. My only (very minor) disappointment is that it would have been even more wonderful if these books in this Research Guide series had been presented as if they were the actual books that Jack and Annie found in the treehouse (complete with the quotations that appear in the Tree House books), rather than ones they put together from "research" after their visits.

20 of 20 people found the following review helpful.
Knights and Castles
By The Bronk Family
Mary Pope Osborne does it again!
Our Family loves the Magic Tree House series. They hit us on many levels. Our youngest loves to be read to, our next just hit chapter books, our oldest is beyond this intro. level chapter books - but loves this series & reads the books over and over.
I am delighted to introduce reasearch ideas in such a non-threatening, inviting manner to my children. Learning and reading is so fun; and this concept sheds new light for a young audience. Not only will this help after reading the MTH series, it will add a new dimension when going on field trips, museums, the library, the internet, etc. I am going to share this book with our elementary school.
Ms. Osborne and her husband take the opportunity to be thorough, while simplifying for young minds - and the illustrations keep a young reader's attention.
Bravo! Keep 'em coming.

12 of 12 people found the following review helpful.
Terrific Reference for Middle Ages * Art * Theme!
By Sharon
I'm an artist and art teacher, and after discovering this book, I ordered copies for my middle school ART students! While it's an easy read for students of this age (5th through 7th grade), it's packed with understandable text and pictures. It's a great reference for the various art projects that my students are doing as part of our study of the Middle Ages, and the kids have really enjoyed it....

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